Cracking the Surface: Flows Between Above and Below Ground
open access | peer reviewed-
edited by
- Simone M. Müller - Universität Augsburg, Deutschland - email
- Livia Cahn - Ludwig Maximilians-Universität München, Deutschland - email
‘Cracking the Surface’ is a metaphor that resonates deeply with the contributions to this special issue that began from an interest to compose with and better grasp the movements and interrelationships between, from and across, above and below ground. How to write them up together in a way that is mindful both of human and more-than human actors, materials animate and inanimate, and their respective power relationships? Focusing on matters extracted, others dumped, ground that falls, water that rises, divers that delve, pollution that spills and percolates, villages that collapse and buildings that rise, contributions in this special issue reassemble and reassess the very relationships between above and below ground. To give depth to the surface, contributions from architects, art historians, anthropologists, cultural theorists, film makers, historians, photographers, and a sound artist engage with the volumetric perspective and explore the possibilities that cracks, holes, or pits – as mines, excavations, pits, or water reservoirs – confer conceptually when analyzing the existential threats to our collective conditions of existence on this planet.
Keywords Eva Perón • Material flows • Big Tech • Time • Underground • Cormorants (Phalacrocorax carbo sinensis) • Gaps • Legacy pollution • Multispecies Relations • Reuse • Entanglement • Diffraction • Climate activism • Other-than-human • Transmediation • Coal mining • Queer Geophysics • Sonic epistemologies • Infra-solutionism • Toxic chemicals • Slow violence • Sinkholes • Critical zone • Absence • Place • High-rise housing • Memorials • Carbon Removal • Narrative techniques • Racial Capitalism • Existential pluralism • Mining • Quarry • Lützerath • Anthropocene • Toxic commons • Toxicity • Eastern Germany • Venetian Lagoon • Imaginary fieldwork • Vertical Turn in Visual Culture • Coal • History of Remote Sensing of the Environment • Remediation • Memory • Amber • Translucence • Florida • Surfaces • Material Sovereignty • Nairobi • Spoil tip • Energy transition • History • Salvage • Verticality • Space • The dead • The fantastic • Urban anthropology • Waste • Heritage • Extraction • Construction
Permalink http://doi.org/10.30687/LGSP/2785-2709/2025/01 | Published July 21, 2025 | Language en
Copyright © Simone M. Müller, Livia Cahn. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.