Series |
Library of Rassegna iberistica
Edited book | The Admiration of All Mankind
Chapter | Verdad, mentira y poesía en la historia de Timbrio y Silerio en La Galatea
Verdad, mentira y poesía en la historia de Timbrio y Silerio en La Galatea
- Sara Santa-Aguilar - Universidad de La Rioja, España - email
Abstract
The story of Timbrio and Silerio is the only one openly presented as a story of courtiers in La Galatea. The two Spanish courtiers and the two Italian ladies star a plot where poetry has a fundamental role. In this story, poetry exceeds the possibilities it has in the bucolic tradition. The courtier’s compositions oscillate between the spontaneous and self-referential characteristics of pastoral poetry and tailor-made poetry. Both possibilities intertwine unexpectedly to arrive at a paradoxical ending: tailor-made poems recited in Naples anticipate the outcome this story has in the middle of the arcadia, while spontaneous and sincere poetry ends up being part of a staging which aims to artificially generate an archetypal scene of recognition between the four characters.
Submitted: Feb. 8, 2021 | Accepted: June 9, 2021 | Published Dec. 1, 2021 | Language: es
Keywords Truth • Timbrio and Silerio • Inserted poetry • Lie • Anticipation • La Galatea
Copyright © 2021 Sara Santa-Aguilar. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-579-7/023
Introducción
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Conferencias plenarias
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- El pasaje más oscuro del Quijote esclarecido
- Carlos Ansó
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- Nombre y renombre: el testamento de Alonso Quijano
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- Las deformaciones lingüísticas en los entremeses cervantinos
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- El hombre que mató a don Quijote de Terry Gilliam (2018) desde la transversalidad de la recreación
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- Panorama y efectos del entrelazamiento en el Quijote
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- La fuerza de la sangre cervantina en el espejo de una novela de Kleist
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- «Nunca representados», siempre sobre las tablas: los Entremeses de Cervantes y la escena contemporánea
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- El arte de la novela de Cervantes a Zayas
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- Hojeando algunas biografías recientes
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- El Quijote, ‘The Prince of Purpoole’ y Gesta Grayorum
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- La ironía y la parodia en las novelas cervantinas como respuesta al género picaresco
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- De nuevo sobre el epigrama latino del Viaje del Parnaso
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- Cervantes y la escritura de senectute (en torno al Viaje del parnaso)
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- El Don Chisciotte in Sierra Morena de Apostolo Zeno y Pietro Pariati: del Quijote al libreto
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- Las ciudades de Cervantes: corografías entre historia y ficción
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- Motivos quijotescos y metaficción cervantina en el «Tríptico del carnaval» de Sergio Pitol
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-
Los Ludeña, regidores madrileños y familia hidalga principal de la Mancha
Una relación clientelar de Miguel de Cervantes - Jesús Sánchez Sánchez
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- Verdad, mentira y poesía en la historia de Timbrio y Silerio en La Galatea
- Sara Santa-Aguilar
- Dec. 1, 2021
- El Quijote en la calle: historia de un espectáculo
- Pilar Serrano Sánchez de Menchén
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- Autentificando el discurso de la verdad en El casamiento engañoso y El coloquio de los perros
- Miguel Ángel Zamorano Heras
- Dec. 1, 2021
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_5655 |
|
dc.contributor.author |
Santa-Aguilar Sara |
|
dc.title |
Verdad, mentira y poesía en la historia de Timbrio y Silerio en La Galatea |
|
dc.type |
Chapter |
|
dc.language.iso |
es |
|
dc.description.abstract |
The story of Timbrio and Silerio is the only one openly presented as a story of courtiers in La Galatea. The two Spanish courtiers and the two Italian ladies star a plot where poetry has a fundamental role. In this story, poetry exceeds the possibilities it has in the bucolic tradition. The courtier’s compositions oscillate between the spontaneous and self-referential characteristics of pastoral poetry and tailor-made poetry. Both possibilities intertwine unexpectedly to arrive at a paradoxical ending: tailor-made poems recited in Naples anticipate the outcome this story has in the middle of the arcadia, while spontaneous and sincere poetry ends up being part of a staging which aims to artificially generate an archetypal scene of recognition between the four characters. |
|
dc.relation.ispartof |
Library of Rassegna iberistica |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2021-12-01 |
|
dc.dateAccepted |
2021-06-09 |
|
dc.dateSubmitted |
2021-02-08 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-580-3/verdad-mentira-y-poesia-en-la-historia-de-timbrio/ |
|
dc.identifier.doi |
10.30687/978-88-6969-579-7/023 |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-580-3 |
|
dc.identifier.eisbn |
978-88-6969-579-7 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Anticipation |
|
dc.subject |
Anticipation |
|
dc.subject |
Inserted poetry |
|
dc.subject |
Inserted poetry |
|
dc.subject |
La Galatea |
|
dc.subject |
La Galatea |
|
dc.subject |
Lie |
|
dc.subject |
Lie |
|
dc.subject |
Timbrio and Silerio |
|
dc.subject |
Timbrio and Silerio |
|
dc.subject |
Truth |
|
dc.subject |
Truth |
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