Storie dell’arte contemporanea

‘Ritorno’ a cosa?

Riflessioni sui riposizionamenti del dopoguerra

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Abstract

This essay deals with some interlaced topics: the concept of avant-garde within Ca’ Pesaro’s group before and after WW1; the position of Gino Severini’s criticism around 1920, and the question of rappel à l’ordre in postwar French culture; the consequences of the change in the status of the avant-garde, in Italy, and the debate around Christian Art.


Open access

Published Feb. 28, 2018 | Language: it

Keywords Christian art • Gino Severini • Modernism • Criticism • Italian avant-garde

Copyright © 2018 Alessandro Del Puppo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-199-7/004


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