Journal | Archivio d’Annunzio
Journal Issue | 1 | 2014
Research Article | Three Faces of Dante’s Francesca in the Prism of the Imaginific
Three Faces of Dante’s Francesca in the Prism of the Imaginific
Tre facce della Francesca dannunziana
- Eva Colombo email
Abstract
In his tragedy Francesca da Rimini (1901) d’Annunzio refracts the famous figure of Dante’s lustful damned in the prism of his own artistic sensibility giving her characteristics that are tightly connected with his intimate vein. Through a close comparison between the tragedy text and the other works of d’Annunzio (particularly the novel Il fuoco (The flame of life) (1900) two Francesca’s hidden faces emerge: the one brings her near to the mythological figure of Persephone and the other makes her similar to the Foscarina, the female protagonist of Il fuoco. Moreover, a methodical comparison among d’Annunzio’s texts discloses how much the red rose that Francesca hands to Paolo during the first act is part of her, containing the lust and the blood, the love and the death that mark her destiny.
Published Oct. 30, 2014 | Language: it
Copyright © 2014 Eva Colombo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2421-292X/453
Presentation
- Presentation
- Archivio d’Annunzio Redazione
- Oct. 30, 2014
Dannunzian Workshop
- D’Annunzio and the Opera: Libretto or Poetry?
- Adriana Guarnieri
- Oct. 30, 2014
-
«Impones plagiario pudorem»
D’Annunzio Novelist and the affaire des plagiats - Maria Rosa Giacon
- Oct. 30, 2014
-
«Il dilettante di sensazioni»
D’Annunzio’s Chromonymy: from the Novelle Della Pescara to the Notturno - Stefania Penasa
- Oct. 30, 2014
- Il Fuoco: from Music to Silence, from Venice to Art
- Filippo Caburlotto
- Oct. 30, 2014
-
Three Faces of Dante’s Francesca in the Prism of the Imaginific
Tre facce della Francesca dannunziana - Eva Colombo
- Oct. 30, 2014
- Simonetto: Gabriellino d’Annunzio Between Moretti and Marinetti
- Maria Teresa Imbriani
- Oct. 30, 2014
- D’Annunzio’s Letters to Re Riccardi
- Eugenio Salvatore
- Oct. 30, 2014
- D’Annunzio’s Memories of Abruzzo in the “Golden Prison”
- Giuseppe Papponetti
- Oct. 30, 2014
- D’Annunzio and Two Paintings by Astolfo De Maria at the Vittoriale
- Giuseppina Dal Canton
- Oct. 30, 2014
Dannunzian Civilisation
-
An Untranslated German Source by Angelo Conti
Rembrandt als Erzieher by Julius Langbehn - Enrico Bortolotto
- Oct. 30, 2014
- Il fanciullo: The Genesis of a Programmatic Text
- Francesca Suppa
- Oct. 30, 2014
- Interview with the Marquise
- Paolo Puppa
- Oct. 30, 2014
Schede e recensioni
- Gibellini, Pietro; Gambin, Enrica (a cura di) (2009). D’Annunzio, Gabriele: Il Piacere. Introduzione di Pietro Gibellini; note di Enrica Gambin. Milano: BUR
- Sara Campardo
- Oct. 30, 2014
- Gibellini, Pietro; Di Nino, Nicola (a cura di) (2010). D’Annunzio, Gabriele: Le vergini delle rocce. Introduzione di Pietro Gibellini; note di Nicola Di Nino. Milano: BUR
- Maddalena Rasera
- Oct. 30, 2014
- Gibellini, Pietro; Caburlotto, Filippo (a cura di) (2009). D’Annunzio, Gabriele: Il Fuoco. Introduzione di Pietro Gibellini; note di Filippo Caburlotto. Milano: BUR
- Beatrice Castellaro
- Oct. 30, 2014
- Gibellini, Pietro (a cura di) (2010). D’Annunzio, Gabriele: Cento e cento e cento e cento pagine del libro segreto di Gabriele d’Annunzio tentato di morire. Milano: BUR
