Journal | Archivio d’Annunzio
Monographic journal issue | 8 | 2021
Research Article | Sulle onde del «canto dell’antico sangue»: incipit ed explicit di La figlia di Iorio
Abstract
The pastoral drama La figlia di Iorio (1904) is a concentrate of musical and linguistic experiments. Incipit and explicit have a very important function in it. In fact, they characterise the ‘stacchi’ or ties that characterise this text with a complex and undulating architecture, similar to a symphony. In this essay, these very important moments in the economy of tragedy are analysed.
Submitted: Feb. 28, 2021 | Accepted: April 25, 2021 | Published Oct. 21, 2021 | Language: it
Keywords Melody • Rite • Rhythm • Popular • Cadence
Copyright © 2021 Alfredo Sgroi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2021/01/003
Officina dannunziana. Incipit ed explicit in Gabriele d’Annunzio
Civiltà dannunziana
Recensioni
DC Field | Value |
---|---|
dc.identifier |
ECF_article_6281 |
dc.title |
Sulle onde del «canto dell’antico sangue»: incipit ed explicit di La figlia di Iorio |
dc.contributor.author |
Sgroi Alfredo |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Research Article |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2021/1/sulle-onde-del-canto-dellantico-sangue-incipit-ed/ |
dc.description.abstract |
The pastoral drama La figlia di Iorio (1904) is a concentrate of musical and linguistic experiments. Incipit and explicit have a very important function in it. In fact, they characterise the ‘stacchi’ or ties that characterise this text with a complex and undulating architecture, similar to a symphony. In this essay, these very important moments in the economy of tragedy are analysed. |
dc.relation.ispartof |
Archivio d’Annunzio |
dc.relation.ispartof |
Vol. 8 | October 2021 |
dc.issued |
2021-10-21 |
dc.dateAccepted |
2021-04-25 |
dc.dateSubmitted |
2021-02-28 |
dc.identifier.issn |
|
dc.identifier.eissn |
2421-292X |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/AdA/2421-292X/2021/01/003 |
dc.peer-review |
yes |
dc.subject |
Cadence |
dc.subject |
Cadence |
dc.subject |
Melody |
dc.subject |
Melody |
dc.subject |
Popular |
dc.subject |
Popular |
dc.subject |
Rhythm |
dc.subject |
Rhythm |
dc.subject |
Rite |
dc.subject |
Rite |
Download data |
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