59 | 2023
open access | peer reviewedKeywords Ch’oe Yŏngsuk (Choi Young-Sook) • Politics • Art • Kyōgen • Short story “Medicine” • Christianity in Chinese literature • Lee Wai Yi • Cultural references • Venice Art Biennale • Xiaolu Guo • Kakari-musubi • Fragments d’un discours amoureux • Yanagi Miwa • Early new Persian • Independence movement • Sima Qian • Elena Ferrante in China • Individuality • Rewriting history • Ḥurūf-i qāfiya • Protohistoric art • Onomasiological approach • Signifier • Sociolinguistic variation • Toraakirabon • Japanese photography • Translation analysis • Christianisation processes • Literature and poetical imagery • James Joyce • Syrian novel • Zaynab al-Ghazālī al-Ǧabīlī • Impact assessment • Ishiuchi Miyako • Ossetic • Collective sphere • Kofun Period • History of photography • Roland Barthes • Republican Era literature • Colonial subject • Compounding • Archaeology • Ideology • Islamicate Manichaeism • Religious change • Khojas • Labour • Intertextuality • Indo-European Languages • Mandarin Ducks and butterflies • Sinophone literature • Devotional literature • Venice • Binomens • Colonial Korea • Bao Tianxiao • Decorated tombs • Literary translation • Safavid envoys • Donors • Dictatorship • Political Islam • Ghost narrative • International student • Muslim Brotherhood • Manichaean texts • Technology • Women • Qie ming bo • Persian language • Nausicaa episode • Neoclassical compounds • Armenian translation • Yi lü ma • Nasserism • Ceremony • Late Middle Japanese • Dystopian novel • Armenian church • Korean New Women • Education • Tensho embassy • Migrant workers’ poetry • Poetics of ‘propensity’ • Cai Wei • Ᾱghā khān • Portrait • Imām Ḥusayn • Urartian inscriptions • Buddhism • Khachkar • Spolia • Translation strategies • Egypt • Adolescents • Buke Kojitsu • Contemporary Arabic literature • Persian poetry • Salim Barakat • Islamic movements • Lai Hsiang-yin • Japanese case particles • Women photographers • Etymology • Materiality • Sixteenth century • Marsiya • Contemporary Chinese literature • Identity • Window • Sociology of literature • Women artists • Posthuman existences • Ernst Haeckel • Manichaean alphabet • Asian religions in Italy • Japan • Elite women in Modern Korea • Chinese literature • Gandhara • Gushi Xinbian • Jesus in Chinese literature • Early modern travel • Medieval reuses • Memories • Jesuit • Takao Suzuki • Ulysses • Workers’ poetry • Socio-cultural signs • Safavid-Venetian relations • A Lover’s Discourse • Eastern Iranian Languages • Japanese female photography • Ecolinguistics • Lu Xun • Diplomatic history • Ise • Neoliberalism and Consumerism • British colonial rule • Environment • Japanese compounds • Šams-i Qays • Chinese • Kawakami Hiromi • Conceptual combination • Rhyme • Colour as a sign • Manners • Boat symbolism • Appositive compounds • Kanji • Ritual • Japanese archaeology • Gendered language • Signified • Intercultural communication • Hope and despair • Kyūshū
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, fr, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.