26 | 2024
open access | peer reviewedKeywords Ekphrasis • Cultural heritage • Chaos-world • Césaire • Storytelling • Subverting of the imaginary • Dreaming • Social criticism • Mohsin Hamid • New Zealand • Tim Jones • Mumbai migrants • Exit West • Neoliberalism • Postmigration • Refugee novel • Damas • Narratives • Migrant literature • Visibility • Refugee • Decoloniality • Poetics of space • Mohammed Dib • Cotton mill workers • Cherie Dimaline • Decolonial • Walcott • Heterotopy • Painting • Urban identity • Language • Multiplicity • Transnationalism • Indigenous pandemic fiction • Intermediality • Mbougar Sarr • Failure • Supernatural • Habel • Whichcraft • Narayan Surve • Mabanckou • Pluralism • Autobiography • Canadian Theatre • Climate refugees • Subaltern studies • Caribbean • Négritude • David Fennario • Negative solidarity • Migration
Permalink http://doi.org/10.30687/Tol/2499-5975/2024/01 | Published Dec. 9, 2024 | Language en, fr, it
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