[re]constructions
open access | peer reviewed-
edited by
- Franz Fischer - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Diego Mantoan - Università degli Studi di Palermo, Italia - email orcid profile
- Barbara Tramelli - Libera Università di Bolzano, Italia - email orcid profile
Keywords 16th century • Visual arts • City • Interpretation • Music • Sound • Timing • 17th century • Digital art history • Experience design • Lebanon • Technology • University museum • Digital documentation • Irony • Virtual • Virtual reality • Digital cultural heritage • Ontology • Social network • Urban space • Augmented reality • War damage • Audio • Storytelling • Digital humanities • Archaeological • Semantic web • Modern art • Database • Audience-centred • 3D modeling • 3d model • 3D • Middle ages • Controlled vocabularies • Digital heritage • Laser scanning • Acoustic • Linlithgow Palace • Digital archiving • New normal • Reconstruction • Musicological • Knowledge organisation • Public humanities • Museum • Chapel
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06 | Published Dec. 16, 2022 | Language it, en
Copyright © Franz Fischer, Diego Mantoan, Barbara Tramelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.