The Representation of the Wonderful and the Preternatural between the Gothic Novel and Fin-de-Siècle Literature

open access | peer reviewed
    edited by
  • Elisa Bizzotto - I.U.A.V. - email
  • Flavio Gregori - Università Ca’ Foscari Venezia, Italia - email orcid profile

Keywords Uncanny • Aesthetics • Joseph Conrad • Virginia Woolf • Psycho-acoustic ambience • Henry James • Supernatural Horror • Stevenson • Hybridity • Spiritualism • Form • Narrative Annexe • Aesthetic Culture • Horace Walpole • Robert Louis Stevenson • The Sublime • Ghost Story • Mysticism • Deformed pigs • Transatlantic literature • Olalla • Late-Victorian Context • Border-crossing • Supernatural • Ruyard Kipling • Victorian Era • Genre • Wells • Harriet Beecher Stowe • Realism • Space • Religious and political propaganda • Romance • Gothic • Elizabethan England • Vampire • Empiricism • Edmund Burke • Monsters • Street literature • Fin de siècle • Gothic novel • Geopoetics • Islands • Gothic Novel • Doyle • The Castle of Otranto • The ‘Aesthetic Fantastic’ • Fantastic • Mimetic Dimension • George Eliot • Monstrous births • The Mysteries of Udolpho • Foley effects • Marvellous • Narrative • Escapism • Ann Radcliffe

Permalink http://doi.org/10.30687/EL/2420-823X/2020/01 | Published Dec. 21, 2020 | Language en

Copyright © Elisa Bizzotto, Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.