Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Migration • Contemporary Argentine literature • Creative Friendship • Reportage • Drug trafficking • Samanta Schweblin • Documentary photography • Contemporary Argentinian literature • Jorge Ibargüengoitia • Mauricio Magdaleno • Autofiction • Narrative journalism • Siete Ciudades de Cíbola • Cry of ‘Ajetreo’ • Religious syncretism • Rosa Chávez Juárez • Churubusco • Reception • Venezuelan literature • Illustrations • The Neighbourhood • Mauricio Rosencof • Lina Meruane • Cuba • Immigration • Travel books • Body • Graphic novel • Marcela Turati • Myth • Religions • Belizean literature • Rewriting • Identity • Science-fiction • Neo-baroque • Self-translation • Mexican-American war • Historic novel • Argentine Pampa Gringa • Amazonian literature • Pablo Montoya • Escuela de Santa Fe • Encounter • Historical poetry • Objects • Ecocriticism • Mario Bellatin • Uruguayan poetry • Landscape • Columbia • Falklands War • Private journal • Cultural identity • Illness • Urban novel • Unheimlich • Luis Martín Guzmán • Reinaldo Arenas • XXI century • Geopoetics • Autobiographical genre • Los derrotados • Oral history • Fernando Birri • Graphic journalism • Hierophany • History of women • Latin-American boom • Cono Sur • Migration studies • Ernesto Che Guevara • Fernando Monacelli • Intertextuality • Pampa Gringa • Migratory literature • Intimism • Latin America • Literary fiction • La sed del ojo • Multiculturality of Belize • Central America • History and myth • Amparo Dávila • Theory of mini-fiction • Selective traditions • Colonization • Cultural exchanged • Memory • Literature and photography • Nueva Canción Chilena • Translation • Situated poetry • Fray Marcos de Niza • Peruan literature • Pearls exploitation • Novel • Theatre • Otherness • Biography • Nomadic subject • La cicatrice • Synthesis • Conquest • The Notebooks of the Earth • Metamorphosis • Unspeakable • Irrepresentability • Fernández de Lizardi • Hybridisation • Traumatic past • Dystopian fiction • East and West Indies • Luis de Miranda de Villafañe • Female identity • Power • Silvina Ocampo • Testimony literature • Mini-fiction • History of reading • Narrative space • Mestizo • Mexican Revolution • Science fiction • Contemporary Argentine narrative • Chile en monte, valle y mar • Self-fiction • México • Indigenous • Monteiro Lobato • Francisco Vázquez de Coronado • Dictatorship • Mariano Azuela • Amado Chan • Jorge Enrique Adoum • Bolivia • Cinco esquinas • Literature of the self • Corporality • Malvinas War • Pornographic Photography • Andrea Ferraris • Detective stories • Mexicas • Realism • Peruvian literature • Mayan poetry • Literature • Environment • Image of the Native American • History • Amerindian women • Guadalupe Nettel • Female writing • Andean music • Lima • Briceida Cuevas Cob • Quechua • Poetic language • La virgen del Samiria • Gender • Italian emigrant-individual crisis • Self-reflexivity • Diamela Eltit • Julia de Burgos • Short story • Historical translation • Utopia • Italian reception of Latin-American music • Posthuman • Globalised societies-multiple identity • Centroamérica • Mini-fiction in Peru • Mario Vargas Llosa • Aníbal Quijada • Policies of memory • Oscar Martínez • American myth • José María Arguedas • Belizean Maya culture • Maya Cu • Sixteenth and seventeenth century historiography • Gastón Gori • US-Mexican border • Horacio Quiroga • Poem • Queer • Manuel Gálvez • Carlos Sabat Ercasty • Los Calchakis • Enrique Bernardo Núñez • Maya poetry • New World • Paiche • Inti-Illimani • Romance • Albert Bensoussan • Exile • Post-dictatorship Argentine culture • Spanish Empire • Literary theory • Cultural memory • Homosexuality • Monster • Pablo Escobar • Modernity • Conqueror • Autobiography • Fantastic literature • Río de la Plata • Textuality • Minorities • Mexican Conquest • Conquest in the media • Neorealism

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, pt, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.