Turin 1898-Paris 1900

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DC Field	Value
dc.identifier	ECF_article_1247
dc.title	Turin 1898-Paris 1900. Carlo Ceppi, Costantino Gilodi e Giacomo Salvadori between Tradition and Innovation
dc.contributor.author	Dameri Annalisa
dc.contributor.author	Stella Federica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	en
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/mdccc-1800/2017/1numero-monografico/torino-1898-parigi-1900/
dc.description.abstract	The last years of the 19th century in Turin are marked by the project of the General Italian Exhibition of 1898, whose coordination is entrusted to Ceppi, Gilodi and Salvadori. The closure of this Exhibition however does not terminate their experience in designing exposition spaces: in a sort of passing of the baton, some of the Turin pavilions, before being demolished, housed the laboratories where the pavilion, intended to represent Italy in Paris in 1900, was prefabricated. The Italian pavilion for the French exhibition was highly innovative; new materials and solutions make the project an iconic example of contemporary architectural culture and industrialization of the construction site. One of the highlights is the re-elaboration of Venetian Gothic, a fine example of Ceppi’s ability to master and combine stylistic codes of the past and modern innovative techniques.
dc.relation.ispartof	MDCCC 1800
dc.relation.ispartof	Vol. 6 \| July 2017
dc.issued	2017-07-31
dc.dateAccepted	2017-05-05
dc.dateSubmitted	2017-02-13
dc.identifier.issn
dc.identifier.eissn	2280-8841
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2280-8841/MDCCC-6-17-7
dc.peer-review	yes
dc.subject	Carlo Ceppi
dc.subject	Carlo Ceppi
dc.subject	Costantino Gilodi
dc.subject	Costantino Gilodi
dc.subject	Exhibition
dc.subject	Exhibition
dc.subject	Giacomo Salvadori
dc.subject	Giacomo Salvadori

Research Article
open access peer reviewed

Carlo Ceppi, Costantino Gilodi e Giacomo Salvadori between Tradition and Innovation

Federica Stella Politecnico di Torino, Italia

Annalisa Dameri Politecnico di Torino, Italia

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abstract

The last years of the 19th century in Turin are marked by the project of the General Italian Exhibition of 1898, whose coordination is entrusted to Ceppi, Gilodi and Salvadori. The closure of this Exhibition however does not terminate their experience in designing exposition spaces: in a sort of passing of the baton, some of the Turin pavilions, before being demolished, housed the laboratories where the pavilion, intended to represent Italy in Paris in 1900, was prefabricated. The Italian pavilion for the French exhibition was highly innovative; new materials and solutions make the project an iconic example of contemporary architectural culture and industrialization of the construction site. One of the highlights is the re-elaboration of Venetian Gothic, a fine example of Ceppi’s ability to master and combine stylistic codes of the past and modern innovative techniques.

Published

July 31, 2017

Accepted

May 5, 2017

Submitted

Feb. 13, 2017

Language

Keywords: Costantino Gilodi • Carlo Ceppi • Exhibition • Giacomo Salvadori

permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17-7

Copyright: © 2017 Federica Stella, Annalisa Dameri. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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