Series | Library of Rassegna iberistica
Edited book | The Admiration of All Mankind
Chapter | La ironía y la parodia en las novelas cervantinas como respuesta al género picaresco
La ironía y la parodia en las novelas cervantinas como respuesta al género picaresco
- Francisco de Borja Rodríguez Álamo - IES Pablo Neruda, Leganés, España - email
Abstract
One of the main characteristics of Cervantes’s novel is irony, which appears perhaps in all his texts. Irony and parody are not exclusive to the Cervantine novel, even to the picaresque novel, although they make here one of their first great appearances in the genre of the novel. Which is crucial for the latter’s development and subsequent consolidation. Irony is a search for a new way of understanding literature. In the present work, an analysis of one of the positions that Cervantes adopts before the competition and stimulation that the morphological proposals of picaresque, from Lazarillo to Guzmán, through his novels, from the praise to freedom, is intended of the picaresque life of the illustrious mop; the moment in which Rincon and Cortado laugh at the devotion of the brotherhoods of Monipodio thinking that they would be saved from their crimes, or from the linguistic mistakes of the brothers; against the digressions of the Guzman in the mouth of Cipión, or the mere conversion of the rogues into dog-men, without forgetting the words of Ginés de Pasamonte about autobiography.
Submitted: Feb. 8, 2021 | Accepted: March 8, 2021 | Published Dec. 1, 2021 | Language: es
Keywords Novel • Parody • Cervantes • Irony • Picaresque
Copyright © 2021 Francisco de Borja Rodríguez Álamo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-579-7/016
Introducción
- Cervantes veneciano: introducción
- José Manuel Martín Morán, Adrián J. Sáez
- Dec. 1, 2021
Conferencias plenarias
- Cervantes y el derecho: préstamos recíprocos
- Susan Byrne
- Dec. 1, 2021
- Magias parciales de Cervantes: Garcilaso contra Avellaneda
- Clea Gerber
- Dec. 1, 2021
- Las recreaciones teatrales en el examen de la recepción del Quijote
- Emilio Martínez Mata
- Dec. 1, 2021
Comunicaciones
- El Escipión de La Numancia o el miedo a perder la Fama
- Jordi Aladro
- Dec. 1, 2021
- El pasaje más oscuro del Quijote esclarecido
- Carlos Ansó
- Dec. 1, 2021
- Nombre y renombre: el testamento de Alonso Quijano
- Gonzalo Díaz-Migoyo
- Dec. 1, 2021
- Las deformaciones lingüísticas en los entremeses cervantinos
- Guillermo Fernández Rodríguez-Escalona
- Dec. 1, 2021
- El cardenal Espinosa y Mateo Vázquez de Leca: su influencia en la actividad teatral de Miguel de Cervantes
- José Luis Gonzalo Sánchez-Molero
- Dec. 1, 2021
- El hombre que mató a don Quijote de Terry Gilliam (2018) desde la transversalidad de la recreación
- Santiago A. López Navia
- Dec. 1, 2021
- Panorama y efectos del entrelazamiento en el Quijote
- José Manuel Martín Morán
- Dec. 1, 2021
- La fuerza de la sangre cervantina en el espejo de una novela de Kleist
- Wolfgang Matzat
- Dec. 1, 2021
- «Nunca representados», siempre sobre las tablas: los Entremeses de Cervantes y la escena contemporánea
- Daniel Migueláñez
- Dec. 1, 2021
- El arte de la novela de Cervantes a Zayas
- Emre Özmen
- Dec. 1, 2021
- Hojeando algunas biografías recientes
- Donatella Pini
- Dec. 1, 2021
- El Quijote, ‘The Prince of Purpoole’ y Gesta Grayorum
- Montserrat Reguant
- Dec. 1, 2021
- La ironía y la parodia en las novelas cervantinas como respuesta al género picaresco
- Francisco de Borja Rodríguez Álamo
- Dec. 1, 2021
- De nuevo sobre el epigrama latino del Viaje del Parnaso
- Fernando Romo Feito
- Dec. 1, 2021
- Cervantes y la escritura de senectute (en torno al Viaje del parnaso)
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- El Don Chisciotte in Sierra Morena de Apostolo Zeno y Pietro Pariati: del Quijote al libreto
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- Las ciudades de Cervantes: corografías entre historia y ficción
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- Dec. 1, 2021
- Motivos quijotescos y metaficción cervantina en el «Tríptico del carnaval» de Sergio Pitol
- Luis Carlos Salazar Quintana
- Dec. 1, 2021
-
Los Ludeña, regidores madrileños y familia hidalga principal de la Mancha
Una relación clientelar de Miguel de Cervantes - Jesús Sánchez Sánchez
- Dec. 1, 2021
- Verdad, mentira y poesía en la historia de Timbrio y Silerio en La Galatea
- Sara Santa-Aguilar
- Dec. 1, 2021
- El Quijote en la calle: historia de un espectáculo
- Pilar Serrano Sánchez de Menchén
- Dec. 1, 2021
- Autentificando el discurso de la verdad en El casamiento engañoso y El coloquio de los perros
- Miguel Ángel Zamorano Heras
- Dec. 1, 2021
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_5647 |
|
dc.contributor.author |
Rodríguez Álamo Francisco de Borja |
|
dc.title |
La ironía y la parodia en las novelas cervantinas como respuesta al género picaresco |
|
dc.type |
Chapter |
|
dc.language.iso |
es |
|
dc.description.abstract |
One of the main characteristics of Cervantes’s novel is irony, which appears perhaps in all his texts. Irony and parody are not exclusive to the Cervantine novel, even to the picaresque novel, although they make here one of their first great appearances in the genre of the novel. Which is crucial for the latter’s development and subsequent consolidation. Irony is a search for a new way of understanding literature. In the present work, an analysis of one of the positions that Cervantes adopts before the competition and stimulation that the morphological proposals of picaresque, from Lazarillo to Guzmán, through his novels, from the praise to freedom, is intended of the picaresque life of the illustrious mop; the moment in which Rincon and Cortado laugh at the devotion of the brotherhoods of Monipodio thinking that they would be saved from their crimes, or from the linguistic mistakes of the brothers; against the digressions of the Guzman in the mouth of Cipión, or the mere conversion of the rogues into dog-men, without forgetting the words of Ginés de Pasamonte about autobiography. |
|
dc.relation.ispartof |
Library of Rassegna iberistica |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2021-12-01 |
|
dc.dateAccepted |
2021-03-08 |
|
dc.dateSubmitted |
2021-02-08 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-580-3/la-ironia-y-la-parodia-en-las-novelas-cervantinas/ |
|
dc.identifier.doi |
10.30687/978-88-6969-579-7/016 |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-580-3 |
|
dc.identifier.eisbn |
978-88-6969-579-7 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Cervantes |
|
dc.subject |
Cervantes |
|
dc.subject |
Irony |
|
dc.subject |
Irony |
|
dc.subject |
Novel |
|
dc.subject |
Novel |
|
dc.subject |
Parody |
|
dc.subject |
Parody |
|
dc.subject |
Picaresque |
|
dc.subject |
Picaresque |
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