Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Graphic novel • Image of the Native American • Peruan literature • Mini-fiction in Peru • Translation • Irrepresentability • Andean music • Ecocriticism • Enrique Bernardo Núñez • Realism • Landscape • Multiculturality of Belize • Paiche • Inti-Illimani • Columbia • Utopia • Francisco Vázquez de Coronado • Malvinas War • Fernández de Lizardi • Mario Bellatin • Pampa Gringa • Detective stories • Self-translation • Autofiction • Traumatic past • Belizean Maya culture • Historical poetry • Biography • Amazonian literature • Situated poetry • Encounter • Homosexuality • Amado Chan • Spanish Empire • Conquest • Oscar Martínez • Fantastic literature • Monster • Neorealism • Post-dictatorship Argentine culture • Theatre • Pablo Escobar • Intimism • Mayan poetry • Carlos Sabat Ercasty • Mexican-American war • Literature of the self • Pablo Montoya • Ernesto Che Guevara • La sed del ojo • Los Calchakis • Policies of memory • Minorities • Río de la Plata • Mauricio Rosencof • Jorge Ibargüengoitia • Maya poetry • Literature and photography • Textuality • Latin America • México • History and myth • Romance • Testimony literature • Graphic journalism • Autobiographical genre • Religious syncretism • Falklands War • Mestizo • Science fiction • US-Mexican border • Pearls exploitation • Neo-baroque • Cuba • Mini-fiction • Power • Corporality • Guadalupe Nettel • American myth • Reportage • Sixteenth and seventeenth century historiography • Silvina Ocampo • Peruvian literature • Cultural memory • Narrative space • Gender • Colonization • Conqueror • Poem • Los derrotados • Rewriting • Fernando Monacelli • Churubusco • Exile • Science-fiction • Migratory literature • Lima • Autobiography • Mexican Conquest • Literature • Jorge Enrique Adoum • Bolivia • Monteiro Lobato • Andrea Ferraris • Mexican Revolution • Escuela de Santa Fe • Immigration • Historical translation • History of women • Female identity • José María Arguedas • Horacio Quiroga • East and West Indies • Samanta Schweblin • Body • Cry of ‘Ajetreo’ • Chile en monte, valle y mar • Unspeakable • Hierophany • New World • Mario Vargas Llosa • Belizean literature • Historic novel • Intertextuality • Private journal • Indigenous • Memory • Rosa Chávez Juárez • Briceida Cuevas Cob • Globalised societies-multiple identity • Short story • Posthuman • Maya Cu • Contemporary Argentine literature • Siete Ciudades de Cíbola • Otherness • Pornographic Photography • Documentary photography • Uruguayan poetry • Contemporary Argentinian literature • Mariano Azuela • Aníbal Quijada • Female writing • Central America • Illustrations • Reinaldo Arenas • Self-reflexivity • Hybridisation • Italian reception of Latin-American music • Gastón Gori • Migration • Selective traditions • La cicatrice • Albert Bensoussan • Cultural identity • The Notebooks of the Earth • Queer • Conquest in the media • Narrative journalism • Manuel Gálvez • Literary fiction • Cinco esquinas • La virgen del Samiria • Synthesis • Quechua • Drug trafficking • Marcela Turati • Nomadic subject • Religions • Contemporary Argentine narrative • Self-fiction • Amparo Dávila • Cultural exchanged • The Neighbourhood • Theory of mini-fiction • Geopoetics • Latin-American boom • Identity • Amerindian women • Urban novel • Fray Marcos de Niza • Poetic language • Metamorphosis • Objects • Novel • Nueva Canción Chilena • Argentine Pampa Gringa • Oral history • Centroamérica • Illness • Mexicas • Diamela Eltit • Environment • Mauricio Magdaleno • Dictatorship • Dystopian fiction • Lina Meruane • Modernity • History • Unheimlich • Migration studies • History of reading • Fernando Birri • Julia de Burgos • Luis Martín Guzmán • Venezuelan literature • Literary theory • Cono Sur • Travel books • Reception • XXI century • Myth • Creative Friendship • Luis de Miranda de Villafañe • Italian emigrant-individual crisis

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

edizione a stampa shopping_bag
42,00 €

  • file_download 11
  • search 11
  • format_quote 0

Sommario

Se trovi interessanti le nostre pubblicazioni e vuoi ricevere aggiornamenti sulle prossime uscite, iscriviti ora alla nostra newsletter.

x

Newsletter