Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords US-Mexican border • Biography • Falklands War • Female writing • New World • Autobiography • Testimony literature • Post-dictatorship Argentine culture • Situated poetry • Monster • Intimism • East and West Indies • Malvinas War • Los derrotados • Mariano Azuela • Río de la Plata • Poem • XXI century • La sed del ojo • Poetic language • Metamorphosis • Amparo Dávila • Briceida Cuevas Cob • Nueva Canción Chilena • Theatre • Silvina Ocampo • Mayan poetry • Science-fiction • Literature • Peruan literature • Dystopian fiction • Lima • Columbia • Fantastic literature • History of reading • Literature and photography • Immigration • Mauricio Rosencof • Andean music • Contemporary Argentine literature • Mini-fiction • Amado Chan • Uruguayan poetry • Andrea Ferraris • Belizean Maya culture • Venezuelan literature • Contemporary Argentine narrative • Irrepresentability • Realism • Enrique Bernardo Núñez • México • Power • Minorities • Maya Cu • Landscape • Reception • Environment • Marcela Turati • Indigenous • Mini-fiction in Peru • Synthesis • Mexican-American war • Pearls exploitation • Identity • Selective traditions • Science fiction • History • Homosexuality • Urban novel • Hybridisation • Migration studies • Italian reception of Latin-American music • Luis de Miranda de Villafañe • Mexicas • Exile • Intertextuality • Cultural memory • Detective stories • Documentary photography • La cicatrice • Fray Marcos de Niza • Historical poetry • Carlos Sabat Ercasty • Illness • Samanta Schweblin • Drug trafficking • Historical translation • Paiche • Encounter • Body • Narrative space • Bolivia • Creative Friendship • Luis Martín Guzmán • Romance • Argentine Pampa Gringa • Francisco Vázquez de Coronado • Oral history • Contemporary Argentinian literature • Cry of ‘Ajetreo’ • Self-fiction • Theory of mini-fiction • Religions • The Notebooks of the Earth • Novel • Gastón Gori • Self-reflexivity • Jorge Enrique Adoum • Amerindian women • Neorealism • Spanish Empire • Lina Meruane • Graphic novel • Traumatic past • Pablo Escobar • Unspeakable • Ecocriticism • Aníbal Quijada • Rosa Chávez Juárez • Mexican Revolution • Siete Ciudades de Cíbola • Unheimlich • Julia de Burgos • Conquest in the media • Centroamérica • Conquest • Translation • Dictatorship • Religious syncretism • Mestizo • José María Arguedas • Policies of memory • Horacio Quiroga • La virgen del Samiria • Quechua • Churubusco • Literary theory • Travel books • Maya poetry • Mario Bellatin • Colonization • Pablo Montoya • Textuality • Utopia • Queer • Globalised societies-multiple identity • Graphic journalism • Neo-baroque • Escuela de Santa Fe • Rewriting • Sixteenth and seventeenth century historiography • Albert Bensoussan • Reinaldo Arenas • Mauricio Magdaleno • Private journal • Mexican Conquest • History of women • Migratory literature • Self-translation • Amazonian literature • Los Calchakis • Pornographic Photography • Narrative journalism • Multiculturality of Belize • History and myth • Cultural exchanged • Central America • Conqueror • Fernando Birri • Belizean literature • Oscar Martínez • Short story • Literature of the self • Memory • Inti-Illimani • Jorge Ibargüengoitia • Chile en monte, valle y mar • Ernesto Che Guevara • Cono Sur • Corporality • Manuel Gálvez • Hierophany • Italian emigrant-individual crisis • Gender • Fernando Monacelli • Latin-American boom • Cuba • Illustrations • Diamela Eltit • Geopoetics • Myth • Otherness • Fernández de Lizardi • Peruvian literature • Nomadic subject • Latin America • Female identity • Literary fiction • Migration • The Neighbourhood • Image of the Native American • Modernity • Pampa Gringa • Guadalupe Nettel • Posthuman • Autobiographical genre • American myth • Autofiction • Objects • Historic novel • Monteiro Lobato • Cultural identity • Cinco esquinas • Mario Vargas Llosa • Reportage

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, pt, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.