[re]constructions
open access | peer reviewed-
edited by
- Franz Fischer - Ca' Foscari University of Venice - email orcid profile
- Diego Mantoan - University of Palermo - email orcid profile
- Barbara Tramelli - Free University of Bozen-Bolzano - email orcid profile
Keywords Reconstruction • Social network • Linlithgow Palace • New normal • Virtual • Archaeological • Knowledge organisation • Augmented reality • Sound • Interpretation • Timing • Urban space • Database • Technology • 3d model • Chapel • Digital humanities • Music • Musicological • Laser scanning • 16th century • Digital cultural heritage • Digital heritage • Digital archiving • Modern art • War damage • Controlled vocabularies • University museum • Museum • Audio • Digital art history • Acoustic • Audience-centred • Ontology • Storytelling • Semantic web • Virtual reality • Visual arts • Public humanities • Digital documentation • 17th century • 3D modeling • 3D • City • Lebanon • Middle ages • Irony • Experience design
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06 | Published Dec. 16, 2022 | Language en, it
Copyright © Franz Fischer, Diego Mantoan, Barbara Tramelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.