59 | 2023
open access | peer reviewedKeywords Manners • Ecolinguistics • Christianity in Chinese literature • Buke Kojitsu • International student • Yi lü ma • Medieval reuses • Women photographers • Jesus in Chinese literature • Religious change • Decorated tombs • Identity • Labour • Nasserism • Tensho embassy • Contemporary Chinese literature • Japanese compounds • Ernst Haeckel • Imām Ḥusayn • Kofun Period • A Lover’s Discourse • Persian poetry • Neoliberalism and Consumerism • Japanese case particles • Republican Era literature • Politics • Cultural references • Elena Ferrante in China • Colonial subject • Contemporary Arabic literature • Gandhara • Ulysses • Women artists • Ghost narrative • Collective sphere • Ceremony • Ritual • Jesuit • Rhyme • Colonial Korea • Khachkar • Chinese literature • Nausicaa episode • Syrian novel • Protohistoric art • Literary translation • Poetics of ‘propensity’ • Eastern Iranian Languages • Lee Wai Yi • Window • James Joyce • Education • Japanese photography • Xiaolu Guo • Translation strategies • Onomasiological approach • Posthuman existences • Ossetic • Ḥurūf-i qāfiya • Archaeology • Safavid-Venetian relations • Neoclassical compounds • Art • Migrant workers’ poetry • Socio-cultural signs • Armenian translation • Sima Qian • Korean New Women • Šams-i Qays • Compounding • Kyūshū • Early new Persian • Lai Hsiang-yin • Spolia • Takao Suzuki • Technology • Yanagi Miwa • Translation analysis • Political Islam • Conceptual combination • Ishiuchi Miyako • Japanese archaeology • Venice Art Biennale • Gendered language • Ideology • Individuality • Donors • Dystopian novel • Kakari-musubi • Sinophone literature • Memories • Intertextuality • Muslim Brotherhood • Dictatorship • Indo-European Languages • Signified • Lu Xun • Khojas • Appositive compounds • Salim Barakat • Devotional literature • British colonial rule • Manichaean alphabet • Zaynab al-Ghazālī al-Ǧabīlī • History of photography • Kanji • Islamic movements • Christianisation processes • Toraakirabon • Independence movement • Urartian inscriptions • Adolescents • Late Middle Japanese • Armenian church • Kawakami Hiromi • Environment • Rewriting history • Sixteenth century • Hope and despair • Japan • Qie ming bo • Cai Wei • Women • Workers’ poetry • Binomens • Etymology • Impact assessment • Sociology of literature • Ch’oe Yŏngsuk (Choi Young-Sook) • Chinese • Literature and poetical imagery • Colour as a sign • Materiality • Roland Barthes • Manichaean texts • Early modern travel • Diplomatic history • Portrait • Venice • Mandarin Ducks and butterflies • Kyōgen • Marsiya • Japanese female photography • Intercultural communication • Buddhism • Elite women in Modern Korea • Fragments d’un discours amoureux • Gushi Xinbian • Safavid envoys • Short story “Medicine” • Boat symbolism • Egypt • Islamicate Manichaeism • Persian language • Signifier • Bao Tianxiao • Ise • Ᾱghā khān • Asian religions in Italy • Sociolinguistic variation
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua it, en, fr
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