Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Female writing • US-Mexican border • Uruguayan poetry • Italian emigrant-individual crisis • Mestizo • Exile • Private journal • Andrea Ferraris • Graphic novel • Graphic journalism • Sixteenth and seventeenth century historiography • Testimony literature • Marcela Turati • La sed del ojo • Mauricio Rosencof • Diamela Eltit • Literature • Italian reception of Latin-American music • Centroamérica • Translation • Textuality • Homosexuality • Unheimlich • Chile en monte, valle y mar • Escuela de Santa Fe • Contemporary Argentine narrative • History of reading • Hierophany • History of women • Jorge Ibargüengoitia • Briceida Cuevas Cob • Silvina Ocampo • Belizean Maya culture • Intimism • Utopia • Body • Jorge Enrique Adoum • Short story • Amerindian women • Maya Cu • Conquest • Reinaldo Arenas • Francisco Vázquez de Coronado • Power • Oral history • Irrepresentability • Oscar Martínez • Mauricio Magdaleno • Quechua • Traumatic past • Drug trafficking • Luis de Miranda de Villafañe • Mexican-American war • Migratory literature • Ernesto Che Guevara • Latin America • Historic novel • Pampa Gringa • Contemporary Argentinian literature • Landscape • Realism • Lima • History • Metamorphosis • Self-reflexivity • Literary fiction • Hybridisation • Guadalupe Nettel • Churubusco • Migration • Fantastic literature • Corporality • Central America • Autobiography • Dictatorship • Inti-Illimani • Nueva Canción Chilena • Migration studies • Otherness • The Notebooks of the Earth • Fernández de Lizardi • Policies of memory • Science fiction • Posthuman • Literature and photography • Reception • Image of the Native American • La cicatrice • Intertextuality • Contemporary Argentine literature • Mayan poetry • New World • Dystopian fiction • Enrique Bernardo Núñez • Modernity • Pablo Montoya • Andean music • Malvinas War • Post-dictatorship Argentine culture • Queer • Unspeakable • Pornographic Photography • Venezuelan literature • East and West Indies • Albert Bensoussan • Amazonian literature • Creative Friendship • Autobiographical genre • Geopoetics • Río de la Plata • XXI century • Historical poetry • Documentary photography • Memory • Theory of mini-fiction • Mexicas • Science-fiction • Theatre • Biography • Urban novel • Peruvian literature • Los derrotados • Fernando Birri • Falklands War • Religious syncretism • Illness • Minorities • Monster • Gastón Gori • Mario Vargas Llosa • Pearls exploitation • Synthesis • Cultural memory • Mexican Conquest • Fernando Monacelli • Amado Chan • Los Calchakis • Nomadic subject • Myth • José María Arguedas • Aníbal Quijada • Mexican Revolution • Julia de Burgos • Environment • Spanish Empire • Bolivia • Fray Marcos de Niza • Historical translation • Conquest in the media • Argentine Pampa Gringa • Mini-fiction • Self-fiction • American myth • Cultural identity • Neo-baroque • Horacio Quiroga • La virgen del Samiria • Cinco esquinas • Novel • Paiche • Pablo Escobar • Cry of ‘Ajetreo’ • Reportage • Mini-fiction in Peru • Objects • Illustrations • Poetic language • Religions • Female identity • Encounter • Neorealism • Narrative space • Ecocriticism • Carlos Sabat Ercasty • Self-translation • Samanta Schweblin • Cono Sur • Cuba • Detective stories • Gender • Literature of the self • Peruan literature • Narrative journalism • Monteiro Lobato • History and myth • Columbia • Globalised societies-multiple identity • Poem • Mariano Azuela • Luis Martín Guzmán • Manuel Gálvez • Immigration • Autofiction • Cultural exchanged • Lina Meruane • Mario Bellatin • Travel books • Latin-American boom • Multiculturality of Belize • Rewriting • Amparo Dávila • Conqueror • Literary theory • Romance • Identity • Belizean literature • Indigenous • Maya poetry • México • Rosa Chávez Juárez • The Neighbourhood • Colonization • Selective traditions • Situated poetry • Siete Ciudades de Cíbola

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, it, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.