Rassegna iberistica

45 | 118 | 2022

open access | peer reviewed

Keywords Posthumous editions • Science • Normalisation • Haiku • Fiaba • Death in Spring • Cine mudo italiano • Normalització • Rol docente • Narrativa femminile • Rosa Montero • Cine mudo • Cartoneras del siglo XXI • Interacción • Biografía • Diario • Collaboration • Non-verbal communication • Literatura catalana • Argentine crime literature • Poetry translation • Communication • Silvina Ocampo • Gender • Edicions pòstumes • Marie Curie • Didáctica a distancia • Genere • Twenty-first century women’s cartoneras • Comunicación no verbal • Haicai • Colaboración • Cinema distribution • Novela • Biography • Literary polemics • Mercè Rodoreda • Women’s fiction • Literatura criminal argentina • Pastiche • Virtual learning • Hermeneutic interpretation • History of Spanish cinema • Ciencia • Eloísa Cartonera • Polèmica literària • Silent cinema • Frankfurt Book Fair • Nobel Prize • Dimensión afectiva • Writing process • Comunicación • Jorge de Sena • Stereotypes • Distance learning • Tradução de Poesia • Syria Poletti • Affective dimension • Catalan literature • Novel • Coproducción cinematográfica • María Angélica Bosco • Distribución cinematográfica • Historia del cine español • Luisa Valenzuela • Film co-production • Motivation • Stereotipi • Segundas lenguas • Italian silent cinema • Fira del Llibre de Frankfurt • Second languages • Interaction • La mort i la primavera • Fairy tale • Didáctica virtual • Buenos Aires • Catalan culture • Diary • Interpretació hermenèutica • Bashô • Procés d’escriptura • Cultura catalana • Premi Nobel • Motivación • Géneros poéticos • Quim Monzó

Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua pt, es, ca, it

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