Rivista | Rassegna iberistica
Fascicolo | 45 | 118 | 2022
45 | 118 | 2022
open access | peer reviewedKeywords History of Spanish cinema • Procés d’escriptura • Coproducción cinematográfica • Stereotipi • Silent cinema • Comunicación no verbal • Stereotypes • Distribución cinematográfica • Diary • Diario • Silvina Ocampo • Genere • Cinema distribution • Poetry translation • Fiaba • Interacción • Science • Didáctica a distancia • Edicions pòstumes • Luisa Valenzuela • Bashô • Nobel Prize • Interpretació hermenèutica • Italian silent cinema • Hermeneutic interpretation • Literatura catalana • Twenty-first century women’s cartoneras • Segundas lenguas • Communication • Posthumous editions • Jorge de Sena • Non-verbal communication • Motivación • Second languages • Historia del cine español • Catalan literature • Tradução de Poesia • Novel • Quim Monzó • Interaction • Biografía • Géneros poéticos • Buenos Aires • Motivation • Rosa Montero • María Angélica Bosco • Virtual learning • Novela • Collaboration • Gender • Biography • Dimensión afectiva • Haicai • Narrativa femminile • Pastiche • Cine mudo italiano • Writing process • La mort i la primavera • Syria Poletti • Didáctica virtual • Colaboración • Rol docente • Frankfurt Book Fair • Women’s fiction • Ciencia • Literatura criminal argentina • Premi Nobel • Argentine crime literature • Literary polemics • Eloísa Cartonera • Polèmica literària • Affective dimension • Film co-production • Mercè Rodoreda • Normalització • Comunicación • Death in Spring • Haiku • Fairy tale • Cultura catalana • Cine mudo • Fira del Llibre de Frankfurt • Catalan culture • Normalisation • Cartoneras del siglo XXI • Marie Curie • Distance learning
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua pt, es, it, ca
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