Rivista | Il Tolomeo
Fascicolo | 20 | 2018

20 | 2018

open access | peer reviewed
Abstract

Keywords Biennale 2018 • Fantastic • Historical-real • Aesthetic-real • Marasa and zombie • Embodied reading • Algeria • Kannjawou • Lyonel Trouillot • Caribbean literature • Haitian literature • Caribbean • Carnival • Linguistic characterisation • Music • Linguistic musicality • Masque • Diaspora • Joyce • Haïtianité • Said • Styleme • Stanley Péan • Science of Rhythm • Imperialism • Venice Architecture • Elgar • History • Interculturalism • Trace • Hamilton • Poetry • Francophone literature • Identity • Subversion • Figure of the prostitute • Style • Rhetoric figure • Caribbean music • Caribbean songs • Ethnography • Art • Mixed languages • Stylistics • Depestre • Intertextuality • Bakhtin • Translation as negotiation • Patrick McCabe • Translation as hermeneutic process • Music and semiotics • Power and subjectivity

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Pubblicato 21 Dicembre 2018 | Lingua it, fr, en

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