47 | 121 | 2024
open access | peer reviewedKeywords Elogio della Follia • Teatro mexicano • Clandestinidad • Prensa femenina • Intertextuality • Autorferencialidad • Female instruction • Women and violence • Víctor Català • Don Quijote • Privacy • Dibujo • Clandestinity • Língua portuguesa • Privacidad • Flor en el agua • Literatura siglo XIX • Álbumes • Intertextualidad • Stampa spagnola di fine Ottocento • Gender discriminations • identidad • Violencia estructural • Poems • Albums • Escriptura de dones • Orthographic reform • Luso-brasileirismo • Nineteenth century women’s literature • Literatura de viaje • Resistencia • Recordings • Violenza • Autobiografía • Violencia contra la mujer • Magazines for Women • Erasmo da Rotterdam • Travel literature • Luigi Tansillo • Voice • María Teresa León • Estudis de gènere • Poemas • Textos inéditos • Late nineteenth century Spanish press • Language issue • Phonodia • Contemporary Catalan literature • Luso-Brazilianism • Onorato Fascitelli • History of Criticism • Bernardino Martirano • Intermedialidad • Jorge Luis Borges • Transparency • Sound files • Flores y Perlas • Lagartijas tiradas al sol • Women’s writing • Fin de siècle fiction • Questão da língua • Unpublished texts • Ana de Castro Osório • Libro ilustrado • Història de la crítica • cabaret • Intermediality • Prosa catalana del Primo Novecento • Instrucción femenina • Portuguese language • Mexican theatre • Premsa femenina • Gender Perspective • Alfonso d’Avalos • Literatas • Riviste femminili • Illustrated books • Resistance • Felip Palma • Women’s journals • Identidad • Friné Criolla • Literatura de mujer siglo XIX • Feminal • Prostitución • Scrittura delle donne • Reforma ortográfica • Violencia epistémica • Rosalía de Castro • Women’s press • Exilio • Archivos sonoros • Rafael Alberti • Ode ad florem Gnidi • Prostitution • Siesta • Leucopetra • Discriminazioni di genere • Américo Castro • Girolamo Borgia • Voz • Drawing • Subliminal violence • Exile • Violenza subliminale • Valverde, 20 • Transparencia • Juan José Saer • autobiografía • Grabaciones • Antonio Gala
Permalink http://doi.org/10.30687/Ri/2037-6588/2024/22 | Pubblicato 26 Giugno 2024 | Lingua it, en, pt, ca, es
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