Metamorphosis
open access | peer reviewedKeywords Zoomorphism • Forties • Humanist imagery • Renaissance hydraulic engineering • The Italian Metamorphosis 1943-1968 • Postwar Print Art • Rooster • Animality • Guggenheim Museum • Venice • Videoart • Venetian self-representation • Basilisk • Contemporary Art • Parody • Digital Collage • Birolli • Jacopo Foscarini • Arp • Liturgical furnishings • South Asian Art • Sacred space • Facial Mutilations • Global Art • Waterplays • Pakistani Art • Masson • Neoacademism • Arte povera • Battle of Lepanto • Modernism • Monster • Biomorphic Abstraction • Grotesque • Picasso • Snake • Fountains • Trauma • Metamorphosis • Medieval oriental cults • Transnational Art • Made in Italy • Ornament • Germano Celant • Claudio Tolomei • Ecfrasis • Body • Romanitas • Viani • New Renaissance • Olga Tobreluts • Tombs • Zadar • Saint marina • Armour • Arch • Remediation • War • Annibal Caro • Medieval churches
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language it, EN, en
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