Upon a Letter by Claude Monet to Giuseppe De Nittis

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DC Field	Value
dc.identifier	ECF_article_1442
dc.title	Upon a Letter by Claude Monet to Giuseppe De Nittis. A Possible Artistic Comparison?
dc.contributor.author	Minervini Fausto
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/mdccc-1800/2018/1/attorno-a-una-lettera-di-claude-monet-a-giuseppe-d/
dc.description.abstract	The proximity between Giuseppe De Nittis and some French Impressionism’s interpreters has always been one of the most debated and controversial aspects of the Apulian painter’s experience. Specifically, the connection between him and Claude Monet, even if certified, is still not enough discussed and investigated. A letter sent by the French master to his Italian colleague, kept in Getty Research Institute in Los Angeles, offers new points of view and reflection on affinities, more or less tangible, of their languages and their methods of nature study and translation.
dc.relation.ispartof	MDCCC 1800
dc.relation.ispartof	Vol. 7 \| July 2018
dc.issued	2018-07-31
dc.dateAccepted	2017-11-26
dc.dateSubmitted	2017-06-30
dc.identifier.issn
dc.identifier.eissn	2280-8841
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/MDCCC/2280-8841/2018/01/003
dc.peer-review	yes
dc.subject	19th Century French paintings
dc.subject	19th Century French paintings
dc.subject	19th Century Italian paintings
dc.subject	19th Century Italian paintings
dc.subject	Claude Monet
dc.subject	Claude Monet
dc.subject	Experimental series
dc.subject	Experimental series
dc.subject	Getty Research Institute
dc.subject	Getty Research Institute
dc.subject	Giuseppe De Nittis
dc.subject	Giuseppe De Nittis
dc.subject	Impressionism
dc.subject	Impressionism
dc.subject	Market
dc.subject	Market
dc.subject	Salon
dc.subject	Salon

Research Article
open access peer reviewed

A Possible Artistic Comparison?

Fausto Minervini Université de Paris-Sorbonne (Paris IV)/Università di Napoli Federico II

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abstract

The proximity between Giuseppe De Nittis and some French Impressionism’s interpreters has always been one of the most debated and controversial aspects of the Apulian painter’s experience. Specifically, the connection between him and Claude Monet, even if certified, is still not enough discussed and investigated. A letter sent by the French master to his Italian colleague, kept in Getty Research Institute in Los Angeles, offers new points of view and reflection on affinities, more or less tangible, of their languages and their methods of nature study and translation.

Published

July 31, 2018

Accepted

Nov. 26, 2017

Submitted

June 30, 2017

Language

Keywords: 19th Century Italian paintings • Experimental series • Claude Monet • Salon • 19th Century French paintings • Impressionism • Market • Getty Research Institute • Giuseppe De Nittis

permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/01/003

Copyright: © 2018 Fausto Minervini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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