59 | 2023
open access | peer reviewedKeywords Japanese photography • Jesuit • Urartian inscriptions • Ulysses • Buke Kojitsu • Republican Era literature • Dictatorship • Asian religions in Italy • Gandhara • Etymology • History of photography • Bao Tianxiao • Environment • Women photographers • Literary translation • Individuality • Egypt • Hope and despair • Indo-European Languages • Colour as a sign • Neoliberalism and Consumerism • Mandarin Ducks and butterflies • Memories • Qie ming bo • Labour • Binomens • Compounding • Elite women in Modern Korea • Onomasiological approach • Ghost narrative • Safavid envoys • Salim Barakat • Portrait • Conceptual combination • Donors • Migrant workers’ poetry • Ise • Independence movement • Archaeology • Islamicate Manichaeism • Spolia • Kakari-musubi • A Lover’s Discourse • Protohistoric art • Short story “Medicine” • Zaynab al-Ghazālī al-Ǧabīlī • Fragments d’un discours amoureux • Chinese literature • Art • Ceremony • Kyūshū • Gendered language • International student • Workers’ poetry • Religious change • Cultural references • Persian poetry • Marsiya • Poetics of ‘propensity’ • Education • Chinese • Ecolinguistics • Translation analysis • Xiaolu Guo • Identity • Manichaean alphabet • Technology • Armenian translation • Cai Wei • Khojas • Ernst Haeckel • Sixteenth century • Socio-cultural signs • Sociolinguistic variation • Appositive compounds • Translation strategies • Syrian novel • Impact assessment • Sinophone literature • Early modern travel • Muslim Brotherhood • Nausicaa episode • Safavid-Venetian relations • Sociology of literature • Ideology • Kofun Period • Toraakirabon • Korean New Women • Signified • Diplomatic history • Manichaean texts • Japanese case particles • Kawakami Hiromi • Women artists • Manners • Gushi Xinbian • Decorated tombs • Boat symbolism • Khachkar • Ch’oe Yŏngsuk (Choi Young-Sook) • Devotional literature • Roland Barthes • Kyōgen • Window • Japanese archaeology • Ḥurūf-i qāfiya • Eastern Iranian Languages • Yi lü ma • Adolescents • Imām Ḥusayn • Sima Qian • James Joyce • Materiality • Women • Christianity in Chinese literature • Ritual • Ossetic • Japanese compounds • Venice Art Biennale • Buddhism • Rhyme • Jesus in Chinese literature • Late Middle Japanese • Colonial subject • Venice • Medieval reuses • Colonial Korea • Elena Ferrante in China • Ᾱghā khān • Islamic movements • Intercultural communication • Political Islam • Tensho embassy • Lee Wai Yi • Christianisation processes • Nasserism • Politics • Šams-i Qays • Armenian church • Ishiuchi Miyako • Japan • Contemporary Arabic literature • Literature and poetical imagery • Rewriting history • Signifier • Persian language • Yanagi Miwa • Early new Persian • Contemporary Chinese literature • Kanji • British colonial rule • Lu Xun • Takao Suzuki • Collective sphere • Intertextuality • Posthuman existences • Neoclassical compounds • Dystopian novel • Lai Hsiang-yin • Japanese female photography
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2023/01 | Pubblicato 29 Agosto 2023 | Lingua fr, en, it
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