Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Gender • Dimensión afectiva • Premi Nobel • Motivación • Buenos Aires • Biografía • Death in Spring • Literatura catalana • Novela • Ciencia • María Angélica Bosco • Poetry translation • Narrativa femminile • Colaboración • Second languages • Virtual learning • Fiaba • Normalisation • Women’s fiction • Cine mudo • Stereotypes • Literatura criminal argentina • Procés d’escriptura • Marie Curie • Diary • Catalan culture • Géneros poéticos • Distribución cinematográfica • Polèmica literària • Catalan literature • Didáctica virtual • Biography • Distance learning • Comunicación • Comunicación no verbal • Diario • Jorge de Sena • Interaction • Haicai • Edicions pòstumes • Fira del Llibre de Frankfurt • Argentine crime literature • Rol docente • La mort i la primavera • Segundas lenguas • Luisa Valenzuela • Silent cinema • Writing process • Affective dimension • Frankfurt Book Fair • Cine mudo italiano • Rosa Montero • Motivation • Cinema distribution • Literary polemics • Cultura catalana • Nobel Prize • Novel • Quim Monzó • Haiku • Film co-production • Hermeneutic interpretation • Stereotipi • Collaboration • Mercè Rodoreda • Communication • Syria Poletti • Didáctica a distancia • Twenty-first century women’s cartoneras • Science • Pastiche • Tradução de Poesia • Posthumous editions • Genere • Interacción • Silvina Ocampo • Historia del cine español • Bashô • Coproducción cinematográfica • Non-verbal communication • Italian silent cinema • Normalització • History of Spanish cinema • Fairy tale • Eloísa Cartonera • Cartoneras del siglo XXI • Interpretació hermenèutica

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua es, it, pt, ca

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