Rivista | Rassegna iberistica
Fascicolo | 45 | 118 | 2022
45 | 118 | 2022
open access | peer reviewedKeywords Fairy tale • Catalan culture • Cine mudo • Comunicación • La mort i la primavera • María Angélica Bosco • Cultura catalana • Coproducción cinematográfica • Ciencia • Cinema distribution • History of Spanish cinema • Silvina Ocampo • Science • Genere • Diary • Stereotypes • Interacción • Cine mudo italiano • Motivation • Normalització • Fiaba • Argentine crime literature • Edicions pòstumes • Luisa Valenzuela • Affective dimension • Mercè Rodoreda • Communication • Didáctica a distancia • Virtual learning • Stereotipi • Non-verbal communication • Syria Poletti • Hermeneutic interpretation • Film co-production • Marie Curie • Dimensión afectiva • Literatura catalana • Collaboration • Jorge de Sena • Biografía • Rol docente • Second languages • Buenos Aires • Writing process • Biography • Twenty-first century women’s cartoneras • Haicai • Literary polemics • Novela • Literatura criminal argentina • Géneros poéticos • Normalisation • Narrativa femminile • Posthumous editions • Novel • Colaboración • Gender • Eloísa Cartonera • Tradução de Poesia • Haiku • Cartoneras del siglo XXI • Women’s fiction • Motivación • Distance learning • Polèmica literària • Poetry translation • Italian silent cinema • Premi Nobel • Didáctica virtual • Death in Spring • Silent cinema • Interaction • Pastiche • Diario • Fira del Llibre de Frankfurt • Catalan literature • Interpretació hermenèutica • Procés d’escriptura • Distribución cinematográfica • Nobel Prize • Rosa Montero • Bashô • Historia del cine español • Quim Monzó • Comunicación no verbal • Frankfurt Book Fair • Segundas lenguas
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua it, ca, pt, es
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