Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Haïtianité • Style • Caribbean literature • Diaspora • History • Caribbean music • Ethnography • Poetry • Stanley Péan • Science of Rhythm • Translation as negotiation • Caribbean songs • Embodied reading • Haitian literature • Power and subjectivity • Interculturalism • Hamilton • Rhetoric figure • Fantastic • Styleme • Algeria • Aesthetic-real • Linguistic characterisation • Depestre • Historical-real • Stylistics • Translation as hermeneutic process • Linguistic musicality • Francophone literature • Subversion • Said • Lyonel Trouillot • Marasa and zombie • Caribbean • Elgar • Art • Carnival • Biennale 2018 • Venice Architecture • Kannjawou • Imperialism • Bakhtin • Mixed languages • Trace • Figure of the prostitute • Music • Music and semiotics • Joyce • Patrick McCabe • Intertextuality • Identity • Masque

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language en, it, fr

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