Gore ot uma di Olga Tobreluts: la metamorfosi di un…

« articolo precedente | articolo successivo »

Campo DC	Valore
dc.identifier	ECF_article_15212
dc.title	Gore ot uma di Olga Tobreluts: la metamorfosi di un classico
dc.contributor.author	Redaelli Maria
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2023/1/gore-ot-uma-di-olga-tobreluts-la-metamorfosi-di-un/
dc.description.abstract	The contribution proposes an analysis of the transposition of a great classic Russian comedy on screen. We will consider one of the pioneering Russian videoart projects, the Gore ot uma (Woe from Wit) (1994) by Olga Tobreluts. The work presents itself as the representation on the screen of the nineteenth century famous pièce by Alexandr Griboedov. But as the video begins it is suddenly clear it is not just merely a mise en scène. As Bruce Sterling pointed out it results to be more appropriate referring to it as an act of ‘mutation’. The work explores the possibilities of digital collage, mixing various references to different époques, uniting past and present.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 32 \| Dicembre 2023
dc.issued	2023-12-20
dc.dateAccepted	2023-10-31
dc.dateSubmitted	2023-08-31
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/VA/2385-2720/2023/01/009
dc.peer-review	yes
dc.subject	Digital Collage
dc.subject	Neoacademism
dc.subject	Olga Tobreluts
dc.subject	Parody
dc.subject	Remediation
dc.subject	Videoart

Articolo
open access peer reviewed

Gore ot uma di Olga Tobreluts: la metamorfosi di un classico

Maria Redaelli Università Ca’ Foscari Venezia, Italia

VIEW PDF DOWNLOAD PDF

abstract

The contribution proposes an analysis of the transposition of a great classic Russian comedy on screen. We will consider one of the pioneering Russian videoart projects, the Gore ot uma (Woe from Wit) (1994) by Olga Tobreluts. The work presents itself as the representation on the screen of the nineteenth century famous pièce by Alexandr Griboedov. But as the video begins it is suddenly clear it is not just merely a mise en scène. As Bruce Sterling pointed out it results to be more appropriate referring to it as an act of ‘mutation’. The work explores the possibilities of digital collage, mixing various references to different époques, uniting past and present.

Pubblicato

20 Dicembre 2023

Accettato

31 Ottobre 2023

Presentato

31 Agosto 2023

Lingua

Keywords: Videoart • Olga Tobreluts • Remediation • Neoacademism • Digital Collage • Parody

permalink http://doi.org/10.30687/VA/2385-2720/2023/01/009

Copyright: © 2023 Maria Redaelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Citazioni verso questo capitolo

How to cite