Metamorphosis
open access | peer reviewedKeywords Transnational Art • Made in Italy • Digital Collage • Annibal Caro • Romanitas • Sacred space • Saint marina • Parody • Waterplays • Biomorphic Abstraction • Germano Celant • Armour • Remediation • Masson • Videoart • New Renaissance • Postwar Print Art • Guggenheim Museum • Tombs • Arp • Forties • Contemporary Art • Ecfrasis • Fountains • Grotesque • Neoacademism • Facial Mutilations • Metamorphosis • Olga Tobreluts • Pakistani Art • Venetian self-representation • Monster • Arch • War • Animality • South Asian Art • Zadar • Global Art • Medieval churches • Trauma • Liturgical furnishings • Modernism • Venice • Body • Picasso • The Italian Metamorphosis 1943-1968 • Ornament • Humanist imagery • Claudio Tolomei • Jacopo Foscarini • Medieval oriental cults • Arte povera • Rooster • Zoomorphism • Basilisk • Battle of Lepanto • Viani • Birolli • Renaissance hydraulic engineering • Snake
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language it, en, EN
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