Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Poetry translation • Interacción • Affective dimension • Syria Poletti • Marie Curie • Cine mudo • Genere • Catalan literature • Distribución cinematográfica • Jorge de Sena • Collaboration • Biography • Rosa Montero • Segundas lenguas • La mort i la primavera • Catalan culture • Silvina Ocampo • Diary • Non-verbal communication • Hermeneutic interpretation • Novel • Colaboración • Luisa Valenzuela • Didáctica a distancia • Comunicación • Edicions pòstumes • Fira del Llibre de Frankfurt • Cine mudo italiano • Dimensión afectiva • Italian silent cinema • Bashô • Ciencia • Frankfurt Book Fair • Diario • Distance learning • Literatura criminal argentina • Silent cinema • Interaction • Normalisation • Cartoneras del siglo XXI • Science • Narrativa femminile • Fiaba • Gender • Communication • Writing process • Motivación • Cultura catalana • Historia del cine español • Didáctica virtual • Second languages • Rol docente • Eloísa Cartonera • Quim Monzó • Haiku • Pastiche • Procés d’escriptura • Stereotipi • Buenos Aires • Fairy tale • Biografía • Argentine crime literature • Polèmica literària • Death in Spring • Literatura catalana • Mercè Rodoreda • Literary polemics • Motivation • Twenty-first century women’s cartoneras • Géneros poéticos • Cinema distribution • Women’s fiction • Film co-production • Premi Nobel • Normalització • Posthumous editions • María Angélica Bosco • Nobel Prize • Tradução de Poesia • Stereotypes • History of Spanish cinema • Coproducción cinematográfica • Comunicación no verbal • Haicai • Novela • Interpretació hermenèutica • Virtual learning

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua it, es, ca, pt

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