Metamorphosis
open access | peer reviewedKeywords Grotesque • Liturgical furnishings • Snake • Guggenheim Museum • Battle of Lepanto • Arte povera • Olga Tobreluts • Made in Italy • The Italian Metamorphosis 1943-1968 • Neoacademism • Picasso • Arch • Biomorphic Abstraction • Medieval churches • Pakistani Art • Venice • Basilisk • Forties • Remediation • Viani • Germano Celant • Rooster • War • Armour • Parody • Zadar • Transnational Art • Facial Mutilations • Digital Collage • Contemporary Art • Medieval oriental cults • Monster • Humanist imagery • Tombs • Renaissance hydraulic engineering • Annibal Caro • Global Art • Waterplays • Birolli • New Renaissance • Fountains • Venetian self-representation • Ecfrasis • Modernism • Masson • Metamorphosis • Postwar Print Art • Claudio Tolomei • Ornament • Body • Trauma • Saint marina • Sacred space • Zoomorphism • Jacopo Foscarini • Romanitas • Videoart • Arp • South Asian Art • Animality
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language EN, en, it
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