El teatro áureo en la pantalla: estrategias de cinematización del monólogo (I)
Abstract
The purpose of this essay is to propose, through some significant examples, a model of study of film rewriting strategies of Spanish Golden Age drama, starting with monologues modalities of adaptation. After a methodological introduction, the study will focus on appropriation tactics of two famous female monologues, taken from Lope de Vega’s Fuente Ovejuna and Calderón de la Barca’s El alcalde de Zalamea.
Submitted: March 12, 2019 | Accepted: March 26, 2019 | Published July 12, 2019 | Language: es
Keywords Pedro Calderón de la Barca • Monologue • Screen adaptation • Lope de Vega • Golden Age Drama • Filmic rewriting
Copyright © 2019 Simone Trecca. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-330-4/004