Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords US-Mexican border • Maya poetry • Spanish Empire • Urban novel • Paiche • Narrative journalism • Multiculturality of Belize • Mario Vargas Llosa • Fernández de Lizardi • Mexican-American war • Lima • Textuality • Novel • Situated poetry • La sed del ojo • Bolivia • Dictatorship • Colonization • Ernesto Che Guevara • Mario Bellatin • Diamela Eltit • Mariano Azuela • Otherness • Contemporary Argentine narrative • American myth • Detective stories • Falklands War • Horacio Quiroga • Power • Andean music • Historical poetry • Unheimlich • Theatre • The Neighbourhood • Malvinas War • Synthesis • Graphic journalism • Fray Marcos de Niza • Encounter • Travel books • Lina Meruane • New World • Nomadic subject • Irrepresentability • Homosexuality • Centroamérica • Pablo Escobar • Translation • Autobiographical genre • Autofiction • Historical translation • Rosa Chávez Juárez • Argentine Pampa Gringa • Self-reflexivity • Graphic novel • Luis Martín Guzmán • Fernando Monacelli • Theory of mini-fiction • Neorealism • Chile en monte, valle y mar • Cono Sur • Francisco Vázquez de Coronado • Amazonian literature • Image of the Native American • Mexican Revolution • Luis de Miranda de Villafañe • Oscar Martínez • Venezuelan literature • Contemporary Argentine literature • Documentary photography • Private journal • XXI century • Contemporary Argentinian literature • Cultural memory • Cultural exchanged • Central America • Narrative space • Jorge Ibargüengoitia • Los derrotados • Mauricio Rosencof • Minorities • Fernando Birri • Cry of ‘Ajetreo’ • Reception • Short story • Río de la Plata • Rewriting • Illness • Amerindian women • Migration • Modernity • Dystopian fiction • Intertextuality • Pearls exploitation • Posthuman • Objects • Oral history • Nueva Canción Chilena • Religions • Literary fiction • Biography • La cicatrice • Self-fiction • Silvina Ocampo • Exile • Amado Chan • Escuela de Santa Fe • Historic novel • Monteiro Lobato • Reportage • Globalised societies-multiple identity • Creative Friendship • Poem • Los Calchakis • Indigenous • Belizean literature • History • Conqueror • Autobiography • The Notebooks of the Earth • Literature of the self • Post-dictatorship Argentine culture • Realism • History of reading • Drug trafficking • Metamorphosis • Mestizo • Mexican Conquest • Peruan literature • Cuba • Science-fiction • Self-translation • Conquest in the media • Columbia • Identity • Migratory literature • Romance • Siete Ciudades de Cíbola • Utopia • Mauricio Magdaleno • Samanta Schweblin • Italian reception of Latin-American music • Pornographic Photography • Testimony literature • Conquest • Hierophany • Traumatic past • Mini-fiction in Peru • Environment • Literary theory • Religious syncretism • Pampa Gringa • Landscape • Maya Cu • Queer • Amparo Dávila • Literature • Manuel Gálvez • Aníbal Quijada • José María Arguedas • Poetic language • Reinaldo Arenas • Italian emigrant-individual crisis • History of women • Monster • Female identity • Female writing • Gastón Gori • Migration studies • Literature and photography • Andrea Ferraris • Guadalupe Nettel • Marcela Turati • Mini-fiction • Mayan poetry • Churubusco • Hybridisation • Pablo Montoya • Latin-American boom • Belizean Maya culture • Science fiction • Quechua • Ecocriticism • Briceida Cuevas Cob • Sixteenth and seventeenth century historiography • Corporality • La virgen del Samiria • Geopoetics • México • Selective traditions • Julia de Burgos • Neo-baroque • Cinco esquinas • Enrique Bernardo Núñez • Carlos Sabat Ercasty • Cultural identity • Myth • Uruguayan poetry • Illustrations • Peruvian literature • Jorge Enrique Adoum • Intimism • Albert Bensoussan • Immigration • Latin America • Body • History and myth • Gender • East and West Indies • Fantastic literature • Inti-Illimani • Memory • Mexicas • Unspeakable • Policies of memory

Thema codes DSM • DSBH5 • 5TK

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, pt, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.