Biblioteca di Rassegna iberistica

America: il racconto di un continente | América: el relato de un continente

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open access | peer reviewed
    a cura di
  • Susanna Regazzoni - Università Caʼ Foscari Venezia, Italia - email orcid profile
  • Fabiola Cecere - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Keywords Intimism • Peruvian literature • Latin-American boom • Migration studies • History and myth • Inti-Illimani • Pearls exploitation • Dictatorship • Mexican-American war • Hierophany • Lima • Mauricio Rosencof • Literary theory • Minorities • Multiculturality of Belize • Myth • Malvinas War • Belizean Maya culture • Sixteenth and seventeenth century historiography • Reinaldo Arenas • Andean music • Jorge Ibargüengoitia • Narrative space • Environment • Irrepresentability • Historic novel • Italian reception of Latin-American music • Textuality • Short story • Marcela Turati • Monster • New World • Amerindian women • Poetic language • Escuela de Santa Fe • Neorealism • US-Mexican border • Female writing • Maya poetry • La sed del ojo • Luis Martín Guzmán • Peruan literature • Pornographic Photography • Exile • Fantastic literature • Homosexuality • Mario Vargas Llosa • Translation • History of women • Mario Bellatin • The Neighbourhood • Geopoetics • Otherness • Novel • Mexicas • Centroamérica • Falklands War • Literature of the self • Bolivia • Los derrotados • Manuel Gálvez • Mariano Azuela • Uruguayan poetry • Pablo Escobar • Religious syncretism • Argentine Pampa Gringa • Realism • Mauricio Magdaleno • Policies of memory • Julia de Burgos • Andrea Ferraris • Female identity • Chile en monte, valle y mar • Corporality • Unspeakable • Narrative journalism • Río de la Plata • Churubusco • Cry of ‘Ajetreo’ • Latin America • Siete Ciudades de Cíbola • Historical poetry • Selective traditions • Modernity • Illness • Cultural identity • Self-fiction • Unheimlich • Italian emigrant-individual crisis • Romance • Globalised societies-multiple identity • Amparo Dávila • Metamorphosis • Identity • Illustrations • Spanish Empire • Albert Bensoussan • Los Calchakis • José María Arguedas • Horacio Quiroga • Autobiography • Colonization • Cultural memory • Fernando Monacelli • Luis de Miranda de Villafañe • Mexican Conquest • The Notebooks of the Earth • Theory of mini-fiction • Guadalupe Nettel • History • Rosa Chávez Juárez • Literature • Private journal • Traumatic past • Graphic journalism • Nomadic subject • Briceida Cuevas Cob • Enrique Bernardo Núñez • Francisco Vázquez de Coronado • History of reading • Mini-fiction in Peru • Self-translation • Carlos Sabat Ercasty • Rewriting • East and West Indies • Memory • Cinco esquinas • Power • Synthesis • Central America • Mini-fiction • Autobiographical genre • Cono Sur • Aníbal Quijada • Dystopian fiction • Quechua • Venezuelan literature • Conqueror • Oscar Martínez • Paiche • Literary fiction • Fernández de Lizardi • Amazonian literature • La virgen del Samiria • Pampa Gringa • Fernando Birri • Belizean literature • Monteiro Lobato • Hybridisation • Indigenous • Jorge Enrique Adoum • Reportage • Samanta Schweblin • Theatre • Image of the Native American • Encounter • Body • Historical translation • Utopia • Ecocriticism • American myth • Nueva Canción Chilena • Drug trafficking • Lina Meruane • Migration • Poem • Contemporary Argentinian literature • Contemporary Argentine literature • Biography • Mexican Revolution • Oral history • Maya Cu • Ernesto Che Guevara • Diamela Eltit • Urban novel • México • Self-reflexivity • Science fiction • Mayan poetry • Columbia • Literature and photography • Migratory literature • Religions • Documentary photography • Autofiction • Post-dictatorship Argentine culture • Gender • Detective stories • Science-fiction • Graphic novel • Neo-baroque • Conquest in the media • Situated poetry • Immigration • Cuba • Objects • Creative Friendship • Reception • Gastón Gori • Intertextuality • Amado Chan • Queer • Landscape • Mestizo • Testimony literature • Silvina Ocampo • Posthuman • Cultural exchanged • Conquest • La cicatrice • Contemporary Argentine narrative • XXI century • Fray Marcos de Niza • Pablo Montoya • Travel books

Permalink http://doi.org/10.30687/978-88-6969-319-9 | e-ISBN 978-88-6969-319-9 | ISBN (PRINT) 978-88-6969-320-5 | Numero pagine 672 | Dimensioni 16x23cm | Pubblicato 14 Maggio 2019 | Lingua es, it, pt

Copyright © 2019 Susanna Regazzoni, Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.