Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Literature and photography • Briceida Cuevas Cob • Graphic journalism • Intertextuality • Creative Friendship • Literature of the self • The Notebooks of the Earth • Narrative journalism • México • Contemporary Argentine narrative • Mexican Conquest • Columbia • Autofiction • Traumatic past • Science-fiction • Pablo Escobar • Fray Marcos de Niza • Italian reception of Latin-American music • Neo-baroque • Peruan literature • Gastón Gori • Literary theory • Cuba • Science fiction • Corporality • Jorge Enrique Adoum • Belizean Maya culture • Fernando Monacelli • La virgen del Samiria • Monteiro Lobato • Reportage • Self-fiction • Utopia • Dictatorship • Escuela de Santa Fe • Silvina Ocampo • Female identity • Environment • Immigration • Otherness • Central America • Enrique Bernardo Núñez • Mini-fiction • Self-translation • Cultural memory • Mario Vargas Llosa • Mauricio Magdaleno • Unheimlich • Mestizo • The Neighbourhood • Drug trafficking • Detective stories • Neorealism • Oral history • Female writing • Poetic language • Religions • Cinco esquinas • Albert Bensoussan • Testimony literature • Churubusco • Autobiographical genre • Migratory literature • Pearls exploitation • Illustrations • East and West Indies • Horacio Quiroga • Synthesis • Reinaldo Arenas • Mexican Revolution • Inti-Illimani • Literary fiction • Conqueror • US-Mexican border • Conquest • Rewriting • Lina Meruane • Fantastic literature • Julia de Burgos • Quechua • Latin-American boom • Mauricio Rosencof • Theory of mini-fiction • Amparo Dávila • Fernández de Lizardi • Pablo Montoya • Manuel Gálvez • Sixteenth and seventeenth century historiography • Biography • Cono Sur • Documentary photography • Multiculturality of Belize • Illness • Mexican-American war • Samanta Schweblin • Theatre • Gender • Nomadic subject • Jorge Ibargüengoitia • Travel books • Contemporary Argentinian literature • Los Calchakis • New World • Cultural identity • Rosa Chávez Juárez • Falklands War • American myth • Siete Ciudades de Cíbola • Peruvian literature • Guadalupe Nettel • Graphic novel • Metamorphosis • Dystopian fiction • Power • Migration • Identity • Francisco Vázquez de Coronado • Translation • Centroamérica • History • Marcela Turati • Novel • Luis de Miranda de Villafañe • Image of the Native American • Río de la Plata • Diamela Eltit • Textuality • Short story • Bolivia • Mayan poetry • Policies of memory • Private journal • Pampa Gringa • Amazonian literature • Hybridisation • Maya poetry • Minorities • Pornographic Photography • Myth • Hierophany • Historic novel • Colonization • Homosexuality • Luis Martín Guzmán • Modernity • Unspeakable • Mexicas • Argentine Pampa Gringa • Memory • Globalised societies-multiple identity • Andrea Ferraris • Maya Cu • Ecocriticism • Encounter • Selective traditions • Oscar Martínez • Geopoetics • Aníbal Quijada • Venezuelan literature • Realism • Uruguayan poetry • Objects • Religious syncretism • Cry of ‘Ajetreo’ • History and myth • Ernesto Che Guevara • Fernando Birri • Mini-fiction in Peru • Conquest in the media • Cultural exchanged • Andean music • Italian emigrant-individual crisis • Belizean literature • Exile • Lima • Body • La sed del ojo • Historical poetry • Poem • Monster • History of women • Migration studies • Mario Bellatin • Contemporary Argentine literature • Narrative space • Malvinas War • Historical translation • Mariano Azuela • Autobiography • Nueva Canción Chilena • Situated poetry • XXI century • Intimism • Post-dictatorship Argentine culture • Latin America • Posthuman • Literature • History of reading • Landscape • Chile en monte, valle y mar • Amado Chan • Amerindian women • Reception • Spanish Empire • José María Arguedas • Paiche • Los derrotados • Urban novel • Romance • La cicatrice • Carlos Sabat Ercasty • Queer • Indigenous • Self-reflexivity • Irrepresentability

Thema codes DSM • DSBH5 • 5TK

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.