Rivista |
Rassegna iberistica
Fascicolo | 45 | 118 | 2022
Keywords Normalització • Poetry translation • Literary polemics • Film co-production • Jorge de Sena • Stereotypes • Communication • Literatura catalana • Silent cinema • Cine mudo • Second languages • Marie Curie • Fairy tale • Bashô • Novel • Comunicación no verbal • Novela • Rosa Montero • Argentine crime literature • Writing process • Pastiche • Silvina Ocampo • Premi Nobel • Death in Spring • Biografía • Women’s fiction • María Angélica Bosco • La mort i la primavera • Tradução de Poesia • Nobel Prize • Syria Poletti • Frankfurt Book Fair • Historia del cine español • Affective dimension • Didáctica a distancia • Coproducción cinematográfica • Genere • Haiku • Diary • Cultura catalana • Gender • Catalan literature • Literatura criminal argentina • Géneros poéticos • Motivation • Ciencia • Dimensión afectiva • Non-verbal communication • Science • Distance learning • Procés d’escriptura • Interaction • Virtual learning • Catalan culture • Motivación • Posthumous editions • Cine mudo italiano • Diario • Edicions pòstumes • Italian silent cinema • Fira del Llibre de Frankfurt • Fiaba • Polèmica literària • Biography • Mercè Rodoreda • Colaboración • Segundas lenguas • Distribución cinematográfica • Interacción • Cartoneras del siglo XXI • Comunicación • Quim Monzó • Luisa Valenzuela • Rol docente • Buenos Aires • History of Spanish cinema • Hermeneutic interpretation • Cinema distribution • Stereotipi • Twenty-first century women’s cartoneras • Normalisation • Haicai • Eloísa Cartonera • Collaboration • Didáctica virtual • Narrativa femminile • Interpretació hermenèutica
Permalink http://doi.org/10.30687/Ri/2037-6588/2022/19 | Pubblicato 16 Dicembre 2022 | Lingua es, it, ca, pt
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Articoli
Note
Recensioni
Pubblicazioni ricevute