Rassegna iberistica

40 | 107 | 2017

open access | peer reviewed
Abstract

Keywords Mandrake • Quevedo • Don Quixote • Otherness • Autotranslation • Dialogue • Music • Social studies • Spain • Translation • Femme Fatale • Intertextuality • Courtly love • El Buscón • Theater • Catalan literature • Gustave Flaubert • Novo Cancioneiro • Fiction • Galán de monjas • Mario Vargas Llosa • Communication • Literary writing • Poets • Políbio Gomes dos Santos • Transmediality • Alexandre Dumas (son) • Plagiarism • Álvaro Feijó • Attributions • Essay • Image • Language • Comparatism • Avant-garde • Novel • Reality • Time • Paradox • Hermeneutics • Psychology • Sidónio Muralha • Memory • Anachronism • Pierre Bourdieu • Franquism • Portugal • Interpretation • Impossible Love • Poetry

Permalink http://doi.org/10.14277/2037-6588/Ri-40-107-17 | Published June 29, 2017 | Language pt, es, it, ca, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.