26 | 2024
open access | peer reviewedKeywords Damas • Tim Jones • New Zealand • Neoliberalism • Social criticism • Supernatural • Postmigration • Subaltern studies • Migration • Storytelling • Cherie Dimaline • Visibility • Mabanckou • Refugee • Negative solidarity • Habel • Chaos-world • Decolonial • Transnationalism • Decoloniality • Refugee novel • Cotton mill workers • Autobiography • Walcott • Language • Pluralism • Migrant literature • Failure • Mohammed Dib • Whichcraft • Narratives • David Fennario • Mumbai migrants • Canadian Theatre • Cultural heritage • Painting • Subverting of the imaginary • Indigenous pandemic fiction • Exit West • Multiplicity • Césaire • Urban identity • Intermediality • Climate refugees • Ekphrasis • Heterotopy • Dreaming • Poetics of space • Négritude • Mohsin Hamid • Caribbean • Narayan Surve • Mbougar Sarr
Permalink http://doi.org/10.30687/Tol/2499-5975/2024/01 | Published Dec. 9, 2024 | Language fr, en, it
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