Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Grechetto • Venice • Print Collecting • Francesco Noletti • Pigments • Rayonism • Portraits • Posthumanism • Theriomorphism • Viral • Mathematics • Digital image • Ornament • Drawing instruments • Infection • Linear perspective • Mikhail Larionov • Science Treatises • Cornelis De Bie • Mario dei Fiori • Recipes • Seicento painting • New media art • Eighteenth century • Vitruvius • Light and shadow • Zaccolini • Anamorphosis • Cyborg • Proportions • Cryptography • Busts • ) • Dance • Alterity • Italian Art Literature • Bologna, gentry (XVI-XVII cent • Ideography • Scenography • Biographical Cameos • Scientific knowledge • Ownership marks • Still Life in Italy • Mutation • Pieter Boel • Contemporary Art • Russian Avant-garde • Optics • Planisphere • Het Gulden Cabinet • Medallions • Tactical media • Abstraction • Software • Flemish Sources • Computer art • Renaissance • Art • Hybrid space • Neapolitan Collections • Science • Bologna, accademia dei Gelati • Pastel practice • Movement • Architectural drawing • Poussin • Electronic disobedience • Galleria Manfrin • Gesture • Paintings • Neoplatonism • Hybridisation • Security • Form • Landscape • Michelangelo Cerquozzi • David De Coninck • Technology • Diagram • Writing • Manfrin, Girolamo • Book Collecting • Anthropocene

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, en, it

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