Così lontani, così vicini

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DC Field	Value
dc.identifier	ECF_article_1237
dc.title	Così lontani, così vicini. Villani a teatro da Ruzante a Fumoso (primi appunti)
dc.contributor.author	Scannapieco Anna
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/quaderni-veneti/2017/1numero-monografico/cosi-lontani-cosi-vicini/
dc.description.abstract	The making of a first critical and commented edition of the theatrical works of the Rozzi congregation – based on the corpus of the congregation’s chief exponent, Salvestro Cartaio, called Il Fumoso – makes it possible to start exploring a so far neglected aspect of country-life plays. Indeed, it provides an innovative and essential contribution to an understanding of the ‘geography and history’ of 15th-century Italian theatre, especially its main production areas (namely, old Padua and Siena). The present study offers some preliminary reflections on the relationship between Ruzante and Il Fumoso: these playwrights are vastly different in terms of their socio-cultural background and artistic stature; yet, they are also very similar with regard to the innovativeness and complexity of their outlook on the ‘otherness’ of the countryside.
dc.relation.ispartof	Quaderni Veneti
dc.relation.ispartof	Vol. 6 \| June 2017
dc.issued	2017-12-20
dc.dateSubmitted	2017-09-07
dc.identifier.issn
dc.identifier.eissn	1724-188X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/1724-188X/QV-6-1-17-7
dc.peer-review	yes
dc.subject	15th-century Italian theatre
dc.subject	15th-century Italian theatre
dc.subject	Angelo Beolco called ‘Ruzante’
dc.subject	Angelo Beolco called ‘Ruzante’
dc.subject	Rozzi congregation
dc.subject	Rozzi congregation
dc.subject	Salvestro Cartaio called ‘Fumoso’
dc.subject	Salvestro Cartaio called ‘Fumoso’

Research Article
open access peer reviewed

Villani a teatro da Ruzante a Fumoso (primi appunti)

Anna Scannapieco Università degli Studi di Padova, Italia

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abstract

The making of a first critical and commented edition of the theatrical works of the Rozzi congregation – based on the corpus of the congregation’s chief exponent, Salvestro Cartaio, called Il Fumoso – makes it possible to start exploring a so far neglected aspect of country-life plays. Indeed, it provides an innovative and essential contribution to an understanding of the ‘geography and history’ of 15th-century Italian theatre, especially its main production areas (namely, old Padua and Siena). The present study offers some preliminary reflections on the relationship between Ruzante and Il Fumoso: these playwrights are vastly different in terms of their socio-cultural background and artistic stature; yet, they are also very similar with regard to the innovativeness and complexity of their outlook on the ‘otherness’ of the countryside.

Published

Dec. 20, 2017

Submitted

Sept. 7, 2017

Language

Keywords: 15th-century Italian theatre • Salvestro Cartaio called ‘Fumoso’ • Angelo Beolco called ‘Ruzante’ • Rozzi congregation

permalink http://doi.org/10.14277/1724-188X/QV-6-1-17-7

Copyright: © 2017 Anna Scannapieco. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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