Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Monteiro Lobato • Immigration • Paiche • Peruan literature • US-Mexican border • Minorities • Conquest • Image of the Native American • Horacio Quiroga • Bolivia • Nomadic subject • Testimony literature • Narrative space • Cultural memory • Chile en monte, valle y mar • Lina Meruane • Marcela Turati • Fernando Monacelli • Nueva Canción Chilena • Mexicas • José María Arguedas • Conqueror • Fernando Birri • Mini-fiction • Migration • Cultural exchanged • Autobiography • Sixteenth and seventeenth century historiography • Creative Friendship • Translation • Policies of memory • Hierophany • Oscar Martínez • Cuba • Migratory literature • Literary theory • Luis de Miranda de Villafañe • Colonization • Rewriting • Gender • Ernesto Che Guevara • Globalised societies-multiple identity • Julia de Burgos • Mexican Conquest • México • History of women • Detective stories • Briceida Cuevas Cob • Situated poetry • Traumatic past • Fantastic literature • Geopoetics • Metamorphosis • Manuel Gálvez • Short story • Poetic language • Mestizo • Fray Marcos de Niza • Illness • Contemporary Argentine literature • Hybridisation • Andean music • Unspeakable • La sed del ojo • Literary fiction • Conquest in the media • Utopia • Illustrations • Siete Ciudades de Cíbola • Mario Vargas Llosa • Reinaldo Arenas • Mario Bellatin • Cultural identity • Columbia • Pablo Montoya • Los Calchakis • Documentary photography • Fernández de Lizardi • Samanta Schweblin • Modernity • Novel • Queer • Argentine Pampa Gringa • La virgen del Samiria • Los derrotados • Religious syncretism • Gastón Gori • History and myth • Self-translation • Homosexuality • Amparo Dávila • Dystopian fiction • Textuality • Spanish Empire • Environment • Mariano Azuela • Myth • Historical translation • La cicatrice • Literature of the self • Multiculturality of Belize • Latin America • Mexican Revolution • Maya Cu • Private journal • Theory of mini-fiction • Intertextuality • Body • Romance • Theatre • Graphic novel • Otherness • Post-dictatorship Argentine culture • Italian emigrant-individual crisis • East and West Indies • Río de la Plata • Carlos Sabat Ercasty • The Neighbourhood • Graphic journalism • Venezuelan literature • Mauricio Rosencof • Cono Sur • Andrea Ferraris • Francisco Vázquez de Coronado • Belizean Maya culture • Inti-Illimani • Amerindian women • Posthuman • Encounter • Belizean literature • XXI century • Escuela de Santa Fe • Luis Martín Guzmán • Pampa Gringa • Narrative journalism • New World • Falklands War • Oral history • Autobiographical genre • Religions • Quechua • Autofiction • Urban novel • Mexican-American war • Female writing • Guadalupe Nettel • Synthesis • Biography • Poem • Jorge Enrique Adoum • Cry of ‘Ajetreo’ • Contemporary Argentine narrative • Malvinas War • Realism • Historic novel • Italian reception of Latin-American music • Peruvian literature • Ecocriticism • Female identity • Unheimlich • Lima • Mini-fiction in Peru • Cinco esquinas • Identity • Central America • American myth • History • Latin-American boom • Drug trafficking • Literature and photography • Amazonian literature • Rosa Chávez Juárez • Self-fiction • Uruguayan poetry • Amado Chan • Neo-baroque • Objects • Travel books • Dictatorship • Pablo Escobar • Pearls exploitation • Migration studies • Memory • Albert Bensoussan • Science fiction • The Notebooks of the Earth • History of reading • Enrique Bernardo Núñez • Irrepresentability • Literature • Centroamérica • Monster • Diamela Eltit • Churubusco • Exile • Mauricio Magdaleno • Intimism • Jorge Ibargüengoitia • Indigenous • Corporality • Pornographic Photography • Historical poetry • Power • Reportage • Science-fiction • Self-reflexivity • Reception • Maya poetry • Neorealism • Selective traditions • Aníbal Quijada • Contemporary Argentinian literature • Mayan poetry • Landscape • Silvina Ocampo

Thema codes DSM • DSBH5 • 5TK

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, it, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.