Robert Louis Stevenson and the Fin-de-Siècle Vampire

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DC Field	Value
dc.identifier	ECF_article_4844
dc.title	Robert Louis Stevenson and the Fin-de-Siècle Vampire. “Olalla” (1885) as ‘Aesthetic Fantastic’
dc.contributor.author	Riccioni Angelo
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	en
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/english-literature/2020/1/robert-louis-stevenson-and-the-fin-de-siecle-vampi/
dc.description.abstract	“Olalla” (1885) by Robert Louis Stevenson has usually been neglected by critics interested in late-Victorian culture. Preceding of just a few weeks the publication of The Strange Case of Dr. Jekyll and Mr. Hyde (1886), this novella has been judged as a derivative work, a story whose interest lies in its different sources, ranging from Edward Bulwer Lytton’s A Strange Story to E.A. Poe’s tales. My analysis aims to prove that in writing this work, Stevenson is probably drawing inspiration from the imagery exploited by some members of the Aesthetic Movement, among them Walter Pater and Edward Burne-Jones.
dc.relation.ispartof	English Literature
dc.relation.ispartof	Vol. 7 \| December 2020
dc.issued	2020-12-21
dc.dateAccepted	2020-12-12
dc.dateSubmitted	2020-11-06
dc.identifier.issn
dc.identifier.eissn	2420-823X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/EL/2420-823X/2020/01/004
dc.peer-review	yes
dc.subject	Aesthetic Culture
dc.subject	Aesthetic Culture
dc.subject	Olalla
dc.subject	Olalla
dc.subject	Robert Louis Stevenson
dc.subject	Robert Louis Stevenson
dc.subject	The ‘Aesthetic Fantastic’
dc.subject	The ‘Aesthetic Fantastic’

Research Article
open access peer reviewed

Robert Louis Stevenson and the Fin-de-Siècle Vampire

“Olalla” (1885) as ‘Aesthetic Fantastic’

Angelo Riccioni Università degli Studi di Napoli Parthenope, Italia

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abstract

“Olalla” (1885) by Robert Louis Stevenson has usually been neglected by critics interested in late-Victorian culture. Preceding of just a few weeks the publication of The Strange Case of Dr. Jekyll and Mr. Hyde (1886), this novella has been judged as a derivative work, a story whose interest lies in its different sources, ranging from Edward Bulwer Lytton’s A Strange Story to E.A. Poe’s tales. My analysis aims to prove that in writing this work, Stevenson is probably drawing inspiration from the imagery exploited by some members of the Aesthetic Movement, among them Walter Pater and Edward Burne-Jones.

Published

Dec. 21, 2020

Accepted

Dec. 12, 2020

Submitted

Nov. 6, 2020

Language

Keywords: Robert Louis Stevenson • Olalla • The ‘Aesthetic Fantastic’ • Aesthetic Culture

permalink http://doi.org/10.30687/EL/2420-823X/2020/01/004

Copyright: © 2020 Angelo Riccioni. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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