Series |
Library of Rassegna iberistica
Edited book | The Translation of Spanish Classical Theater (19th-21st Centuries)
Chapter | La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días
La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días
Constantes y variables en la formación de un canon
- Fausta Antonucci - Università degli Studi Roma Tre, Italia - email
Abstract
This essay aims to provide an overview of the Italian translations of Spanish Golden Age theatre from the 19th century to the present, identifying above all the differences in the approach to Spanish texts compared to previous centuries and the distinctive features of each historical-cultural period within this long span of time. Romantic translations (a period marked by the great collections of theatrical texts by Monti and La Cecilia) were characterised by their marked preference for religious and honour-based dramas and for the works of Calderón; while the 20th century saw a general reworking of the corpus of translated texts, with a stable presence of Calderón and the recovery of the dramas on peasant honour by Lope de Vega. The emergence and affirmation of the poetic translation is highlighted, from the early experiments of the 1920s to the general acceptance of our days, and the role hispanists and writers played in this choice. An analysis of the corpus of translation collections in the 20th and 21st centuries, as well as of the many individual translations, also shows how the canon of the Spanish Golden Age theatre has changed both on the academic and editorial side.
Submitted: June 22, 2020 | Accepted: Aug. 24, 2020 | Published Dec. 22, 2020 | Language: es
Keywords Canon • Tirso de Molina • Italian translations • Spanish Golden Age Theater • Lope de Vega • Translation story • Calderón de la Barca
Copyright © 2020 Fausta Antonucci. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-490-5/003
- Presentación
- Claudia Demattè, Eugenio Maggi, Marco Presotto
- Dec. 22, 2020
Panoramas
- Panoramas
- Marco Presotto
- Dec. 22, 2020
-
La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días
Constantes y variables en la formación de un canon - Fausta Antonucci
- Dec. 22, 2020
- Las traducciones francesas del teatro español del Siglo de Oro (siglos XIX-XXI)
- Christophe Couderc
- Dec. 22, 2020
-
El teatro clásico español en Alemania
Cuatro siglos y veinte años de recepción - Simon Kroll
- Dec. 22, 2020
- La traducción del teatro clásico español al inglés
- Jonathan Thacker
- Dec. 22, 2020
-
Los vaivenes del canon
Traducción y puesta en escena de la comedia áurea en Rusia - Veronika Ryjik
- Dec. 22, 2020
-
En torno a la paradójica recepción del teatro de Lope de Vega en Polonia
Traducciones, representaciones y comentarios críticos - Urszula Aszyk
- Dec. 22, 2020
- El hispanismo rumano y la traducción del teatro clásico español
- Oana Sambrian
- Dec. 22, 2020
-
Traducciones del teatro español del Siglo de Oro al lituano
Breve repaso histórico - Marta Plaza Velasco
- Dec. 22, 2020
-
La presencia del teatro clásico español en el mundo árabe
Entrevista con Zidan Abdel-Halim Zidan (Universidad de Al Azhar, El Cairo) - Marco Presotto
- Dec. 22, 2020
Las traducciones
- Las traducciones
- Claudia Demattè
- Dec. 22, 2020
- Las traducciones de teatro español en la Biblioteca Digital EMOTHE
- Jesús Tronch
- Dec. 22, 2020
-
En busca del príncipe polaco calderoniano
Las traducciones de La vida es sueño de Pedro Calderón de la Barca y la presencia del teatro clásico español en Polonia - Beata Baczyńska
- Dec. 22, 2020
-
La vida es sueño en lituano
Traducción para la escena - Carmen Caro Dugo
- Dec. 22, 2020
- El Burlador y la perspectiva traductológica moderna
- Francesca Leonetti
- Dec. 22, 2020
-
Las dos traducciones de El purgatorio de San Patricio por Denis Florence MacCarthy (1853 y 1873)
Primeras calas - Eugenio Maggi
- Dec. 22, 2020
-
Pietro Monti y el teatro del Siglo de Oro
Estrategias de traducción del humor - Elena Marcello
- Dec. 22, 2020
- Il cane dell’ortolano de Lope de Vega según Ameyden, Gasparetti y Fiorellino
- Marcella Trambaioli
- Dec. 22, 2020
Las experiencias
- Las experiencias
- Eugenio Maggi
- Dec. 22, 2020
- Traducir a Lope: El acero de Madrid
- Nadine Ly
- Dec. 22, 2020
-
Traducir comedias de Lope al italiano
De Las bizarrías de Belisa a L’audace Belisa - Katerina Vaiopoulos
- Dec. 22, 2020
- Treinta y cinco años traduciendo a Calderón
- Erik Coenen
- Dec. 22, 2020
-
La vida es sueño en forma analógica
Teoría, metodología y recepción de la traducción a contrapelo - Gregary J. Racz
- Dec. 22, 2020
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_4116 |
|
dc.contributor.author |
Antonucci Fausta |
|
dc.title |
La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días. Constantes y variables en la formación de un canon |
|
dc.type |
Chapter |
|
dc.language.iso |
es |
|
dc.description.abstract |
This essay aims to provide an overview of the Italian translations of Spanish Golden Age theatre from the 19th century to the present, identifying above all the differences in the approach to Spanish texts compared to previous centuries and the distinctive features of each historical-cultural period within this long span of time. Romantic translations (a period marked by the great collections of theatrical texts by Monti and La Cecilia) were characterised by their marked preference for religious and honour-based dramas and for the works of Calderón; while the 20th century saw a general reworking of the corpus of translated texts, with a stable presence of Calderón and the recovery of the dramas on peasant honour by Lope de Vega. The emergence and affirmation of the poetic translation is highlighted, from the early experiments of the 1920s to the general acceptance of our days, and the role hispanists and writers played in this choice. An analysis of the corpus of translation collections in the 20th and 21st centuries, as well as of the many individual translations, also shows how the canon of the Spanish Golden Age theatre has changed both on the academic and editorial side. |
|
dc.relation.ispartof |
Library of Rassegna iberistica |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2020-12-22 |
|
dc.dateAccepted |
2020-08-24 |
|
dc.dateSubmitted |
2020-06-22 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-491-2/la-traduccion-del-teatro-aureo-en-italia-desde-el/ |
|
dc.identifier.doi |
10.30687/978-88-6969-490-5/003 |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-491-2 |
|
dc.identifier.eisbn |
978-88-6969-490-5 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Calderón de la Barca |
|
dc.subject |
Calderón de la Barca |
|
dc.subject |
Canon |
|
dc.subject |
Canon |
|
dc.subject |
Italian translations |
|
dc.subject |
Italian translations |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Lope de Vega |
|
dc.subject |
Spanish Golden Age Theater |
|
dc.subject |
Spanish Golden Age Theater |
|
dc.subject |
Tirso de Molina |
|
dc.subject |
Tirso de Molina |
|
dc.subject |
Translation story |
|
dc.subject |
Translation story |
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