Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Argentine crime literature • Haiku • Literatura criminal argentina • Frankfurt Book Fair • Literatura catalana • Interaction • La mort i la primavera • Quim Monzó • Novel • Distribución cinematográfica • Stereotipi • Historia del cine español • Jorge de Sena • Gender • Coproducción cinematográfica • Catalan literature • Science • Death in Spring • Segundas lenguas • Motivación • Biografía • Eloísa Cartonera • Didáctica virtual • Poetry translation • Nobel Prize • Posthumous editions • Diario • Stereotypes • María Angélica Bosco • Communication • Second languages • Non-verbal communication • Cartoneras del siglo XXI • Literary polemics • Cultura catalana • Diary • Collaboration • Novela • Comunicación no verbal • Italian silent cinema • Normalització • Luisa Valenzuela • Pastiche • Comunicación • Cine mudo italiano • Géneros poéticos • Interpretació hermenèutica • Hermeneutic interpretation • Motivation • Buenos Aires • Interacción • Twenty-first century women’s cartoneras • Normalisation • Silent cinema • Distance learning • Polèmica literària • Writing process • Didáctica a distancia • Silvina Ocampo • Procés d’escriptura • Fiaba • Women’s fiction • Colaboración • Haicai • Ciencia • Tradução de Poesia • Catalan culture • Fairy tale • Dimensión afectiva • Biography • Genere • Mercè Rodoreda • Marie Curie • Edicions pòstumes • History of Spanish cinema • Syria Poletti • Cine mudo • Fira del Llibre de Frankfurt • Affective dimension • Rosa Montero • Virtual learning • Narrativa femminile • Rol docente • Bashô • Film co-production • Cinema distribution • Premi Nobel

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua pt, es, it, ca

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