Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords History • Amerindian women • Aníbal Quijada • Image of the Native American • Immigration • Los derrotados • History and myth • Nueva Canción Chilena • Objects • Venezuelan literature • Belizean literature • Cry of ‘Ajetreo’ • Luis de Miranda de Villafañe • Traumatic past • Latin-American boom • Dystopian fiction • Enrique Bernardo Núñez • Cultural identity • Sixteenth and seventeenth century historiography • Homosexuality • East and West Indies • Julia de Burgos • Travel books • Peruan literature • Female writing • Poetic language • Theory of mini-fiction • Autobiography • Historical translation • Reportage • Fernández de Lizardi • Situated poetry • Amazonian literature • Private journal • Queer • Inti-Illimani • Modernity • Unspeakable • Otherness • Gender • Mini-fiction in Peru • The Notebooks of the Earth • Neo-baroque • Oscar Martínez • Myth • Pornographic Photography • Cultural exchanged • Fernando Birri • Monster • Graphic journalism • Cono Sur • Ecocriticism • Short story • Documentary photography • Realism • Spanish Empire • Conquest in the media • Literary theory • Post-dictatorship Argentine culture • Urban novel • Rosa Chávez Juárez • Intimism • Identity • Maya poetry • Malvinas War • Luis Martín Guzmán • Diamela Eltit • Historical poetry • History of women • American myth • Lima • Conqueror • Mariano Azuela • Biography • Pampa Gringa • Hybridisation • Albert Bensoussan • Migration • Fantastic literature • Siete Ciudades de Cíbola • Argentine Pampa Gringa • Mexicas • Novel • Poem • Intertextuality • Carlos Sabat Ercasty • Corporality • US-Mexican border • The Neighbourhood • Cuba • Silvina Ocampo • Bolivia • Cinco esquinas • Romance • Contemporary Argentine narrative • La cicatrice • Central America • Francisco Vázquez de Coronado • Jorge Enrique Adoum • Pablo Montoya • Landscape • Historic novel • Mini-fiction • Columbia • Memory • Maya Cu • Gastón Gori • Nomadic subject • Horacio Quiroga • Irrepresentability • Self-fiction • Self-translation • Geopoetics • Translation • Unheimlich • Manuel Gálvez • Posthuman • Illustrations • Italian emigrant-individual crisis • Rewriting • Cultural memory • Theatre • Conquest • Mexican Conquest • Reinaldo Arenas • Narrative journalism • Narrative space • La sed del ojo • Synthesis • Mauricio Rosencof • Colonization • Falklands War • Literary fiction • Female identity • Oral history • Environment • Religions • Andean music • Exile • Mauricio Magdaleno • XXI century • Literature and photography • Paiche • Los Calchakis • Chile en monte, valle y mar • Jorge Ibargüengoitia • Science-fiction • Uruguayan poetry • Amparo Dávila • Mario Vargas Llosa • Literature • Migration studies • Illness • Drug trafficking • Minorities • Migratory literature • Lina Meruane • Graphic novel • History of reading • Neorealism • Belizean Maya culture • México • Encounter • Pablo Escobar • Quechua • Río de la Plata • Power • José María Arguedas • Mario Bellatin • Globalised societies-multiple identity • New World • Andrea Ferraris • Contemporary Argentine literature • Latin America • Peruvian literature • Reception • Centroamérica • Ernesto Che Guevara • Contemporary Argentinian literature • Body • Guadalupe Nettel • Amado Chan • Pearls exploitation • La virgen del Samiria • Marcela Turati • Metamorphosis • Escuela de Santa Fe • Textuality • Religious syncretism • Monteiro Lobato • Autofiction • Mestizo • Multiculturality of Belize • Creative Friendship • Indigenous • Briceida Cuevas Cob • Fernando Monacelli • Science fiction • Utopia • Mexican Revolution • Hierophany • Italian reception of Latin-American music • Mexican-American war • Literature of the self • Samanta Schweblin • Churubusco • Self-reflexivity • Testimony literature • Dictatorship • Fray Marcos de Niza • Selective traditions • Autobiographical genre • Policies of memory • Detective stories • Mayan poetry

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua it, pt, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.