Rivista |
Rassegna iberistica
Fascicolo | 45 | 118 | 2022
Keywords Fiaba • Haiku • Buenos Aires • Stereotipi • Polèmica literària • Cartoneras del siglo XXI • Normalització • Fira del Llibre de Frankfurt • Jorge de Sena • Diary • Silvina Ocampo • Coproducción cinematográfica • Segundas lenguas • Cultura catalana • Biography • Catalan literature • Genere • Rol docente • Didáctica virtual • María Angélica Bosco • Tradução de Poesia • Historia del cine español • Stereotypes • Nobel Prize • Frankfurt Book Fair • Dimensión afectiva • Colaboración • Narrativa femminile • Biografía • Pastiche • Premi Nobel • Quim Monzó • Literatura catalana • Syria Poletti • Eloísa Cartonera • Communication • Argentine crime literature • Second languages • Luisa Valenzuela • Rosa Montero • Géneros poéticos • Affective dimension • Interaction • Posthumous editions • La mort i la primavera • Writing process • Cinema distribution • Literary polemics • Women’s fiction • Poetry translation • Cine mudo • Catalan culture • Bashô • Fairy tale • Interpretació hermenèutica • Didáctica a distancia • Novel • Comunicación no verbal • Gender • Haicai • Science • Normalisation • Cine mudo italiano • Death in Spring • Non-verbal communication • Motivación • Edicions pòstumes • History of Spanish cinema • Literatura criminal argentina • Twenty-first century women’s cartoneras • Distance learning • Ciencia • Novela • Collaboration • Marie Curie • Silent cinema • Italian silent cinema • Film co-production • Comunicación • Hermeneutic interpretation • Mercè Rodoreda • Distribución cinematográfica • Virtual learning • Procés d’escriptura • Interacción • Diario • Motivation
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua it, ca, es, pt
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