Biblioteca di Rassegna iberistica

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Volume 14 | Miscellanea | America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords XXI century • Cultural identity • Manuel Gálvez • Hierophany • Geopoetics • Nomadic subject • Self-fiction • The Notebooks of the Earth • Los Calchakis • Francisco Vázquez de Coronado • Realism • Hybridisation • Sixteenth and seventeenth century historiography • Silvina Ocampo • Mexican Revolution • Uruguayan poetry • Fantastic literature • Pablo Montoya • Cono Sur • Dystopian fiction • Churubusco • Globalised societies-multiple identity • Memory • Literary theory • History and myth • Mauricio Magdaleno • Mauricio Rosencof • Mexican Conquest • Synthesis • Marcela Turati • Malvinas War • Situated poetry • Ecocriticism • Los derrotados • Jorge Ibargüengoitia • Utopia • Mario Vargas Llosa • Objects • Literature • Irrepresentability • México • Science fiction • Peruvian literature • Mariano Azuela • Policies of memory • Jorge Enrique Adoum • Julia de Burgos • Historical poetry • Samanta Schweblin • The Neighbourhood • Migratory literature • Gender • History of women • Minorities • Reception • Lina Meruane • Multiculturality of Belize • Textuality • Female identity • Luis de Miranda de Villafañe • Rosa Chávez Juárez • Urban novel • Otherness • José María Arguedas • Unspeakable • Posthuman • Graphic novel • Religions • Cry of ‘Ajetreo’ • Venezuelan literature • History of reading • Illness • Private journal • Testimony literature • Female writing • Poetic language • Theory of mini-fiction • Homosexuality • US-Mexican border • Creative Friendship • Identity • Literature of the self • Poem • Science-fiction • Contemporary Argentine literature • Italian emigrant-individual crisis • Translation • American myth • Monster • Guadalupe Nettel • Corporality • Italian reception of Latin-American music • Latin America • Image of the Native American • Mini-fiction • Rewriting • Literary fiction • Argentine Pampa Gringa • Immigration • Cinco esquinas • Amerindian women • Río de la Plata • Paiche • Biography • Carlos Sabat Ercasty • Spanish Empire • Fernando Monacelli • Selective traditions • Body • Drug trafficking • Intimism • Neorealism • Falklands War • Ernesto Che Guevara • Intertextuality • History • Self-translation • Albert Bensoussan • Lima • Illustrations • Inti-Illimani • Neo-baroque • Siete Ciudades de Cíbola • Oral history • Mario Bellatin • Colonization • Dictatorship • Historical translation • Self-reflexivity • Theatre • Escuela de Santa Fe • Narrative journalism • Latin-American boom • Luis Martín Guzmán • Graphic journalism • Post-dictatorship Argentine culture • New World • Amazonian literature • Andrea Ferraris • Fernando Birri • Oscar Martínez • Conquest in the media • Central America • Exile • Fray Marcos de Niza • Gastón Gori • Pornographic Photography • Modernity • Conquest • Power • Belizean Maya culture • Landscape • Mestizo • Diamela Eltit • Cuba • Narrative space • Aníbal Quijada • Centroamérica • Conqueror • Literature and photography • La cicatrice • Short story • Amparo Dávila • Contemporary Argentinian literature • Novel • Pearls exploitation • Bolivia • Mini-fiction in Peru • Detective stories • Queer • Columbia • Reinaldo Arenas • Traumatic past • Autobiographical genre • Enrique Bernardo Núñez • Belizean literature • Mayan poetry • Amado Chan • Briceida Cuevas Cob • Nueva Canción Chilena • Environment • East and West Indies • Maya poetry • Indigenous • Migration studies • Monteiro Lobato • Unheimlich • Chile en monte, valle y mar • Documentary photography • La sed del ojo • Autofiction • Autobiography • Myth • Encounter • Cultural exchanged • Reportage • Quechua • Pampa Gringa • Cultural memory • Metamorphosis • Contemporary Argentine narrative • Maya Cu • Pablo Escobar • Mexicas • Fernández de Lizardi • Horacio Quiroga • La virgen del Samiria • Mexican-American war • Romance • Religious syncretism • Migration • Andean music • Historic novel • Peruan literature • Travel books

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua pt, es, it

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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