59 | 2023
open access | peer reviewedKeywords Medieval reuses • Donors • Khachkar • Kanji • Hope and despair • Sociology of literature • James Joyce • Ritual • Window • Chinese • Cultural references • Colour as a sign • Manichaean texts • Ishiuchi Miyako • Ulysses • Literature and poetical imagery • Short story “Medicine” • Decorated tombs • Jesuit • Bao Tianxiao • Protohistoric art • Religious change • Safavid envoys • Japanese archaeology • Safavid-Venetian relations • Early new Persian • Contemporary Arabic literature • Lu Xun • Japanese photography • Kyūshū • Manichaean alphabet • Collective sphere • Sociolinguistic variation • Christianisation processes • Gushi Xinbian • Fragments d’un discours amoureux • International student • Art • Japan • Early modern travel • Islamic movements • Xiaolu Guo • Urartian inscriptions • Labour • Elena Ferrante in China • Egypt • Yi lü ma • Kofun Period • Conceptual combination • Zaynab al-Ghazālī al-Ǧabīlī • Archaeology • Buddhism • Colonial subject • Lee Wai Yi • Ise • Technology • Appositive compounds • Late Middle Japanese • Impact assessment • Dictatorship • Political Islam • Dystopian novel • Identity • Signified • Ceremony • Rhyme • Women artists • Buke Kojitsu • Neoliberalism and Consumerism • Šams-i Qays • Gandhara • Asian religions in Italy • Khojas • Qie ming bo • Binomens • Republican Era literature • Independence movement • Japanese female photography • Sixteenth century • Etymology • Persian poetry • Manners • Portrait • Korean New Women • Tensho embassy • Contemporary Chinese literature • Memories • Ossetic • Indo-European Languages • Rewriting history • Kawakami Hiromi • Takao Suzuki • Eastern Iranian Languages • Kyōgen • Kakari-musubi • Adolescents • Islamicate Manichaeism • Cai Wei • Elite women in Modern Korea • Translation analysis • Boat symbolism • Persian language • Diplomatic history • Literary translation • Armenian church • Migrant workers’ poetry • Signifier • Education • Posthuman existences • Nausicaa episode • Yanagi Miwa • Colonial Korea • History of photography • Venice Art Biennale • Neoclassical compounds • Marsiya • A Lover’s Discourse • Sinophone literature • Ghost narrative • Socio-cultural signs • Ᾱghā khān • Environment • Japanese case particles • Sima Qian • Gendered language • Materiality • Poetics of ‘propensity’ • Roland Barthes • Jesus in Chinese literature • Mandarin Ducks and butterflies • Salim Barakat • Translation strategies • Lai Hsiang-yin • Toraakirabon • Japanese compounds • Ecolinguistics • Individuality • British colonial rule • Imām Ḥusayn • Muslim Brotherhood • Armenian translation • Spolia • Women • Venice • Ḥurūf-i qāfiya • Compounding • Intertextuality • Nasserism • Devotional literature • Syrian novel • Christianity in Chinese literature • Intercultural communication • Women photographers • Onomasiological approach • Ernst Haeckel • Politics • Chinese literature • Workers’ poetry • Ch’oe Yŏngsuk (Choi Young-Sook) • Ideology
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, en, it
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