Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Film co-production • Luisa Valenzuela • Bashô • Buenos Aires • Historia del cine español • Stereotypes • Frankfurt Book Fair • Catalan culture • Argentine crime literature • Genere • Fiaba • Quim Monzó • Fairy tale • Catalan literature • La mort i la primavera • Interaction • Jorge de Sena • Diary • Distribución cinematográfica • Ciencia • Gender • Procés d’escriptura • Literatura catalana • Interpretació hermenèutica • Literary polemics • Motivation • Hermeneutic interpretation • Polèmica literària • Cine mudo • Distance learning • Interacción • Fira del Llibre de Frankfurt • Italian silent cinema • Narrativa femminile • Segundas lenguas • Writing process • Colaboración • Marie Curie • Nobel Prize • Novel • Syria Poletti • Didáctica a distancia • Twenty-first century women’s cartoneras • Comunicación • Death in Spring • Biography • Diario • Communication • Rosa Montero • Cinema distribution • Silvina Ocampo • Virtual learning • Eloísa Cartonera • Silent cinema • Edicions pòstumes • Science • Dimensión afectiva • Stereotipi • María Angélica Bosco • Tradução de Poesia • Normalisation • Cultura catalana • Rol docente • Normalització • Didáctica virtual • History of Spanish cinema • Pastiche • Cartoneras del siglo XXI • Collaboration • Literatura criminal argentina • Posthumous editions • Premi Nobel • Motivación • Coproducción cinematográfica • Comunicación no verbal • Novela • Haiku • Second languages • Poetry translation • Géneros poéticos • Biografía • Non-verbal communication • Women’s fiction • Mercè Rodoreda • Cine mudo italiano • Affective dimension • Haicai

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Published Dec. 16, 2022 | Language es, pt, ca, it

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