26 | 2024
open access | peer reviewedKeywords Canadian Theatre • Refugee novel • Transnationalism • Habel • Multiplicity • Social criticism • Subverting of the imaginary • Mohammed Dib • Supernatural • Migration • Mbougar Sarr • Négritude • Mohsin Hamid • Césaire • Intermediality • Narratives • Chaos-world • Cultural heritage • Migrant literature • Negative solidarity • Visibility • David Fennario • Urban identity • Indigenous pandemic fiction • Language • Pluralism • Damas • Exit West • Refugee • Tim Jones • Heterotopy • Poetics of space • Cotton mill workers • New Zealand • Mabanckou • Neoliberalism • Ekphrasis • Climate refugees • Mumbai migrants • Narayan Surve • Decoloniality • Postmigration • Caribbean • Walcott • Whichcraft • Dreaming • Failure • Autobiography • Subaltern studies • Storytelling • Cherie Dimaline • Painting • Decolonial
Permalink http://doi.org/10.30687/Tol/2499-5975/2024/01 | Pubblicato 09 Dicembre 2024 | Lingua it, en, fr
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.