Metamorphosis
open access | peer reviewedKeywords Jacopo Foscarini • Battle of Lepanto • Claudio Tolomei • Birolli • New Renaissance • Renaissance hydraulic engineering • Rooster • Viani • Body • Ecfrasis • Forties • South Asian Art • Monster • War • Trauma • Arch • Digital Collage • Metamorphosis • Humanist imagery • Arte povera • Postwar Print Art • Made in Italy • Germano Celant • Ornament • Sacred space • Tombs • Videoart • Facial Mutilations • Neoacademism • Romanitas • Guggenheim Museum • Olga Tobreluts • Medieval oriental cults • Venetian self-representation • Global Art • Waterplays • Liturgical furnishings • Transnational Art • Basilisk • Grotesque • The Italian Metamorphosis 1943-1968 • Pakistani Art • Venice • Masson • Fountains • Remediation • Zoomorphism • Zadar • Biomorphic Abstraction • Medieval churches • Contemporary Art • Arp • Snake • Annibal Caro • Parody • Animality • Picasso • Modernism • Saint marina • Armour
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language en, EN, it
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