From Venice to Europe: Reassessing the Dispersal of Classical Sculpture through Digital Humanities and Archaeometry
Abstract
This article offers preliminary reflections on the dispersal of classical sculptures between Venice and Europe, suggesting that further research might benefit from the integration of digital humanities and archaeometric approaches. Through three case studies ‒ the Adorant of Berlin, the Grimani Vitellius, and the Laborde Head ‒ it considers the potential of such methodologies for advancing understanding of provenance, circulation, and reception, while also drawing attention to patterns of collecting and cultural exchange.
Submitted: Aug. 27, 2025 | Accepted: Oct. 12, 2025 | Published Dec. 9, 2025 | Language: en
Keywords Archaeometry • Artwork Dispersal • Classical sculpture • Digital humanities • Art Collecting
Copyright © 2025 Myriam Pilutti Namer. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2025/01/006