Annali di Ca’ Foscari. Serie orientale

57 | 2021

open access | peer reviewed

Keywords Armenian dialects • Mao Dun • Civilisation • Stair-risers • Tibetan Bon religion • Arabic article • Pharaohs • Associations of Japanese Language Teachers in Euro • Sugawara no Michizane • Time • Ge ware • Words • Guan ware • Koranic Hermeneutics • Advocacy by Teachers’ Associations • Digital humanities • Political dissent • Armenian • Morphemes order • Oreste Nazari • Bai Juyi • Global visibility • Nikutai • Brand China • Hindī varieties • Teacher’s Cooperation among and beyond Europe • Tawfīq al-Ḥakīm • Song Meiling • Ancient Chinese literature • Heian Japan • Resāla-ye musiqi • Theory of translation • Reforms and cooperation • Khitan-led Liao • China’s national image • No-Level Brick Language Education (NoLBrick) • Spoken Hindī • Sanskrit Studies in Italy • History of Indian Studies in Italy • Egyptian playwrights • Literary theory • Olympic spectacle • Standard Hindī • Naturalism • Political power • Literary translation • Catholic Missions • Informal language learning • Kidendō • Tang-Song transition • Pre-Islamic • Yaʿqūb Ṣanūʿ • 20FM • Arabic language • 2011 protests • Lopon Tendzin Namdak • Musical instruments • Social networks • Akbarian studies • Stupa • Code-switching • Leftist parties • History of Oriental Studies • Nur-al-Din ʿAbd-al-Raḥmān Jāmi • Socialism • Swat • Body • Daibei • Virtual reality • Frontier clients • Kanke bunsō • Ape • Carlo Formichi • Morphological change • Alfred Faraǧ • word order • Poetry Banquet • Translation policy • Taiping Guangji • Virtual worlds • Arabic linguistic tradition • ʿAlī Aḥmad Bākaṯīr • Tokyo International Film Festival • Oḍi-rajas • Faraḥ Šammā • Shatuo • Monkey • Ichikawa Hiroshi • Realism • Festival Programming • Imperfect • Chushou • Flower • Mother Tantra • Pharaonism • Morocco • The feminism debate • rDzogs chen • Poetic imagery • Language contact • Asian Film Festivals • Gandhara • Corporeality and language • Diptotism • Symbolic capital • Learning through technology • Last day of spring • Mi • Longquan kilns • Beijing 2008 • Zola • Asianness • Film Festival Network • Buddhist architecture • Ambiguity • Karada • Chinese ceramics • Japanese language • Okina • Transformation • Localisation • Definiteness • Shintai • Poetry • Semantics • Literary creation • Public service advertising • Islamic linguistic thought • Yu Dafu • Idols • Sinitic Poetry • Areal distribution • Japanese Language Education • Urmia • Translation • Laohudong kilns • The “New Life” Movement • Fujiwara no Yoshifusa • Uno Kuniichi • Kan Takayuki • Wisteria • Persian poetry • Spoken word • Cultural innovation

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2021/01 | Published June 30, 2021 | Language en, it

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