Journal | Venezia Arti
Monographic journal issue | 26 | 2017
Research Article | Gio. Bapt. Paggius Genuensis F.
Abstract
The Genoese painter Giovanni Battista Paggi (1554-627) is often mentioned by the scholars, not only for his artistic works, but also for his great social commitment in promoting the artist to the status of intellectual. The aim of this article is to put in light the Paggi’s extraordinary conviction that painting must be considered and called nobilissima scienza and for this reason, he signed the great part of his works. Moreover, in the first part of his career, he recorded his compositions and the name of his patrons by drawing. The self-promotion of his activity conducted him to be considered an intellectual and a guide by his contemporaries.
Submitted: July 17, 2017 | Accepted: Sept. 27, 2017 | Published Dec. 20, 2017 | Language: it
Keywords Intellectual • Genoa • Paggi • Signature
Copyright © 2017 Valentina Frascarolo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2385-2720/VA-26-17-11
Introduction
Middle Ages
Modern Age
The Twentieth Century
Collectanea
DC Field | Value |
---|---|
dc.identifier |
ECF_article_1071 |
dc.title |
Gio. Bapt. Paggius Genuensis F.. The Very Noble Science of Painting by Giovanni Battista Paggi |
dc.contributor.author |
Frascarolo Valentina |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Research Article |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/venezia-arti/2017/1/gio-bapt-paggius-genuensis-f/ |
dc.description.abstract |
The Genoese painter Giovanni Battista Paggi (1554-627) is often mentioned by the scholars, not only for his artistic works, but also for his great social commitment in promoting the artist to the status of intellectual. The aim of this article is to put in light the Paggi’s extraordinary conviction that painting must be considered and called nobilissima scienza and for this reason, he signed the great part of his works. Moreover, in the first part of his career, he recorded his compositions and the name of his patrons by drawing. The self-promotion of his activity conducted him to be considered an intellectual and a guide by his contemporaries. |
dc.relation.ispartof |
Venezia Arti |
dc.relation.ispartof |
Vol. 26 | December 2017 |
dc.issued |
2017-12-20 |
dc.dateAccepted |
2017-09-27 |
dc.dateSubmitted |
2017-07-17 |
dc.identifier.issn |
|
dc.identifier.eissn |
2385-2720 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2385-2720/VA-26-17-11 |
dc.peer-review |
yes |
dc.subject |
Genoa |
dc.subject |
Genoa |
dc.subject |
Intellectual |
dc.subject |
Intellectual |
dc.subject |
Paggi |
dc.subject |
Paggi |
dc.subject |
Signature |
dc.subject |
Signature |
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