Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Selective traditions • Paiche • Indigenous • Contemporary Argentinian literature • Mario Bellatin • Amado Chan • Fray Marcos de Niza • History • Graphic journalism • Cinco esquinas • Narrative space • México • Objects • Utopia • Power • Cuba • Globalised societies-multiple identity • Literature and photography • Latin America • Dystopian fiction • Intimism • Illustrations • Cono Sur • Hybridisation • Graphic novel • Silvina Ocampo • Los Calchakis • Myth • Quechua • Poem • Urban novel • Peruvian literature • Landscape • Mini-fiction in Peru • Memory • Italian emigrant-individual crisis • Central America • Detective stories • Manuel Gálvez • Cultural identity • José María Arguedas • Literature of the self • Belizean Maya culture • Short story • Policies of memory • Biography • Historical translation • Image of the Native American • Textuality • Reportage • Latin-American boom • Aníbal Quijada • Samanta Schweblin • Illness • Fernando Monacelli • Pablo Escobar • Maya poetry • Falklands War • Exile • Autobiographical genre • Mexican Conquest • Francisco Vázquez de Coronado • Mario Vargas Llosa • Poetic language • Fantastic literature • Conquest in the media • Historical poetry • Irrepresentability • Literary fiction • Literary theory • Pearls exploitation • Mestizo • Oral history • Neorealism • Rosa Chávez Juárez • History and myth • Documentary photography • Cultural memory • East and West Indies • Cry of ‘Ajetreo’ • Mayan poetry • Metamorphosis • Los derrotados • Reinaldo Arenas • Peruan literature • Monster • Synthesis • Pornographic Photography • Queer • Mini-fiction • Religious syncretism • Hierophany • Body • Luis de Miranda de Villafañe • Reception • Homosexuality • Siete Ciudades de Cíbola • History of women • Mauricio Rosencof • Andean music • Spanish Empire • Sixteenth and seventeenth century historiography • Theatre • Diamela Eltit • Gender • New World • Historic novel • Science fiction • Gastón Gori • Ecocriticism • Contemporary Argentine literature • Italian reception of Latin-American music • Modernity • La virgen del Samiria • Conquest • Creative Friendship • Self-translation • American myth • Migratory literature • Carlos Sabat Ercasty • Uruguayan poetry • Guadalupe Nettel • Horacio Quiroga • Mauricio Magdaleno • Novel • Oscar Martínez • Private journal • The Notebooks of the Earth • Neo-baroque • Realism • Argentine Pampa Gringa • Otherness • Andrea Ferraris • Dictatorship • Self-reflexivity • Female identity • Geopoetics • Lima • Amerindian women • Situated poetry • Female writing • Unspeakable • Briceida Cuevas Cob • Conqueror • Drug trafficking • Columbia • Identity • Traumatic past • Pablo Montoya • Intertextuality • US-Mexican border • Self-fiction • Amazonian literature • Encounter • Religions • Escuela de Santa Fe • Nueva Canción Chilena • Monteiro Lobato • Fernando Birri • Autobiography • Fernández de Lizardi • Minorities • Literature • The Neighbourhood • Inti-Illimani • Pampa Gringa • Theory of mini-fiction • Autofiction • Enrique Bernardo Núñez • Mexican Revolution • Travel books • Migration • Cultural exchanged • Jorge Enrique Adoum • Albert Bensoussan • Narrative journalism • XXI century • Unheimlich • Chile en monte, valle y mar • Jorge Ibargüengoitia • Rewriting • Bolivia • Mexican-American war • Multiculturality of Belize • Contemporary Argentine narrative • Corporality • Julia de Burgos • Malvinas War • Romance • Río de la Plata • Venezuelan literature • Environment • Migration studies • La cicatrice • History of reading • Belizean literature • Churubusco • Luis Martín Guzmán • Post-dictatorship Argentine culture • Testimony literature • Lina Meruane • Ernesto Che Guevara • Amparo Dávila • Translation • Immigration • Centroamérica • Colonization • Maya Cu • Nomadic subject • Posthuman • La sed del ojo • Mariano Azuela • Marcela Turati • Science-fiction • Mexicas

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.