Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

crossmark logo

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Contemporary Argentine literature • Manuel Gálvez • Autobiography • Luis de Miranda de Villafañe • Monteiro Lobato • Albert Bensoussan • Conqueror • Literature of the self • Post-dictatorship Argentine culture • Minorities • Belizean Maya culture • Mini-fiction in Peru • Fernando Monacelli • Exile • Pablo Escobar • Falklands War • Mauricio Magdaleno • Geopoetics • The Notebooks of the Earth • Private journal • Central America • La virgen del Samiria • Power • Diamela Eltit • Churubusco • Synthesis • Pampa Gringa • Luis Martín Guzmán • Unspeakable • Mayan poetry • Modernity • Travel books • Uruguayan poetry • Argentine Pampa Gringa • Colonization • Fernández de Lizardi • Hybridisation • Theory of mini-fiction • Fantastic literature • Science-fiction • Conquest in the media • Cuba • Gastón Gori • Poem • Peruan literature • Irrepresentability • Romance • Gender • Maya Cu • Body • American myth • Graphic journalism • Illustrations • Amado Chan • Reinaldo Arenas • Mexican-American war • Spanish Empire • Fernando Birri • Fray Marcos de Niza • Utopia • Globalised societies-multiple identity • Intertextuality • Malvinas War • Bolivia • Corporality • Oscar Martínez • Paiche • Maya poetry • Traumatic past • Autofiction • Peruvian literature • Cono Sur • Reception • Literary theory • History and myth • New World • Translation • Migration studies • Quechua • La cicatrice • Contemporary Argentine narrative • Queer • Intimism • Dystopian fiction • Conquest • Pablo Montoya • Documentary photography • Illness • José María Arguedas • Lima • Nomadic subject • Historical poetry • Science fiction • Encounter • Policies of memory • History • Mario Bellatin • Biography • Inti-Illimani • Mexican Revolution • Literature • Aníbal Quijada • Pornographic Photography • The Neighbourhood • Chile en monte, valle y mar • Creative Friendship • Mexicas • Mauricio Rosencof • Migration • Contemporary Argentinian literature • Lina Meruane • History of women • Metamorphosis • Religions • Carlos Sabat Ercasty • Neorealism • Ecocriticism • Cinco esquinas • Rewriting • Textuality • Environment • US-Mexican border • Sixteenth and seventeenth century historiography • Mariano Azuela • Selective traditions • XXI century • Self-reflexivity • East and West Indies • Theatre • Drug trafficking • Los Calchakis • Amerindian women • Amazonian literature • Italian reception of Latin-American music • Memory • Unheimlich • Reportage • Posthuman • Jorge Ibargüengoitia • Dictatorship • Mini-fiction • México • Centroamérica • Los derrotados • Cultural identity • Self-fiction • Silvina Ocampo • Pearls exploitation • Julia de Burgos • Homosexuality • History of reading • Mestizo • Multiculturality of Belize • La sed del ojo • Cultural memory • Enrique Bernardo Núñez • Latin America • Novel • Rosa Chávez Juárez • Oral history • Urban novel • Siete Ciudades de Cíbola • Río de la Plata • Literary fiction • Neo-baroque • Poetic language • Autobiographical genre • Jorge Enrique Adoum • Monster • Religious syncretism • Francisco Vázquez de Coronado • Female writing • Samanta Schweblin • Identity • Testimony literature • Andean music • Cry of ‘Ajetreo’ • Marcela Turati • Female identity • Landscape • Briceida Cuevas Cob • Belizean literature • Immigration • Amparo Dávila • Mexican Conquest • Short story • Mario Vargas Llosa • Horacio Quiroga • Graphic novel • Indigenous • Otherness • Narrative space • Nueva Canción Chilena • Situated poetry • Image of the Native American • Columbia • Myth • Hierophany • Ernesto Che Guevara • Objects • Historic novel • Italian emigrant-individual crisis • Detective stories • Guadalupe Nettel • Historical translation • Literature and photography • Self-translation • Cultural exchanged • Andrea Ferraris • Escuela de Santa Fe • Latin-American boom • Venezuelan literature • Narrative journalism • Realism • Migratory literature

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, it, es

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.