Journal | Archivio d’Annunzio
Journal Issue | 1 | 2014
Research Article | «Impones plagiario pudorem»
Abstract
During d’Annunzio’s lifetime, a controversy arose concerning his alleged drawing from other literary sources – sources which he transformed in his writings through his own lyricism. Following the publication of d’Annunzio’s novel L’innocente (The intruder), Enrico Thovez instigated the so-called affaire des plagiats, in response to which critics such as Benedetto Croce took d’Annunzio’s part. By borrowing from French Symbolists and Russian writers, d’Annunzio wished to abandon 19th century realism so as to reflect fin de siècle irrationalism and spiritualism, but he proved unsuccessful in setting up an innovative narrative system. Apparently being more a poet than a novelist, d’Annunzio let the functions of poetry dictate narrative strategy; thus, another literary genre, the roman-poème, was founded.
Published Oct. 30, 2014 | Language: it
Copyright © 2014 Maria Rosa Giacon. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2421-292X/450
Presentation
Dannunzian Workshop
Dannunzian Civilisation
Schede e recensioni
DC Field | Value |
---|---|
dc.identifier |
ECF_article_89 |
dc.title |
«Impones plagiario pudorem». D’Annunzio Novelist and the affaire des plagiats |
dc.contributor.author |
Giacon Maria Rosa |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Research Article |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2014/1/impones-plagiario-pudorem/ |
dc.description.abstract |
During d’Annunzio’s lifetime, a controversy arose concerning his alleged drawing from other literary sources – sources which he transformed in his writings through his own lyricism. Following the publication of d’Annunzio’s novel L’innocente (The intruder), Enrico Thovez instigated the so-called affaire des plagiats, in response to which critics such as Benedetto Croce took d’Annunzio’s part. By borrowing from French Symbolists and Russian writers, d’Annunzio wished to abandon 19th century realism so as to reflect fin de siècle irrationalism and spiritualism, but he proved unsuccessful in setting up an innovative narrative system. Apparently being more a poet than a novelist, d’Annunzio let the functions of poetry dictate narrative strategy; thus, another literary genre, the roman-poème, was founded. |
dc.relation.ispartof |
Archivio d’Annunzio |
dc.relation.ispartof |
Vol. 1 | October 2014 |
dc.issued |
2014-10-30 |
dc.identifier.issn |
|
dc.identifier.eissn |
2421-292X |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2421-292X/450 |
dc.peer-review |
yes |
Download data |
Edizioni Ca’ Foscari
Dorsoduro 3246
30123 Venezia
ecf@unive.it
T +39 041 234 8250
Evologi srl
P.IVA 04616450260