Journal | Rassegna iberistica
Journal issue | 40 | 107 | 2017
Research Article | Don Perlimplín in Venice: Nono and Maderna

Don Perlimplín in Venice: Nono and Maderna

Abstract

The present paper is a study of two musical adaptations of Federico García Lorca’s play Amor de don Perlimplín con Belisa en su jardín by two venetian composers linked to the Darmstadt School, Luigi Nono and Bruno Maderna, respectively a ballet entitled Der rote Mantel, which uses the German translation by Enrique Beck, and a radiophonic opera based on the Italian translation by Vittorio Bodini, Don Perlimplín ovvero il trionfo dell’amore e dell’immaginazione.


Open access | Peer reviewed

Submitted: April 7, 2016 | Accepted: July 22, 2016 | Published June 29, 2017 | Language: es

Keywords Avant-gardeTheaterTransmedialityTranslationMusic


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