[re]constructions
open access | peer reviewed-
edited by
- Franz Fischer - Ca' Foscari University of Venice - email orcid profile
- Diego Mantoan - University of Palermo - email orcid profile
- Barbara Tramelli - Free University of Bozen-Bolzano - email orcid profile
Keywords Music • Irony • Lebanon • Visual arts • Acoustic • New normal • Virtual • Reconstruction • War damage • 16th century • Controlled vocabularies • Ontology • Augmented reality • Public humanities • 3D • Audio • 17th century • Chapel • Knowledge organisation • Linlithgow Palace • Storytelling • Virtual reality • Semantic web • City • Digital cultural heritage • Digital heritage • Museum • Social network • Experience design • Digital documentation • Sound • Timing • Technology • 3D modeling • Digital archiving • Musicological • University museum • Middle ages • Digital humanities • Laser scanning • 3d model • Database • Archaeological • Audience-centred • Modern art • Urban space • Digital art history • Interpretation
Permalink http://doi.org/10.30687/mag/2724-3923/2022/06 | Published Dec. 16, 2022 | Language it, en
Copyright © Franz Fischer, Diego Mantoan, Barbara Tramelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.