Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Julia de Burgos • Hybridisation • Realism • Andean music • Dictatorship • Intimism • The Notebooks of the Earth • Homosexuality • Inti-Illimani • Historical translation • Pearls exploitation • Latin America • Uruguayan poetry • Literary fiction • Translation • Self-fiction • Literature of the self • Queer • Maya poetry • Power • Mario Vargas Llosa • Cultural exchanged • Falklands War • Literature and photography • Textuality • Italian emigrant-individual crisis • Migration studies • Autobiographical genre • Poetic language • Migratory literature • Mexican Revolution • Horacio Quiroga • Mexican-American war • Short story • Illustrations • Utopia • La cicatrice • Oral history • New World • Geopoetics • Cuba • Contemporary Argentinian literature • Luis Martín Guzmán • Historic novel • Unheimlich • History and myth • Narrative space • Autofiction • Belizean literature • Central America • Cultural memory • Dystopian fiction • Environment • History of reading • La virgen del Samiria • Contemporary Argentine literature • Immigration • Romance • Mayan poetry • Neo-baroque • Science fiction • Centroamérica • Globalised societies-multiple identity • Urban novel • Los Calchakis • Migration • Quechua • La sed del ojo • Corporality • Monteiro Lobato • Aníbal Quijada • Diamela Eltit • Objects • Creative Friendship • Reinaldo Arenas • Image of the Native American • Amerindian women • Latin-American boom • Pablo Montoya • Monster • Sixteenth and seventeenth century historiography • Siete Ciudades de Cíbola • Multiculturality of Belize • Carlos Sabat Ercasty • Rosa Chávez Juárez • Fernando Monacelli • Irrepresentability • México • Illness • Situated poetry • Jorge Ibargüengoitia • Otherness • Contemporary Argentine narrative • Landscape • Self-reflexivity • Cinco esquinas • Myth • Belizean Maya culture • Conqueror • Memory • Identity • Los derrotados • Traumatic past • Fernando Birri • Pablo Escobar • Exile • Colonization • Minorities • Self-translation • Samanta Schweblin • Cry of ‘Ajetreo’ • Spanish Empire • Mexican Conquest • Documentary photography • Oscar Martínez • Conquest in the media • Theory of mini-fiction • Detective stories • Drug trafficking • Bolivia • Biography • Mestizo • Hierophany • Lima • Novel • Peruan literature • East and West Indies • Metamorphosis • XXI century • Unspeakable • Science-fiction • Peruvian literature • Mauricio Rosencof • Ecocriticism • Literary theory • Churubusco • Literature • Mini-fiction in Peru • US-Mexican border • Gastón Gori • Religious syncretism • Intertextuality • Enrique Bernardo Núñez • Religions • Rewriting • Paiche • Escuela de Santa Fe • Francisco Vázquez de Coronado • Female identity • Albert Bensoussan • Fernández de Lizardi • Mexicas • History • Fantastic literature • American myth • Poem • Body • Female writing • Post-dictatorship Argentine culture • Theatre • Graphic journalism • Andrea Ferraris • Malvinas War • Cultural identity • Maya Cu • Mariano Azuela • Río de la Plata • Venezuelan literature • Selective traditions • The Neighbourhood • Italian reception of Latin-American music • Narrative journalism • Historical poetry • José María Arguedas • Amparo Dávila • Gender • Jorge Enrique Adoum • Reception • Argentine Pampa Gringa • Modernity • Marcela Turati • Indigenous • Luis de Miranda de Villafañe • Manuel Gálvez • Fray Marcos de Niza • Posthuman • Ernesto Che Guevara • Mario Bellatin • Nomadic subject • Policies of memory • Columbia • Guadalupe Nettel • Pampa Gringa • Pornographic Photography • Mini-fiction • Amado Chan • Encounter • Private journal • Silvina Ocampo • Amazonian literature • Conquest • Travel books • Graphic novel • Autobiography • History of women • Lina Meruane • Neorealism • Nueva Canción Chilena • Reportage • Synthesis • Cono Sur • Testimony literature • Chile en monte, valle y mar • Mauricio Magdaleno • Briceida Cuevas Cob

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, pt, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.