Rivista | Rassegna iberistica
Fascicolo | 45 | 118 | 2022
45 | 118 | 2022
open access | peer reviewedKeywords Rosa Montero • Science • Mercè Rodoreda • Frankfurt Book Fair • Death in Spring • Rol docente • Biografía • Interacción • Genere • Diary • Collaboration • Didáctica a distancia • Poetry translation • Interpretació hermenèutica • Affective dimension • Bashô • Nobel Prize • Argentine crime literature • Twenty-first century women’s cartoneras • Motivation • Literary polemics • Syria Poletti • Biography • Normalisation • Procés d’escriptura • Virtual learning • Distance learning • Cine mudo italiano • Literatura criminal argentina • Novel • Non-verbal communication • Quim Monzó • Eloísa Cartonera • Polèmica literària • Interaction • Literatura catalana • Cultura catalana • Luisa Valenzuela • Géneros poéticos • Motivación • Posthumous editions • Novela • Silvina Ocampo • Dimensión afectiva • Stereotypes • María Angélica Bosco • Silent cinema • Tradução de Poesia • Premi Nobel • Segundas lenguas • Normalització • La mort i la primavera • Colaboración • Fira del Llibre de Frankfurt • Narrativa femminile • Catalan literature • Pastiche • Cine mudo • Didáctica virtual • Fiaba • Film co-production • Italian silent cinema • Stereotipi • Haicai • Communication • Comunicación no verbal • Hermeneutic interpretation • Women’s fiction • Buenos Aires • Writing process • Gender • Fairy tale • Cinema distribution • Jorge de Sena • Distribución cinematográfica • Haiku • Diario • Edicions pòstumes • Comunicación • Coproducción cinematográfica • Second languages • Ciencia • Cartoneras del siglo XXI • Marie Curie • Historia del cine español • History of Spanish cinema • Catalan culture
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua pt, ca, it, es
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