48 | 124 | 2025
open access | peer reviewedKeywords Resto • Siglo XXI • Notes • Alma y vida • Poesía dramática • Spanish theatre of the seventeenth century • Avant-garde • Teatro del siglo XVII • Pérez Galdós • Catastrophe • Political discourse • Twenty-first century • <br> • Desaparecidos • Edición literaria • Catástrofe • Campo cultural • Allegory • Galdosian theatre • Libros de caballerías • Pere Gimferrer • Song’s translation • Rivoluzione portoghese • Golden Age • Seix Barral • Discurso político • Dictadura cívico-militar • Poetry • Canzone d'autore • Cultural field • Canzone d’autore • Notas • Rest • Argentine • Divulgazione musicale • Theater • Luis Vélez de Guevara • Photograph • Portuguese Revolution • Latin American writers • Teatro galdosiano • Vanguardia • Transición democrática • Escritoras latinoamericanas • Civil-military dictatorship • Modernism • Plays in collaboration • Literatura finisecular • Democratic transition • Review • José Afonso • Musical dissemination • El príncipe de la estrella y castillo de la vida • Traduzione della canzone • Fotografía • Siglo de Oro • Literary publishing • Dramatic poetry • Alegoría • Modernismo • Novels of chivalry • Teatro • Poesía • Argentina • Comedia en colaboración
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Published Dec. 12, 2025 | Language es, it
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