- Beniamino Mirisola
- Oct. 30, 2014
- Di Carlo, Enrico (a cura di) (2007). D’Annunzio e Filippo De Titta: Carteggio (1880-1922) e altri documenti dannunziani. Lanciano: Carabba
- Rino Di Battista
- Oct. 30, 2014
- Cimini, Mario (a cura di) (2004). Carteggio D’Annunzio - Hérelle (1891-1931). Lanciano: Carabba
- Andrea Lombardinilo
- Oct. 30, 2014
- Menna, Mirko (a cura di) (2007). Al «candido fratello»…: Carteggio Gabriele D’Annunzio - Annibale Tenneroni (1895-1928). Lanciano: Carabba
- Angela Cimini
- Oct. 30, 2014
- Lombardinilo, Andrea (a cura di) (2005). D’Annunzio, Gabriele: Lettere a Natalia de Goloubeff (1908-1915). Lanciano: Carabba
- Alessandra Sigalotti
- Oct. 30, 2014
- Simeone, Aldo (a cura di) (2009). D’Annunzio, Gabriele; Puccini, Giacomo: Il carteggio recuperato. Lanciano: Carabba
- Michele Girardi
- Oct. 30, 2014
- Menna, Mirko; Castagnola, Raffaella (a cura di) (2011). Carteggio d’Annunzio - Bruers. Con un saggio di Leonardo Lattarulo. Lanciano: Carabba
- Paolo Orvieto
- Oct. 30, 2014
- Caburlotto, Filippo (a cura di) (2011). D’Annunzio, Gabriele: Inediti 1922-1936: Carteggio con Maria Lombardi e altri scritti. Prefazione di Pietro Gibellini. Firenze: Olschki
- Claudio Toscani
- Oct. 30, 2014
- Lombardinilo, Andrea (2008). L’ora della chimera: Segno simbolo linguaggio in d’Annunzio. Lanciano: Carabba
- Alessandra Sigalotti
- Oct. 30, 2014
- Mazza, Attilio; Bortolotti, Antonio (2010). Gli amuleti di d’Annunzio. Pescara: Ianieri
- Filippo Caburlotto
- Oct. 30, 2014
- Menna, Mirko (2009). Vite vissute di Gabriele d’Annunzio: Mitobiografie e divismo. Lanciano: Carabba
- Alessandra Sigalotti
- Oct. 30, 2014
- Curreri, Luciano (2011). Silenzi, solitudini, segreti: Altre metamorfosi dannunziane. Acireale; Roma: Bonanno
- Angela Cimini
- Oct. 30, 2014
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_92 |
|
dc.title |
Three Faces of Dante’s Francesca in the Prism of the Imaginific. Tre facce della Francesca dannunziana |
|
dc.contributor.author |
Colombo Eva |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
it |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2014/1/la-lussuriosa-dantesca-nel-prisma-dellimaginifico/ |
|
dc.description.abstract |
In his tragedy Francesca da Rimini (1901) d’Annunzio refracts the famous figure of Dante’s lustful damned in the prism of his own artistic sensibility giving her characteristics that are tightly connected with his intimate vein. Through a close comparison between the tragedy text and the other works of d’Annunzio (particularly the novel Il fuoco (The flame of life) (1900) two Francesca’s hidden faces emerge: the one brings her near to the mythological figure of Persephone and the other makes her similar to the Foscarina, the female protagonist of Il fuoco. Moreover, a methodical comparison among d’Annunzio’s texts discloses how much the red rose that Francesca hands to Paolo during the first act is part of her, containing the lust and the blood, the love and the death that mark her destiny. |
|
dc.relation.ispartof |
Archivio d’Annunzio |
|
dc.relation.ispartof |
Vol. 1 | October 2014 |
|
dc.issued |
2014-10-30 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2421-292X |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2421-292X/453 |
|
dc.peer-review |
yes |
| Download data |
-
file_download 24
-
search 4067
-
format_quote 0
