Journal | Archivio d’Annunzio
Journal issue | 4 | 2017
Research Article | Il poeta Vate e il poeta attore
Abstract
This paper focuses on d’Annunzio and Carmelo Bene. Namely, it is dedicated to the reading actor’s of the tragedy La figlia di Iorio and to the performance realised at the Teatro all’Angelo in Rome (1999). The relationship between the actor and d’Annunzio determines a significant evolution of Carmelo Bene’s art, which is linked to the theme of myth and primitiveness.
Submitted: Jan. 4, 2017 | Accepted: May 15, 2017 | Published Oct. 5, 2017 | Language: it
Keywords Myth • Actor and dramatist • D’Annunzio • Tragedies • Carmelo Bene
Copyright © 2017 Alfredo Sgroi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2421-292X/AdA-4-17-12