Metamorphosis
open access | peer reviewedKeywords Arp • Tombs • Snake • Waterplays • New Renaissance • Monster • Fountains • Olga Tobreluts • Arch • Biomorphic Abstraction • Romanitas • Armour • Jacopo Foscarini • Renaissance hydraulic engineering • Venice • Animality • Medieval churches • Germano Celant • Sacred space • Ecfrasis • Transnational Art • Basilisk • Videoart • Annibal Caro • Liturgical furnishings • Postwar Print Art • Masson • Venetian self-representation • Birolli • Facial Mutilations • Humanist imagery • Contemporary Art • Zadar • Battle of Lepanto • Ornament • Guggenheim Museum • Parody • Rooster • Saint marina • Trauma • Body • South Asian Art • Forties • War • Modernism • Claudio Tolomei • Remediation • Pakistani Art • Global Art • Viani • Digital Collage • Zoomorphism • Neoacademism • The Italian Metamorphosis 1943-1968 • Medieval oriental cults • Metamorphosis • Grotesque • Arte povera • Picasso • Made in Italy
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Published Dec. 20, 2023 | Language it, EN, en
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