Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Female identity • Synthesis • Theatre • Cultural identity • Cultural memory • Cultural exchanged • Belizean Maya culture • Poetic language • Short story • Image of the Native American • Translation • Body • Monteiro Lobato • Homosexuality • Malvinas War • Literary fiction • Multiculturality of Belize • La cicatrice • Fantastic literature • Bolivia • Lina Meruane • Traumatic past • East and West Indies • Conquest • Identity • Power • Lima • Amparo Dávila • Contemporary Argentine narrative • Theory of mini-fiction • XXI century • Female writing • Urban novel • History • Migratory literature • Self-reflexivity • Autobiographical genre • Utopia • History of reading • Guadalupe Nettel • Luis de Miranda de Villafañe • The Neighbourhood • Private journal • Pablo Escobar • Venezuelan literature • Nomadic subject • Exile • Unspeakable • Posthuman • Landscape • Fernández de Lizardi • Corporality • Objects • Historic novel • Oral history • Chile en monte, valle y mar • Mini-fiction • Documentary photography • Churubusco • Graphic novel • Gender • Historical translation • Intimism • Peruvian literature • Literature • Religions • Inti-Illimani • Drug trafficking • Briceida Cuevas Cob • Julia de Burgos • Fernando Monacelli • Carlos Sabat Ercasty • Situated poetry • Gastón Gori • Geopoetics • Indigenous • Latin-American boom • Metamorphosis • México • Luis Martín Guzmán • Central America • Science fiction • Albert Bensoussan • Selective traditions • Cuba • Testimony literature • Memory • Self-translation • Policies of memory • The Notebooks of the Earth • Spanish Empire • Globalised societies-multiple identity • Mario Bellatin • Encounter • Fray Marcos de Niza • Otherness • Dystopian fiction • Mariano Azuela • Queer • Maya Cu • Los derrotados • Ecocriticism • Intertextuality • Textuality • Neorealism • Pampa Gringa • Dictatorship • Migration studies • Literary theory • Mauricio Rosencof • Latin America • Narrative space • Fernando Birri • Historical poetry • Mauricio Magdaleno • Novel • Manuel Gálvez • Jorge Ibargüengoitia • Reception • US-Mexican border • José María Arguedas • Contemporary Argentinian literature • Jorge Enrique Adoum • Biography • Río de la Plata • Andrea Ferraris • Diamela Eltit • Falklands War • Columbia • History of women • Science-fiction • Cry of ‘Ajetreo’ • Uruguayan poetry • Quechua • Mini-fiction in Peru • Silvina Ocampo • Francisco Vázquez de Coronado • Religious syncretism • Cinco esquinas • Hierophany • Immigration • Siete Ciudades de Cíbola • Environment • Cono Sur • Modernity • Conquest in the media • Pornographic Photography • Oscar Martínez • Marcela Turati • Mario Vargas Llosa • Reportage • Poem • Neo-baroque • Argentine Pampa Gringa • New World • Romance • Peruan literature • Colonization • La virgen del Samiria • Pearls exploitation • Amazonian literature • Horacio Quiroga • Literature and photography • Mayan poetry • Mexican Revolution • Centroamérica • Minorities • Unheimlich • American myth • Enrique Bernardo Núñez • Belizean literature • Monster • Post-dictatorship Argentine culture • Autobiography • La sed del ojo • Los Calchakis • Escuela de Santa Fe • Aníbal Quijada • Paiche • Rewriting • Amerindian women • Realism • Italian reception of Latin-American music • Pablo Montoya • Samanta Schweblin • Detective stories • Mexican-American war • Reinaldo Arenas • Illness • Travel books • Nueva Canción Chilena • Narrative journalism • Italian emigrant-individual crisis • Contemporary Argentine literature • History and myth • Maya poetry • Ernesto Che Guevara • Illustrations • Literature of the self • Graphic journalism • Hybridisation • Creative Friendship • Mestizo • Rosa Chávez Juárez • Sixteenth and seventeenth century historiography • Migration • Autofiction • Mexican Conquest • Andean music • Amado Chan • Irrepresentability • Myth • Self-fiction • Mexicas • Conqueror

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, pt, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.