Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

20 | 2018

open access | peer reviewed
Abstract

Keywords Linguistic musicality • Stanley Péan • Science of Rhythm • Haitian literature • Intertextuality • Venice Architecture • Hamilton • Kannjawou • Poetry • Depestre • Caribbean • Bakhtin • Translation as negotiation • Linguistic characterisation • Marasa and zombie • Diaspora • Carnival • History • Patrick McCabe • Style • Subversion • Biennale 2018 • Imperialism • Caribbean literature • Fantastic • Mixed languages • Art • Caribbean songs • Historical-real • Identity • Haïtianité • Styleme • Figure of the prostitute • Interculturalism • Joyce • Music • Power and subjectivity • Said • Algeria • Translation as hermeneutic process • Francophone literature • Ethnography • Rhetoric figure • Masque • Trace • Caribbean music • Lyonel Trouillot • Stylistics • Embodied reading • Aesthetic-real • Elgar • Music and semiotics

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Pubblicato 21 Dicembre 2018 | Lingua fr, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.