Journal | Venezia Arti
Journal issue | 25 | 2016
Research Article | The Thresholds and Guardians of the Arts

The Thresholds and Guardians of the Arts

An Introductory Note

Roberta Dreon - Università Ca’ Foscari Venezia, Italia - email orcid profile
Diego Mantoan - Università degli Studi di Palermo, Italia - email orcid profile

Abstract

Published Dec. 20, 2016 | Language: it

Copyright © 2016 Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.14277/2385-2720/VA-25-16-0

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Opening Texts

Editorial
Carmelo Alberti, Michela Agazzi
Dec. 20, 2016

A Memory of Alberto Prandi Always Alive
Sergio Marinelli
Dec. 20, 2016

The Thresholds and Guardians of the Arts
An Introductory Note
Roberta Dreon, Diego Mantoan
Dec. 20, 2016

The Pale and Gatekeepers of The Arts

Arthur Danto and the Political Re-Enfranchisement of Art
Noël Carroll
Dec. 20, 2016

Gli intermediari nell’arte contemporanea
Una mappatura della sociologia pragmatica
Nathalie Heinich
Dec. 20, 2016

The Artist-entrepreneur Acting as a Gatekeeper in the Realm of Art
Monica Calcagno, Lisa Balzarin
Dec. 20, 2016

Art as a Gesture: Singular and Shared
Daniele Goldoni
Dec. 20, 2016

Borders and Border Crossing Between Art Worlds
Successful Attempts and Epic Failures to Enter New Domains in Recent British Art
Diego Mantoan
Dec. 20, 2016

Art and What Remains Out of It
The Example of The Store by Claes Oldenburg
Michael Lüthy, Bernard Schieder
Dec. 20, 2016

For a History of Fashion
Concepts, Objects and Material Culture
Giorgio Riello
Dec. 20, 2016

A Rusty Issue; or, the Strange Case of a Victorian Crane in Venice
Patrizia Pierazzo
Dec. 20, 2016

Custodians: From Curators to Guardians
A Professional Role for Italian Museums and Its Historical Definitions
Chiara Piva
Dec. 20, 2016

«Stupido Guardi!»
Thresholds for Forgery in Antonio Morassi's Archive-Photo Library
Federica Veratelli, Giulio Zavatta
Dec. 20, 2016

About the Edition of the Lettere sopra la pittura grottesca by Pirro Ligorio
Damiano Acciarino
Dec. 20, 2016

A Different Caucasus
Early Triumphs of Photography in the Caucasus
Karina Solovyova, Inessa Kouteinikova
Dec. 20, 2016

Collectanea

Reuse of Roman Steles in the Jewish Cemetery of the Lido of Venice
Licia Fabbiani
Dec. 20, 2016

The Fine Arts and Monuments Office of the Superintendency of Trieste (1920-1925)
Considerations Starting from the Materials of the Antonio Morassi Photo Archive
Beatrice Marangoni
Dec. 20, 2016

Photography, a Matrix for two Exhibitions
Le ville venete (1952) by Giuseppe Mazzotti and Les villas de la Vénétie (1954) by Michelangelo Muraro
Margherita Naim
Dec. 20, 2016

Opera Overture and Directorial Commentary: An (un)Happy Abuse?
Notes in the Margin of a Question by Osthoff
Fabio Dal Corobbo
Dec. 20, 2016

DC Field	Value
dc.identifier	ECF_article_667
dc.title	The Thresholds and Guardians of the Arts. An Introductory Note
dc.contributor.author	Dreon Roberta
dc.contributor.author	Mantoan Diego
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/venezia-arti/2016/1/le-soglie-e-i-custodi-delle-arti/
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 25 \| December 2016
dc.issued	2016-12-20
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2385-2720/VA-25-16-0
dc.peer-review	no
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