America: il racconto di un continente | América: el relato de un continente
open access | peer reviewed
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a cura di
- Susanna Regazzoni - Ca' Foscari University of Venice - email orcid profile
- Fabiola Cecere - Ca' Foscari University of Venice - email
Abstract
Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.
Keywords Metamorphosis • Mexicas • Theory of mini-fiction • Quechua • Globalised societies-multiple identity • Mini-fiction • Indigenous • José María Arguedas • Sixteenth and seventeenth century historiography • Graphic journalism • Horacio Quiroga • Pornographic Photography • Samanta Schweblin • Creative Friendship • The Neighbourhood • Belizean literature • Cry of ‘Ajetreo’ • Cinco esquinas • Fernando Birri • Body • Queer • Nomadic subject • Belizean Maya culture • Reinaldo Arenas • Los Calchakis • Guadalupe Nettel • Cultural identity • Mariano Azuela • Contemporary Argentinian literature • Dystopian fiction • Andrea Ferraris • Cultural memory • Female identity • Migratory literature • Pablo Montoya • Cuba • Graphic novel • Nueva Canción Chilena • Literature • Myth • Maya poetry • Amparo Dávila • Self-translation • Malvinas War • Argentine Pampa Gringa • Mexican Conquest • Self-fiction • Textuality • Silvina Ocampo • Falklands War • Private journal • Central America • Self-reflexivity • Manuel Gálvez • Spanish Empire • Otherness • Testimony literature • Diamela Eltit • Encounter • Literary theory • Gender • Lina Meruane • Luis Martín Guzmán • Mario Vargas Llosa • Urban novel • Landscape • Ecocriticism • Intimism • México • Posthuman • Translation • Reportage • History of women • Irrepresentability • Peruvian literature • Siete Ciudades de Cíbola • Environment • Literature and photography • Migration • Neorealism • Hybridisation • Realism • Autofiction • Venezuelan literature • Biography • Inti-Illimani • Narrative journalism • Pearls exploitation • Monteiro Lobato • Romance • US-Mexican border • La virgen del Samiria • Mauricio Rosencof • Migration studies • Unheimlich • Minorities • Monster • Unspeakable • Carlos Sabat Ercasty • Synthesis • XXI century • Italian emigrant-individual crisis • Poem • Aníbal Quijada • Los derrotados • Luis de Miranda de Villafañe • Gastón Gori • Fantastic literature • Modernity • Documentary photography • Memory • La cicatrice • Fray Marcos de Niza • Literature of the self • Novel • Italian reception of Latin-American music • Briceida Cuevas Cob • Drug trafficking • Centroamérica • Mini-fiction in Peru • Mayan poetry • Policies of memory • Rewriting • Detective stories • La sed del ojo • Marcela Turati • Pablo Escobar • Geopoetics • Homosexuality • Lima • Exile • Multiculturality of Belize • Objects • Francisco Vázquez de Coronado • Enrique Bernardo Núñez • Escuela de Santa Fe • Religious syncretism • Autobiographical genre • Amazonian literature • Image of the Native American • Autobiography • Theatre • Jorge Enrique Adoum • Paiche • Jorge Ibargüengoitia • Reception • Cono Sur • Conquest • Religions • Mario Bellatin • Conquest in the media • Mexican-American war • Uruguayan poetry • Amerindian women • Albert Bensoussan • Oral history • Rosa Chávez Juárez • Oscar Martínez • Amado Chan • Historic novel • Hierophany • Cultural exchanged • Corporality • Literary fiction • Short story • Mestizo • Historical translation • Julia de Burgos • Latin-American boom • History and myth • History of reading • Conqueror • Columbia • Mauricio Magdaleno • Mexican Revolution • Pampa Gringa • Poetic language • Post-dictatorship Argentine culture • Traumatic past • Power • Fernández de Lizardi • Utopia • Ernesto Che Guevara • Science fiction • Science-fiction • The Notebooks of the Earth • Bolivia • Illustrations • Female writing • Río de la Plata • Colonization • Dictatorship • Travel books • History • Illness • Fernando Monacelli • Situated poetry • Immigration • Latin America • Narrative space • Contemporary Argentine literature • Intertextuality • American myth • Selective traditions • Churubusco • Neo-baroque • New World • Andean music • Maya Cu • Historical poetry • Identity • East and West Indies • Peruan literature • Chile en monte, valle y mar • Contemporary Argentine narrative
Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it
Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.