Metamorphosis
open access | peer reviewedKeywords Arte povera • Birolli • Parody • Biomorphic Abstraction • Medieval oriental cults • Renaissance hydraulic engineering • Armour • Medieval churches • Contemporary Art • Transnational Art • Venetian self-representation • Germano Celant • Snake • Trauma • Battle of Lepanto • Olga Tobreluts • Viani • Videoart • Arch • Animality • Forties • War • Guggenheim Museum • Grotesque • Monster • Postwar Print Art • Venice • Zadar • Arp • Annibal Caro • Facial Mutilations • Liturgical furnishings • Digital Collage • Romanitas • Waterplays • Zoomorphism • Remediation • South Asian Art • Humanist imagery • Rooster • Fountains • Global Art • Body • Ecfrasis • Neoacademism • Modernism • New Renaissance • Tombs • Picasso • Jacopo Foscarini • Claudio Tolomei • Ornament • The Italian Metamorphosis 1943-1968 • Masson • Metamorphosis • Pakistani Art • Basilisk • Made in Italy • Sacred space • Saint marina
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language en, EN, it
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