Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Briceida Cuevas Cob • Pearls exploitation • Río de la Plata • Cono Sur • US-Mexican border • Cultural exchanged • Horacio Quiroga • Italian emigrant-individual crisis • Self-reflexivity • East and West Indies • Carlos Sabat Ercasty • Indigenous • Mario Vargas Llosa • Escuela de Santa Fe • Peruvian literature • Posthuman • Mauricio Magdaleno • Traumatic past • Uruguayan poetry • Historic novel • Inti-Illimani • Italian reception of Latin-American music • Venezuelan literature • Andrea Ferraris • Cinco esquinas • Detective stories • Post-dictatorship Argentine culture • Romance • Nomadic subject • Ecocriticism • Malvinas War • Minorities • Power • Jorge Enrique Adoum • Manuel Gálvez • Unspeakable • Metamorphosis • Francisco Vázquez de Coronado • Neo-baroque • Historical translation • Lima • Jorge Ibargüengoitia • Drug trafficking • Queer • Aníbal Quijada • Mexicas • Dystopian fiction • Fantastic literature • Mini-fiction in Peru • Conqueror • Travel books • New World • History of reading • Centroamérica • Exile • Julia de Burgos • Short story • Religious syncretism • Siete Ciudades de Cíbola • Identity • Creative Friendship • Sixteenth and seventeenth century historiography • Theory of mini-fiction • Contemporary Argentine literature • Fray Marcos de Niza • Synthesis • Amerindian women • Situated poetry • Oscar Martínez • Luis de Miranda de Villafañe • American myth • Narrative space • The Notebooks of the Earth • Textuality • Migration studies • Cuba • Monteiro Lobato • Diamela Eltit • History • Mexican-American war • Poetic language • Literature and photography • Science fiction • Spanish Empire • Narrative journalism • Neorealism • Falklands War • Biography • Novel • Dictatorship • Amazonian literature • Historical poetry • Religions • Literary theory • Maya Cu • Los Calchakis • Pablo Montoya • Graphic novel • La virgen del Samiria • Theatre • Maya poetry • Marcela Turati • Female writing • Private journal • Mayan poetry • XXI century • Irrepresentability • Illness • Myth • Fernando Monacelli • Argentine Pampa Gringa • Amado Chan • Conquest in the media • Literature of the self • Fernández de Lizardi • Fernando Birri • Mexican Revolution • Self-translation • Mauricio Rosencof • La cicatrice • Environment • Translation • Nueva Canción Chilena • Oral history • History and myth • Latin-American boom • Mexican Conquest • Paiche • Chile en monte, valle y mar • Documentary photography • Bolivia • The Neighbourhood • History of women • Mestizo • Pablo Escobar • Lina Meruane • Realism • Utopia • Belizean Maya culture • Peruan literature • Autobiographical genre • Otherness • Autobiography • Enrique Bernardo Núñez • Pornographic Photography • Conquest • Gastón Gori • Pampa Gringa • Central America • Gender • Multiculturality of Belize • Mini-fiction • Colonization • Immigration • Urban novel • Graphic journalism • Ernesto Che Guevara • Intertextuality • Contemporary Argentine narrative • Silvina Ocampo • Literature • Autofiction • Hierophany • Reception • Homosexuality • Andean music • Albert Bensoussan • Encounter • Luis Martín Guzmán • Geopoetics • Cultural identity • José María Arguedas • Reinaldo Arenas • Literary fiction • Memory • Cultural memory • Poem • Modernity • Illustrations • Intimism • Mario Bellatin • Monster • Science-fiction • Columbia • Self-fiction • Selective traditions • Objects • Policies of memory • Female identity • Rosa Chávez Juárez • Globalised societies-multiple identity • Quechua • Testimony literature • Churubusco • Corporality • Cry of ‘Ajetreo’ • Los derrotados • Mariano Azuela • Belizean literature • Samanta Schweblin • Hybridisation • Unheimlich • Reportage • Guadalupe Nettel • Landscape • Migratory literature • Body • Contemporary Argentinian literature • México • Image of the Native American • Latin America • La sed del ojo • Rewriting • Migration • Amparo Dávila

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.