Journal | Archivio d’Annunzio
Journal issue | 4 | 2017
Research Article | La Natura ‘dolorosa e appassionante’ evocata dall’arte di Eleonora Duse
La Natura ‘dolorosa e appassionante’ evocata dall’arte di Eleonora Duse
Abstract
Moving from the analysis of Eleonora Duse’s acting technique and its reception during her life, the three feminine leading characters of two plays (Sogno di un mattino di primavera and La città morta) and a novel (Il Fuoco) by Gabriele d’Annunzio are closely investigated in relation with the symbolic conception of the space displayed in those works. La Demente, blind Anna and Foscarina are all inspired by Duse’s stage skills. Not only can they interweave a visionary and passionate relationship with the nature that surrounds them – a gorgeous garden in Tuscany, the arid ruins near Mycenae and the famous maze in Villa Pisani near Strà – but also their bodies can detect and translate the archetypes of universe. Our aim is to show how deeply their intimate conception is in debt with the idea of an unconscious sensor of cosmic forces, of a multi-souls actress like Eleonora Duse.
Submitted: Jan. 11, 2017 | Accepted: June 12, 2017 | Published Oct. 5, 2017 | Language: it
Keywords D’Annunzio • Eleonora Duse • Plays • Dramatic writing • Acting
Copyright © 2017 Simona Brunetti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2421-292X/AdA-4-17-5
