Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Irrepresentability • Carlos Sabat Ercasty • Río de la Plata • Albert Bensoussan • History and myth • Migration studies • Synthesis • Dystopian fiction • Globalised societies-multiple identity • Detective stories • Encounter • Luis de Miranda de Villafañe • Environment • Mauricio Rosencof • Power • Quechua • History • Rosa Chávez Juárez • Self-fiction • Argentine Pampa Gringa • Utopia • Amado Chan • Aníbal Quijada • Mexicas • Cultural identity • Monteiro Lobato • Neorealism • Homosexuality • Image of the Native American • Urban novel • Immigration • Textuality • Lima • Luis Martín Guzmán • Intimism • Selective traditions • Andrea Ferraris • Identity • Fantastic literature • Intertextuality • Monster • Religious syncretism • Reinaldo Arenas • Fernando Birri • Amazonian literature • Cultural exchanged • Diamela Eltit • Rewriting • Uruguayan poetry • Falklands War • Colonization • Columbia • Spanish Empire • Pearls exploitation • Pablo Escobar • Dictatorship • Female identity • Policies of memory • Theory of mini-fiction • Mini-fiction • Unheimlich • Religions • XXI century • Multiculturality of Belize • Posthuman • Memory • Illustrations • Mexican-American war • Samanta Schweblin • Cuba • Graphic novel • Modernity • Ecocriticism • Realism • Migratory literature • Fernando Monacelli • Historic novel • Mexican Revolution • Testimony literature • Literature • Los derrotados • Biography • Venezuelan literature • Otherness • US-Mexican border • Private journal • Science fiction • Inti-Illimani • Illness • Andean music • Belizean literature • Indigenous • Francisco Vázquez de Coronado • Jorge Ibargüengoitia • Self-reflexivity • Narrative space • Amparo Dávila • Siete Ciudades de Cíbola • Autofiction • Fray Marcos de Niza • Belizean Maya culture • Literature of the self • Documentary photography • Italian emigrant-individual crisis • Mauricio Magdaleno • Science-fiction • Latin-American boom • Los Calchakis • The Neighbourhood • Pornographic Photography • Theatre • Travel books • Landscape • Latin America • History of reading • Poem • American myth • Migration • Poetic language • Reception • Mexican Conquest • History of women • Minorities • The Notebooks of the Earth • Mario Vargas Llosa • Contemporary Argentine narrative • Conquest • Hierophany • Sixteenth and seventeenth century historiography • Unspeakable • East and West Indies • Oscar Martínez • Body • Novel • Mini-fiction in Peru • Historical poetry • Maya Cu • Reportage • Hybridisation • Narrative journalism • Female writing • Guadalupe Nettel • Briceida Cuevas Cob • Julia de Burgos • Silvina Ocampo • Myth • Contemporary Argentinian literature • Gender • Amerindian women • Enrique Bernardo Núñez • México • Mayan poetry • Mariano Azuela • Short story • Gastón Gori • Autobiographical genre • Exile • Contemporary Argentine literature • Fernández de Lizardi • Translation • Graphic journalism • New World • Maya poetry • Conquest in the media • Historical translation • Autobiography • Marcela Turati • Peruvian literature • Literary fiction • Nueva Canción Chilena • Pampa Gringa • Central America • Churubusco • Cono Sur • Self-translation • Oral history • Literary theory • Situated poetry • Traumatic past • Corporality • Cultural memory • Mestizo • Cinco esquinas • Jorge Enrique Adoum • José María Arguedas • Metamorphosis • Peruan literature • Malvinas War • Manuel Gálvez • Post-dictatorship Argentine culture • Bolivia • Creative Friendship • Nomadic subject • La cicatrice • Horacio Quiroga • Mario Bellatin • Queer • Centroamérica • Pablo Montoya • Neo-baroque • Conqueror • Chile en monte, valle y mar • Paiche • La sed del ojo • Cry of ‘Ajetreo’ • Objects • Escuela de Santa Fe • Literature and photography • Ernesto Che Guevara • Romance • La virgen del Samiria • Italian reception of Latin-American music • Lina Meruane • Drug trafficking • Geopoetics

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.