America: il racconto di un continente | América: el relato de un continente
open access | peer reviewed
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a cura di
- Susanna Regazzoni - Ca' Foscari University of Venice - email orcid profile
- Fabiola Cecere - Ca' Foscari University of Venice - email
Abstract
Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.
Keywords Mestizo • Belizean literature • Julia de Burgos • Nueva Canción Chilena • Pablo Escobar • Fernando Monacelli • Intertextuality • Self-fiction • Utopia • Romance • Mexican Conquest • New World • Manuel Gálvez • Literary theory • Mariano Azuela • Ecocriticism • Homosexuality • Migratory literature • Dystopian fiction • Autofiction • Centroamérica • Mexican-American war • Mexican Revolution • History • Otherness • Mini-fiction in Peru • Conquest in the media • Minorities • US-Mexican border • Contemporary Argentine literature • Creative Friendship • History of women • Francisco Vázquez de Coronado • Body • Cono Sur • Italian reception of Latin-American music • Latin-American boom • Graphic novel • Literary fiction • Autobiography • Lima • Short story • Historical poetry • Mexicas • Inti-Illimani • Reception • Illustrations • Religious syncretism • Escuela de Santa Fe • Migration studies • La cicatrice • Self-reflexivity • Silvina Ocampo • Realism • Cry of ‘Ajetreo’ • Pablo Montoya • Fray Marcos de Niza • Cultural exchanged • Cultural memory • Selective traditions • Sixteenth and seventeenth century historiography • Memory • Image of the Native American • Literature and photography • Drug trafficking • Neorealism • Exile • Science fiction • Theory of mini-fiction • Private journal • Los derrotados • Fantastic literature • Cuba • Contemporary Argentine narrative • Traumatic past • Amparo Dávila • Chile en monte, valle y mar • Quechua • Mario Bellatin • Amerindian women • Pampa Gringa • Los Calchakis • Cultural identity • Theatre • Venezuelan literature • The Notebooks of the Earth • Albert Bensoussan • Science-fiction • Post-dictatorship Argentine culture • Indigenous • Peruvian literature • Mauricio Rosencof • Neo-baroque • Literature of the self • Spanish Empire • Intimism • Jorge Enrique Adoum • Bolivia • Geopoetics • Malvinas War • Ernesto Che Guevara • East and West Indies • Unspeakable • Self-translation • Hybridisation • Multiculturality of Belize • Pearls exploitation • XXI century • Modernity • Literature • Rewriting • American myth • Andrea Ferraris • Biography • Aníbal Quijada • Maya poetry • Rosa Chávez Juárez • Queer • Paiche • Amado Chan • Contemporary Argentinian literature • Oral history • Immigration • Churubusco • Narrative journalism • Luis Martín Guzmán • Marcela Turati • Guadalupe Nettel • Argentine Pampa Gringa • Conqueror • Diamela Eltit • Detective stories • Gastón Gori • La virgen del Samiria • Travel books • Colonization • Mayan poetry • Hierophany • Landscape • Cinco esquinas • Environment • Poem • Myth • Religions • Peruan literature • Documentary photography • Falklands War • Autobiographical genre • México • Briceida Cuevas Cob • Jorge Ibargüengoitia • Irrepresentability • Nomadic subject • Horacio Quiroga • Central America • Translation • Belizean Maya culture • Identity • Italian emigrant-individual crisis • Mario Vargas Llosa • Poetic language • Uruguayan poetry • Lina Meruane • Power • Globalised societies-multiple identity • Monster • Fernando Birri • Textuality • Migration • History and myth • Situated poetry • Conquest • Monteiro Lobato • History of reading • Encounter • José María Arguedas • Latin America • Enrique Bernardo Núñez • Objects • Fernández de Lizardi • La sed del ojo • Gender • Metamorphosis • Graphic journalism • Samanta Schweblin • Testimony literature • Dictatorship • Columbia • Reinaldo Arenas • Andean music • Urban novel • Maya Cu • Policies of memory • Mauricio Magdaleno • Luis de Miranda de Villafañe • Siete Ciudades de Cíbola • Amazonian literature • Posthuman • Novel • Female identity • Reportage • Río de la Plata • Synthesis • Mini-fiction • Narrative space • Corporality • Illness • Historic novel • The Neighbourhood • Carlos Sabat Ercasty • Unheimlich • Pornographic Photography • Oscar Martínez • Historical translation • Female writing
Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, it, es
Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.