Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Women’s fiction • Cinema distribution • Italian silent cinema • Interaction • Silent cinema • Segundas lenguas • Fairy tale • Normalisation • Rosa Montero • Fira del Llibre de Frankfurt • Distance learning • Nobel Prize • Polèmica literària • Literatura criminal argentina • Marie Curie • Cultura catalana • Interacción • Normalització • Eloísa Cartonera • Catalan culture • Rol docente • History of Spanish cinema • Historia del cine español • Stereotipi • Interpretació hermenèutica • Literary polemics • Coproducción cinematográfica • Non-verbal communication • Bashô • Biography • Syria Poletti • Quim Monzó • Edicions pòstumes • María Angélica Bosco • Cine mudo • Cartoneras del siglo XXI • Motivation • La mort i la primavera • Haicai • Diario • Writing process • Film co-production • Distribución cinematográfica • Diary • Affective dimension • Science • Dimensión afectiva • Cine mudo italiano • Argentine crime literature • Novel • Novela • Premi Nobel • Genere • Silvina Ocampo • Fiaba • Stereotypes • Death in Spring • Communication • Literatura catalana • Didáctica virtual • Virtual learning • Poetry translation • Comunicación • Luisa Valenzuela • Procés d’escriptura • Jorge de Sena • Comunicación no verbal • Géneros poéticos • Ciencia • Hermeneutic interpretation • Posthumous editions • Frankfurt Book Fair • Narrativa femminile • Catalan literature • Motivación • Pastiche • Didáctica a distancia • Gender • Biografía • Second languages • Tradução de Poesia • Haiku • Collaboration • Buenos Aires • Colaboración • Twenty-first century women’s cartoneras • Mercè Rodoreda

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua it, pt, ca, es

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