59 | 2023
open access | peer reviewedKeywords Neoliberalism and Consumerism • Japan • Labour • Buke Kojitsu • Sociology of literature • Ideology • Lee Wai Yi • Venice • Christianity in Chinese literature • Japanese photography • Xiaolu Guo • Window • Rhyme • Korean New Women • Persian poetry • Salim Barakat • Fragments d’un discours amoureux • Intercultural communication • Kawakami Hiromi • Boat symbolism • Ossetic • Ecolinguistics • Protohistoric art • Spolia • Indo-European Languages • Buddhism • Chinese literature • Japanese compounds • Ḥurūf-i qāfiya • Republican Era literature • Marsiya • History of photography • Women artists • Colonial subject • Socio-cultural signs • Imām Ḥusayn • Conceptual combination • Decorated tombs • Literature and poetical imagery • Political Islam • Etymology • Gandhara • Armenian church • Safavid-Venetian relations • Tensho embassy • Donors • Identity • Yi lü ma • Literary translation • Christianisation processes • Collective sphere • Islamic movements • Bao Tianxiao • Dystopian novel • Takao Suzuki • Colour as a sign • A Lover’s Discourse • Kanji • Qie ming bo • Neoclassical compounds • Eastern Iranian Languages • Diplomatic history • Onomasiological approach • Posthuman existences • Dictatorship • Yanagi Miwa • Egypt • Japanese case particles • Sinophone literature • Individuality • Ulysses • Roland Barthes • Japanese archaeology • Appositive compounds • Ch’oe Yŏngsuk (Choi Young-Sook) • Ghost narrative • Ise • Venice Art Biennale • Translation strategies • Contemporary Arabic literature • Kofun Period • Binomens • Independence movement • Signified • Zaynab al-Ghazālī al-Ǧabīlī • Cultural references • Religious change • Workers’ poetry • Armenian translation • Kyōgen • Migrant workers’ poetry • Manichaean texts • Gendered language • Memories • Sima Qian • Ernst Haeckel • Environment • Medieval reuses • Urartian inscriptions • Nausicaa episode • Elite women in Modern Korea • Elena Ferrante in China • Mandarin Ducks and butterflies • Archaeology • Adolescents • Manichaean alphabet • Women • Asian religions in Italy • Contemporary Chinese literature • Ritual • Gushi Xinbian • Muslim Brotherhood • Safavid envoys • Ishiuchi Miyako • Women photographers • Lu Xun • Short story “Medicine” • Devotional literature • Šams-i Qays • International student • Persian language • Early new Persian • Intertextuality • Jesus in Chinese literature • Signifier • Sociolinguistic variation • Cai Wei • Portrait • Ceremony • Syrian novel • Japanese female photography • James Joyce • Materiality • Art • Translation analysis • Chinese • Politics • Ᾱghā khān • Poetics of ‘propensity’ • Khojas • Colonial Korea • Education • Khachkar • British colonial rule • Early modern travel • Jesuit • Kakari-musubi • Hope and despair • Rewriting history • Lai Hsiang-yin • Nasserism • Impact assessment • Kyūshū • Toraakirabon • Compounding • Late Middle Japanese • Technology • Manners • Islamicate Manichaeism • Sixteenth century
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, it, en
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