Series | Antiquity Studies
Edited book | The Gift of Altino
Chapter | La foggia de l’antiquità
Abstract
The most important age of Venetian glass began just before the middle of the 15th century, when Angelo Barovier invented crystal glass in his Murano glassworks. Some vessels of the late 15th and early 16th century were enamel decorated with patterns derived from Roman marble reliefs and fresco paintings. Starting from the mid-15th century, glassblowers developed new decorative techniques. Some of them were probably inspired by archaelogical glass findings, which were included in Venetian collections. Such techniques were ‘meza stampaura’ ribbing, glass filigree, application of stamped glass medallions and, perhaps, ‘rosetta’ rods.
Published Dec. 16, 2019 | Language: it
Keywords Angelo Barovier • Mosaic Glass • Murrina • Pietro Aretino • Rosetta • Crystal Glass • Murano • Serena • Meza Stampaura • Francesco Zen • Giovanni Da Udine
Copyright © 2019 Rosa Barovier Mentasti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-380-9/022
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_3727 |
dc.contributor.author |
Mentasti Rosa Barovier |
dc.title |
La foggia de l’antiquità. Vetri del Rinascimento veneziano |
dc.type |
Chapter |
dc.language.iso |
it |
dc.description.abstract |
The most important age of Venetian glass began just before the middle of the 15th century, when Angelo Barovier invented crystal glass in his Murano glassworks. Some vessels of the late 15th and early 16th century were enamel decorated with patterns derived from Roman marble reliefs and fresco paintings. Starting from the mid-15th century, glassblowers developed new decorative techniques. Some of them were probably inspired by archaelogical glass findings, which were included in Venetian collections. Such techniques were ‘meza stampaura’ ribbing, glass filigree, application of stamped glass medallions and, perhaps, ‘rosetta’ rods. |
dc.relation.ispartof |
Antiquity Studies |
dc.relation.ispartof |
Archeologia |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-12-16 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-390-8/la-foggia-de-lantiquita/ |
dc.identifier.doi |
10.30687/978-88-6969-380-9/022 |
dc.identifier.issn |
2610-8828 |
dc.identifier.eissn |
2610-9344 |
dc.identifier.isbn |
978-88-6969-390-8 |
dc.identifier.eisbn |
978-88-6969-380-9 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Angelo Barovier |
dc.subject |
Angelo Barovier |
dc.subject |
Crystal Glass |
dc.subject |
Crystal Glass |
dc.subject |
Francesco Zen |
dc.subject |
Francesco Zen |
dc.subject |
Giovanni Da Udine |
dc.subject |
Giovanni Da Udine |
dc.subject |
Meza Stampaura |
dc.subject |
Meza Stampaura |
dc.subject |
Mosaic Glass |
dc.subject |
Mosaic Glass |
dc.subject |
Murano |
dc.subject |
Murano |
dc.subject |
Murrina |
dc.subject |
Murrina |
dc.subject |
Pietro Aretino |
dc.subject |
Pietro Aretino |
dc.subject |
Rosetta |
dc.subject |
Rosetta |
dc.subject |
Serena |
dc.subject |
Serena |
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