Quaderni di Venezia Arti

Il sonno della Storia produce miti

Il Seicento e le origini della xilografia

crossmark logo

Abstract

The scarce space that Giorgio Vasari dedicates in his Vite to the woodcut technique meant a long exclusion of wood engraving from Italian artistic historiography, a silence that survived its author for at least two centuries. Only from the second half of the 18th century did a debate on the origins of woodcut begin to develop in Italy. However, the void of historiography was partly filled between the 16th and 17th centuries by significant episodes of interest in 15th-century woodcut, linked not so much to their artistic aspect, but rather to their devotional one. The analysis of a series of cases highlights a certain need at the time to deal with the origins of woodcut. Despite the silence of the official treatises, responses offered often surprising results.


Open access

Submitted: Nov. 25, 2021 | Published May 13, 2022 | Language: it

Keywords Giorgio Vasari • Jacopo Ligozzi • Madonna del Fuoco • Woodcut • Giovanni Baglione • Historiography • Miraculous images

Copyright © 2022 Lorenzo Gigante. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-588-9/014


read this chapter