14 | 2025

Keywords Classical sculpture • James Irvine • Chile • Art Collecting • Academy of Fine Arts • Artworks Dispersal • Grimani Collection • France • Collecting • Habsburgs • Neo-Gothic • Ukiyo-e • Cultural identity • Bronze statuettes • Mosaic • Travel diary • Archaeometry • Art market • Valorization • Women artists • Pietro Palmaroli • Transculturality • Venice • Digital humanities • Painting conservation and restoration • Japonism • Circulation • Grimani Palace • Kingston Lacy • Ornament • Architecture • Artwork Dispersal • Bijin-ga • Nineteenth century • Sacred space • Museums • Conservation • Japan • Dispersions

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01 | Published Dec. 9, 2025 | Language en, it, es

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