Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Peruvian literature • Poem • Religious syncretism • Pablo Escobar • Fantastic literature • East and West Indies • Uruguayan poetry • Maya Cu • Fernández de Lizardi • Female writing • Religions • Mexican Conquest • Gender • Memory • Posthuman • Theatre • Conquest in the media • Documentary photography • Mayan poetry • Minorities • Contemporary Argentinian literature • Graphic novel • Guadalupe Nettel • Synthesis • Fernando Monacelli • Image of the Native American • Cultural memory • Unspeakable • Chile en monte, valle y mar • Colonization • Private journal • Francisco Vázquez de Coronado • Reception • Irrepresentability • Identity • Self-translation • Amparo Dávila • Short story • Autobiographical genre • Situated poetry • Queer • Mariano Azuela • Graphic journalism • Bolivia • Lina Meruane • Churubusco • History and myth • American myth • Briceida Cuevas Cob • Literature • Carlos Sabat Ercasty • Female identity • Italian reception of Latin-American music • Luis de Miranda de Villafañe • Mexican Revolution • Testimony literature • Los Calchakis • Jorge Ibargüengoitia • Self-reflexivity • Literary theory • Marcela Turati • Escuela de Santa Fe • Narrative space • Andrea Ferraris • Dictatorship • Self-fiction • Contemporary Argentine narrative • Biography • Landscape • Novel • Pearls exploitation • Selective traditions • Belizean literature • Lima • Neorealism • Autobiography • Malvinas War • Globalised societies-multiple identity • Corporality • La cicatrice • Mini-fiction in Peru • Environment • Conqueror • Migration • Rosa Chávez Juárez • Poetic language • Homosexuality • Venezuelan literature • Narrative journalism • Nomadic subject • Cinco esquinas • Cultural identity • Fray Marcos de Niza • Peruan literature • Rewriting • The Notebooks of the Earth • US-Mexican border • Aníbal Quijada • Manuel Gálvez • Historical translation • Samanta Schweblin • Los derrotados • Spanish Empire • Cultural exchanged • Reportage • Oral history • Albert Bensoussan • Amazonian literature • Intertextuality • Hybridisation • Conquest • History • Silvina Ocampo • Columbia • Exile • Encounter • Ernesto Che Guevara • Power • Centroamérica • Illustrations • Literature and photography • Multiculturality of Belize • Gastón Gori • Oscar Martínez • Mario Bellatin • Argentine Pampa Gringa • Unheimlich • José María Arguedas • Quechua • Andean music • Enrique Bernardo Núñez • Literary fiction • XXI century • Autofiction • Horacio Quiroga • Hierophany • Julia de Burgos • Illness • Mexican-American war • Migratory literature • Objects • Pampa Gringa • Science-fiction • The Neighbourhood • Body • Ecocriticism • Maya poetry • Paiche • Cry of ‘Ajetreo’ • Policies of memory • Amerindian women • Historical poetry • Sixteenth and seventeenth century historiography • Contemporary Argentine literature • México • Romance • Amado Chan • History of women • Modernity • Reinaldo Arenas • Drug trafficking • Mexicas • Utopia • Otherness • Falklands War • Cono Sur • Monteiro Lobato • Geopoetics • Detective stories • Pornographic Photography • La sed del ojo • Luis Martín Guzmán • Realism • Mestizo • Cuba • Migration studies • New World • Indigenous • Urban novel • Fernando Birri • La virgen del Samiria • Nueva Canción Chilena • Post-dictatorship Argentine culture • Jorge Enrique Adoum • Science fiction • Translation • Traumatic past • Neo-baroque • Italian emigrant-individual crisis • Theory of mini-fiction • Textuality • Literature of the self • Diamela Eltit • Belizean Maya culture • Mauricio Rosencof • Dystopian fiction • Inti-Illimani • Mini-fiction • Mauricio Magdaleno • Monster • Intimism • Metamorphosis • Travel books • Latin-American boom • Latin America • Historic novel • Creative Friendship • Pablo Montoya • History of reading • Central America • Mario Vargas Llosa • Myth • Río de la Plata • Siete Ciudades de Cíbola • Immigration

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, pt, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.