Edizioni Ca' Foscari

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Fascicolo monografico
open access peer reviewed

Arte e Scienza

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Lingua: it, fr, en

Pubblicato: 11 Dicembre 2020

Keywords

Proportions • Bologna, gentry (XVI-XVII cent • Optics • Alterity • Neapolitan Collections • Ornament • Cyborg • Francesco Noletti • Ownership marks • Grechetto • Ideography • Movement • Neoplatonism • Medallions • Dance • Anamorphosis • New media art • Mathematics • Diagram • Electronic disobedience • Biographical Cameos • Science Treatises • Italian Art Literature • Linear perspective • Michelangelo Cerquozzi • Theriomorphism • Digital image • Drawing instruments • Seicento painting • Software • Pieter Boel • Architectural drawing • Busts • Abstraction • Venice • Cryptography • David De Coninck • Pigments • Poussin • Writing • Mario dei Fiori • Landscape • Gesture • Book Collecting • Planisphere • Rayonism • Art • Paintings • Form • ) • Eighteenth century • Manfrin, Girolamo • Renaissance • Zaccolini • Security • Flemish Sources • Anthropocene • Print Collecting • Hybrid space • Vitruvius • Cornelis De Bie • Recipes • Russian Avant-garde • Mikhail Larionov • Tactical media • Mutation • Hybridisation • Galleria Manfrin • Still Life in Italy • Infection • Viral • Portraits • Science • Posthumanism • Contemporary Art • Het Gulden Cabinet • Computer art • Light and shadow • Technology • Scientific knowledge • Scenography • Bologna, accademia dei Gelati • Pastel practice

permalink http://doi.org/10.30687/VA/2385-2720/2020/06

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