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Il cane dell’ortolano de Lope de Vega según Ameyden, Gasparetti y Fiorellino

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Abstract

Lope de Vega’s posthumous fame in Italy differs according to the ages: if in the 17th century he was really appreciated and his dramas and comedies were often translated, adapted and represented, nowadays he’s practically absent in the dramatic production and there are just a few titles available in Italian translation. This also happens for his masterpieces. The case of El perro del hortelano is quite interesting, since there are three versions, by Ameyden, Gasparetti and Fiorellino, belonging to different periods and different conceptions of translation and literary taste. This article tries to analyse them in a comparative perspective.


Open access | Peer reviewed

Submitted: July 10, 2020 | Accepted: July 30, 2020 | Published Dec. 22, 2020 | Language: es

Keywords El perro del hortelano • Barbara Fiorellino • Lope de Vega • Antonio Gasparetti • Theodoro Ameyden

Copyright © 2020 Marcella Trambaioli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-490-5/019


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