Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Francophone literature • Science of Rhythm • Art • Intertextuality • Linguistic musicality • Caribbean literature • Venice Architecture • Elgar • Embodied reading • Lyonel Trouillot • Caribbean music • Style • Joyce • Marasa and zombie • Stylistics • Rhetoric figure • Masque • Biennale 2018 • Styleme • Kannjawou • Trace • Music • Translation as negotiation • Haitian literature • Depestre • Diaspora • Fantastic • Interculturalism • Music and semiotics • Ethnography • Poetry • Imperialism • Bakhtin • Figure of the prostitute • Linguistic characterisation • Power and subjectivity • Subversion • Translation as hermeneutic process • Said • Stanley Péan • Aesthetic-real • Carnival • Historical-real • Hamilton • Identity • History • Haïtianité • Algeria • Caribbean • Caribbean songs • Patrick McCabe • Mixed languages

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Pubblicato 21 Dicembre 2018 | Lingua it, fr, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.