Rivista | Annali di Ca’ Foscari. Serie orientale
Fascicolo | 59 | 2023
59 | 2023
open access | peer reviewedKeywords Impact assessment • Asian religions in Italy • Collective sphere • Dystopian novel • Early new Persian • Japan • Socio-cultural signs • Memories • Qie ming bo • Women • Cai Wei • Mandarin Ducks and butterflies • Literature and poetical imagery • Medieval reuses • Colonial subject • Cultural references • Late Middle Japanese • Roland Barthes • Venice Art Biennale • Rhyme • Ᾱghā khān • Lee Wai Yi • Independence movement • Japanese photography • Intertextuality • Ritual • International student • Signified • Colonial Korea • Nausicaa episode • Kakari-musubi • Hope and despair • Zaynab al-Ghazālī al-Ǧabīlī • Toraakirabon • Political Islam • Chinese literature • James Joyce • Gandhara • Ossetic • Rewriting history • Khachkar • Kyūshū • Armenian church • Dictatorship • Urartian inscriptions • Colour as a sign • Elite women in Modern Korea • Binomens • Contemporary Arabic literature • Identity • Japanese female photography • Diplomatic history • Islamic movements • Compounding • Workers’ poetry • Portrait • Eastern Iranian Languages • Manichaean texts • Intercultural communication • Decorated tombs • Environment • Korean New Women • Neoliberalism and Consumerism • Xiaolu Guo • Devotional literature • Posthuman existences • Boat symbolism • Ernst Haeckel • Onomasiological approach • Women artists • Ḥurūf-i qāfiya • Archaeology • Japanese compounds • Islamicate Manichaeism • Kyōgen • Bao Tianxiao • Indo-European Languages • Technology • Translation strategies • Sociology of literature • Safavid-Venetian relations • Ecolinguistics • Syrian novel • Contemporary Chinese literature • Protohistoric art • Japanese case particles • Materiality • Chinese • Donors • Religious change • Safavid envoys • Christianity in Chinese literature • Marsiya • Ishiuchi Miyako • Sixteenth century • Art • Conceptual combination • Persian poetry • Lai Hsiang-yin • Manichaean alphabet • Elena Ferrante in China • Gushi Xinbian • Ghost narrative • Takao Suzuki • Yanagi Miwa • A Lover’s Discourse • Ceremony • Labour • Khojas • Signifier • Sima Qian • Armenian translation • Ulysses • Republican Era literature • Ch’oe Yŏngsuk (Choi Young-Sook) • Jesuit • Early modern travel • Appositive compounds • Migrant workers’ poetry • Buddhism • Short story “Medicine” • History of photography • Education • Japanese archaeology • Ise • Tensho embassy • Šams-i Qays • Translation analysis • Kofun Period • Yi lü ma • Christianisation processes • Adolescents • Gendered language • Nasserism • Kawakami Hiromi • Buke Kojitsu • Lu Xun • Neoclassical compounds • Fragments d’un discours amoureux • Venice • Poetics of ‘propensity’ • Women photographers • Kanji • Politics • Sinophone literature • Salim Barakat • Spolia • Window • Individuality • Muslim Brotherhood • Etymology • Manners • Ideology • Literary translation • Egypt • Persian language • Sociolinguistic variation • Imām Ḥusayn • Jesus in Chinese literature • British colonial rule
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, fr, en
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