Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Mauricio Magdaleno • Utopia • Creative Friendship • Multiculturality of Belize • Image of the Native American • Selective traditions • Nueva Canción Chilena • Los Calchakis • US-Mexican border • Cono Sur • Chile en monte, valle y mar • Geopoetics • Francisco Vázquez de Coronado • Historical translation • Falklands War • Mexican Conquest • Los derrotados • Peruvian literature • Río de la Plata • Religions • Contemporary Argentinian literature • Conquest • Julia de Burgos • Peruan literature • Mario Vargas Llosa • Reinaldo Arenas • Paiche • Historical poetry • Irrepresentability • History and myth • Amado Chan • Poetic language • Migratory literature • Short story • Intimism • Contemporary Argentine literature • Female identity • History of women • Literary fiction • Neo-baroque • Fantastic literature • Post-dictatorship Argentine culture • Mayan poetry • Churubusco • Rewriting • Reception • Malvinas War • Unheimlich • Graphic journalism • Cultural identity • Luis Martín Guzmán • Mexican-American war • Exile • Central America • Reportage • Cultural memory • Cuba • Oral history • Conquest in the media • Mauricio Rosencof • Rosa Chávez Juárez • Autobiographical genre • Sixteenth and seventeenth century historiography • Literary theory • Carlos Sabat Ercasty • Samanta Schweblin • Mexicas • Jorge Ibargüengoitia • Urban novel • Intertextuality • History of reading • Monteiro Lobato • Gender • Mestizo • Posthuman • Historic novel • Inti-Illimani • Biography • Dystopian fiction • Italian emigrant-individual crisis • Mini-fiction in Peru • Objects • Power • Globalised societies-multiple identity • Private journal • Metamorphosis • Amazonian literature • Homosexuality • Neorealism • XXI century • La sed del ojo • Silvina Ocampo • Conqueror • Indigenous • Testimony literature • Contemporary Argentine narrative • Romance • Albert Bensoussan • Andrea Ferraris • Self-translation • Science-fiction • Centroamérica • Belizean Maya culture • Cry of ‘Ajetreo’ • Gastón Gori • La cicatrice • Horacio Quiroga • Belizean literature • Italian reception of Latin-American music • Pablo Escobar • Latin America • Jorge Enrique Adoum • Policies of memory • Autobiography • Illness • Escuela de Santa Fe • Amparo Dávila • Ecocriticism • Maya Cu • Latin-American boom • Hierophany • Situated poetry • Identity • The Neighbourhood • Unspeakable • East and West Indies • Translation • Detective stories • Narrative journalism • Pablo Montoya • Maya poetry • La virgen del Samiria • Lina Meruane • History • Landscape • Poem • Realism • Cultural exchanged • Self-reflexivity • Synthesis • Fray Marcos de Niza • Venezuelan literature • Bolivia • Aníbal Quijada • Fernando Monacelli • Siete Ciudades de Cíbola • Oscar Martínez • Cinco esquinas • Diamela Eltit • Science fiction • Ernesto Che Guevara • Novel • Colonization • José María Arguedas • Queer • Briceida Cuevas Cob • Mini-fiction • Myth • Nomadic subject • Theatre • Mexican Revolution • Monster • Literature • Memory • Quechua • Female writing • Argentine Pampa Gringa • México • Religious syncretism • Uruguayan poetry • Spanish Empire • Travel books • Marcela Turati • Minorities • New World • Corporality • American myth • Dictatorship • Pearls exploitation • Modernity • Illustrations • Fernando Birri • Pornographic Photography • Textuality • Luis de Miranda de Villafañe • Environment • Fernández de Lizardi • Immigration • Literature and photography • Mario Bellatin • Migration studies • Guadalupe Nettel • Columbia • Andean music • Migration • Mariano Azuela • Self-fiction • The Notebooks of the Earth • Theory of mini-fiction • Literature of the self • Manuel Gálvez • Graphic novel • Traumatic past • Enrique Bernardo Núñez • Amerindian women • Hybridisation • Documentary photography • Otherness • Pampa Gringa • Narrative space • Lima • Encounter • Drug trafficking • Autofiction • Body

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.