Biblioteca di Rassegna iberistica

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Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Andean music • Graphic novel • Albert Bensoussan • Chile en monte, valle y mar • Dystopian fiction • Fernández de Lizardi • Body • Argentine Pampa Gringa • Italian reception of Latin-American music • Drug trafficking • Contemporary Argentine literature • Falklands War • Mini-fiction in Peru • Guadalupe Nettel • Julia de Burgos • Ernesto Che Guevara • Los derrotados • Otherness • Oscar Martínez • Colonization • Cultural identity • Globalised societies-multiple identity • Romance • Pornographic Photography • Literature of the self • Cultural exchanged • Neo-baroque • Central America • Modernity • Fernando Birri • XXI century • Maya Cu • Image of the Native American • Mario Bellatin • Geopoetics • Female writing • Horacio Quiroga • Monteiro Lobato • Escuela de Santa Fe • Monster • Historical poetry • Briceida Cuevas Cob • Historic novel • Poetic language • Latin America • Encounter • Reception • History • Quechua • Selective traditions • Contemporary Argentine narrative • La sed del ojo • Novel • Policies of memory • Exile • Belizean Maya culture • Jorge Ibargüengoitia • Reinaldo Arenas • Uruguayan poetry • Belizean literature • Utopia • Amerindian women • Homosexuality • Science fiction • Self-reflexivity • Short story • Mauricio Rosencof • Documentary photography • Hierophany • American myth • Fantastic literature • Luis Martín Guzmán • Pablo Escobar • Migratory literature • Contemporary Argentinian literature • Mexicas • Unheimlich • Conqueror • Latin-American boom • Urban novel • Autobiography • Mini-fiction • Enrique Bernardo Núñez • Pearls exploitation • Maya poetry • Testimony literature • Italian emigrant-individual crisis • Textuality • Venezuelan literature • Andrea Ferraris • Literature and photography • Unspeakable • Nomadic subject • Creative Friendship • Columbia • The Notebooks of the Earth • Cultural memory • Amazonian literature • Translation • Identity • José María Arguedas • Power • Francisco Vázquez de Coronado • Lima • Irrepresentability • Traumatic past • Carlos Sabat Ercasty • Literature • Multiculturality of Belize • México • Río de la Plata • Objects • Aníbal Quijada • Paiche • Ecocriticism • Mayan poetry • Mestizo • Post-dictatorship Argentine culture • Mariano Azuela • Jorge Enrique Adoum • Realism • Hybridisation • Immigration • Myth • Los Calchakis • Situated poetry • Autobiographical genre • Mexican Conquest • Pampa Gringa • Reportage • Science-fiction • Synthesis • Indigenous • Dictatorship • Oral history • Centroamérica • Theatre • Autofiction • Migration • Conquest in the media • Pablo Montoya • Private journal • Silvina Ocampo • Religious syncretism • Amparo Dávila • La cicatrice • Poem • Gastón Gori • Migration studies • Fernando Monacelli • Siete Ciudades de Cíbola • Environment • Metamorphosis • Lina Meruane • Diamela Eltit • Graphic journalism • Churubusco • History of reading • Gender • Literary fiction • Intimism • Illustrations • Samanta Schweblin • Female identity • Minorities • Religions • La virgen del Samiria • Self-fiction • Narrative space • Inti-Illimani • East and West Indies • Cuba • Intertextuality • Conquest • Rewriting • Neorealism • Corporality • Fray Marcos de Niza • Self-translation • Amado Chan • Spanish Empire • The Neighbourhood • Historical translation • Theory of mini-fiction • US-Mexican border • Peruan literature • Posthuman • Travel books • Marcela Turati • Peruvian literature • Cono Sur • History and myth • Sixteenth and seventeenth century historiography • Queer • Mauricio Magdaleno • Manuel Gálvez • Biography • Cry of ‘Ajetreo’ • Detective stories • Rosa Chávez Juárez • Mario Vargas Llosa • Landscape • Mexican-American war • Literary theory • Luis de Miranda de Villafañe • Malvinas War • New World • Cinco esquinas • Bolivia • Narrative journalism • Memory • Mexican Revolution • Nueva Canción Chilena • Illness • History of women

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, pt, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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