[re]constructions
open access | peer reviewed-
edited by
- Franz Fischer - Ca' Foscari University of Venice - email orcid profile
- Diego Mantoan - University of Palermo - email orcid profile
- Barbara Tramelli - Free University of Bozen-Bolzano - email orcid profile
Keywords New normal • War damage • Irony • Laser scanning • Visual arts • Lebanon • Acoustic • Middle ages • Music • Digital archiving • Digital heritage • Museum • University museum • Social network • Timing • Sound • Audio • Experience design • Ontology • Linlithgow Palace • Virtual reality • Technology • Storytelling • Reconstruction • Controlled vocabularies • Urban space • Modern art • Interpretation • 17th century • Public humanities • 3D modeling • Database • Chapel • Musicological • Digital humanities • Digital documentation • 16th century • 3D • 3d model • Archaeological • Digital cultural heritage • City • Knowledge organisation • Audience-centred • Semantic web • Virtual • Augmented reality • Digital art history
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06 | Published Dec. 16, 2022 | Language en, it
Copyright © Franz Fischer, Diego Mantoan, Barbara Tramelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.