Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Encounter • Diamela Eltit • Jorge Enrique Adoum • Mayan poetry • Situated poetry • Literature of the self • Guadalupe Nettel • Dystopian fiction • Río de la Plata • Memory • Contemporary Argentinian literature • Maya Cu • Fantastic literature • Migration studies • Literature • Latin America • Mauricio Magdaleno • Albert Bensoussan • Amerindian women • Landscape • Maya poetry • Quechua • Unheimlich • Dictatorship • Unspeakable • Paiche • Migration • Rewriting • Power • Hybridisation • Fernando Monacelli • Irrepresentability • Self-fiction • Graphic novel • Short story • La sed del ojo • Uruguayan poetry • Queer • Amazonian literature • Creative Friendship • Globalised societies-multiple identity • Synthesis • Columbia • Drug trafficking • Pampa Gringa • Science fiction • Traumatic past • Graphic journalism • Churubusco • Cry of ‘Ajetreo’ • Exile • Homosexuality • Fray Marcos de Niza • Mario Vargas Llosa • Mexican-American war • Lina Meruane • Selective traditions • La cicatrice • Contemporary Argentine literature • Literary fiction • Narrative space • Environment • Geopoetics • New World • Illustrations • US-Mexican border • Los Calchakis • Posthuman • Intertextuality • Aníbal Quijada • Female identity • Illness • Mexicas • Falklands War • Spanish Empire • The Neighbourhood • México • Ecocriticism • The Notebooks of the Earth • Neorealism • Fernando Birri • Monteiro Lobato • Literature and photography • XXI century • Belizean literature • Minorities • Conquest • Metamorphosis • American myth • Historical translation • Jorge Ibargüengoitia • Mariano Azuela • Post-dictatorship Argentine culture • Escuela de Santa Fe • Conqueror • Italian reception of Latin-American music • Colonization • Poem • Religions • Theatre • Silvina Ocampo • Briceida Cuevas Cob • Testimony literature • Autofiction • East and West Indies • Policies of memory • Literary theory • Mestizo • Mexican Conquest • Autobiography • Myth • Peruvian literature • La virgen del Samiria • Belizean Maya culture • Theory of mini-fiction • Religious syncretism • Contemporary Argentine narrative • Cuba • Rosa Chávez Juárez • Romance • Pearls exploitation • Sixteenth and seventeenth century historiography • Manuel Gálvez • Inti-Illimani • Urban novel • Reception • Otherness • Malvinas War • Mini-fiction in Peru • Enrique Bernardo Núñez • Conquest in the media • Cinco esquinas • Realism • Poetic language • Los derrotados • Venezuelan literature • Image of the Native American • Indigenous • Body • Bolivia • Andrea Ferraris • Detective stories • Marcela Turati • Amparo Dávila • Intimism • Mexican Revolution • Latin-American boom • Migratory literature • Fernández de Lizardi • Objects • Luis de Miranda de Villafañe • Utopia • Lima • Cultural exchanged • Cultural identity • Luis Martín Guzmán • Oscar Martínez • Self-reflexivity • Corporality • History of women • History • Biography • Modernity • History of reading • Pablo Montoya • Siete Ciudades de Cíbola • Italian emigrant-individual crisis • José María Arguedas • Pornographic Photography • Textuality • Francisco Vázquez de Coronado • Central America • Mario Bellatin • Neo-baroque • Translation • Travel books • Carlos Sabat Ercasty • Chile en monte, valle y mar • Reinaldo Arenas • Cono Sur • Horacio Quiroga • Historical poetry • Centroamérica • Reportage • Amado Chan • Historic novel • Nueva Canción Chilena • Peruan literature • Immigration • Ernesto Che Guevara • Cultural memory • Mauricio Rosencof • Science-fiction • Gastón Gori • Andean music • Hierophany • Documentary photography • Argentine Pampa Gringa • Multiculturality of Belize • Female writing • Oral history • Novel • Monster • Nomadic subject • Private journal • Julia de Burgos • Mini-fiction • Identity • Pablo Escobar • Self-translation • Gender • Autobiographical genre • Narrative journalism • Samanta Schweblin • History and myth

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, es, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.