Library of Rassegna iberistica

The Translation of Spanish Classical Theater (19th-21st Centuries)

crossmark logo

open access | peer reviewed
    edited by
  • Claudia Demattè - Università degli Studi di Trento, Italia - email
  • Eugenio Maggi - Alma Mater Studiorum – Università di Bologna, Italia - email
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract

El volumen tiene el objetivo de profundizar el tema de la traducción del teatro clásico español en la época contemporánea para ofrecer al lector un panorama de las modalidades de irradiación de este patrimonio artístico en los distintos ámbitos lingüísticos y culturales. Se recogen ensayos de carácter sociológico, literario y traductológico, además de contribuciones relativas a la experiencia de la traducción, descrita a menudo directamente por su protagonistas. Se añaden aportaciones más específicamente bibliográficas con el objetivo de contribuir a la constitución de un repertorio de estos particulares productos editoriales.

Keywords Lope de Vega • Analogical • Abdel-Halim Zidan • Poetry • Spanish theatre • Performances • Spanish Golden Age Theater • Pedro Calderón de la Barca • Golden Age Drama Studies • Analogical form • Amar después de la muerte • Comedia • Organic • Reception of Golden Age theatre • Theater • Russia • El Burlador • George Călinescu • Pietro Monti • Plays of Lope de Vega in Poland • Gyvenimas – tai sapnas • Skopos • Spanish Golden Age Theatre • Mimetic • Translation Studies • Seventeenth century • Translations • Spanish classical theatre • Lithuanian translation of Spanish literature • Victorian Age • La vida es sueño • Casa con dos puertas mala es de guardar • Italian translations • Spanish Golden Age theater • Romania • Theodoro Ameyden • Canon • Acero de Madrid • Translation of verbal humor • Translation • Antonio Gasparetti • Hispanism • El perro del hortelano • Literary history • Theatre • Het leven is droom • Romanticism • Siglo de Oro • Translation story • Publishing • Adaptation • Theatre translation • Golden Age Spanish theater • Calderón de la Barca • Verse • Polish theatre • Translation theory • Tirso • Classical Spanish theater • France • Lithuanian • A secreto agravio, secreta venganza • Golden Age • El príncipe constante • Theatrical reception • Tirso de Molina • Staging history • German lands • Translation studies • Alexandru Popescu-Telega • Spanish Theatre of the Golden Age • Arabic Language • Golden Age drama in English • Reception • Ireland • Open-access • Holmes • Denis Florence MacCarthy • Spanish Golden Age theatre • Barbara Fiorellino • Extraneous • Polish translations of Lope de Vega’s plays • Comedy • Miguel de Cervantes

Permalink http://doi.org/10.30687/978-88-6969-490-5 | e-ISBN 978-88-6969-490-5 | ISBN (PRINT) 978-88-6969-491-2 | Number of pages 402 | Dimensions 16x23cm | Published Dec. 22, 2020 | Language es

Copyright © 2020 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.