Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Mercè Rodoreda • Comunicación • Cultura catalana • Stereotipi • Second languages • Women’s fiction • Didáctica a distancia • Dimensión afectiva • Rosa Montero • Buenos Aires • Argentine crime literature • Genere • Coproducción cinematográfica • Normalisation • Silvina Ocampo • Collaboration • Luisa Valenzuela • Communication • Géneros poéticos • Posthumous editions • Stereotypes • Distribución cinematográfica • Non-verbal communication • History of Spanish cinema • Cartoneras del siglo XXI • Italian silent cinema • Syria Poletti • Jorge de Sena • Haicai • Tradução de Poesia • Pastiche • La mort i la primavera • Narrativa femminile • Biography • Interpretació hermenèutica • Virtual learning • Motivation • Bashô • Poetry translation • Fiaba • Biografía • Eloísa Cartonera • Historia del cine español • Didáctica virtual • Fira del Llibre de Frankfurt • Interacción • Literary polemics • Rol docente • Interaction • María Angélica Bosco • Diary • Premi Nobel • Writing process • Diario • Twenty-first century women’s cartoneras • Literatura catalana • Affective dimension • Literatura criminal argentina • Novela • Procés d’escriptura • Normalització • Cine mudo italiano • Science • Film co-production • Quim Monzó • Novel • Cine mudo • Edicions pòstumes • Frankfurt Book Fair • Haiku • Silent cinema • Segundas lenguas • Colaboración • Distance learning • Polèmica literària • Hermeneutic interpretation • Comunicación no verbal • Gender • Motivación • Fairy tale • Death in Spring • Ciencia • Marie Curie • Nobel Prize • Cinema distribution • Catalan culture • Catalan literature

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language it, pt, ca, es

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