Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

crossmark logo

open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Abstraction • Gunch • Art Nouveau • Contemporary Soviet Art • Post-media condition • Marble slab • Soviet painting • Quattrocento • Easel painting • Bouchot • Islimi • Apocalypse • Soviet painter • National style • Medieval mosaic floor • Post-Impressionism • Nineteenth-century France • Shape of water • Systems • Easel Painters’ Society • Allegory for peace • Proto-Renaissance • Project Method – Dynamics • Tangible forms • Miniature • Perception • Post-soviet art • Christianism • Visual perception • Museum of Painterly Culture • Girikh • Statics • Speculative cinema • ‘Peace’ • Peltae pattern • Nineteenth-century editions • Compositional axes • Central Asian architectural décor • ‘Motherland’ • Italian painting • Woodcut • Monumental painting • Nostalgia • Дмитрий Жилинский • Stucco • Russian art • Symbols • Artistic reception • Book illustration • Weimar art • Parody • Edwardian gift book • Non-European art exhibitions • Reception • Artie Vierkant • Art ‘before Raphael’ • Print • YouTube • Videographic criticism • Nicholas Roerich • Unity of West and East • Non finito • Joseph Margolis • Timur Novikov • Italian Studies • Formula similarity • Art history and ethnography • Religion • Prophecy • Dogma • Kazan railway station • Celebration of unity • Roger Fry • Allegory of Russia • Old masters • Richard Wollheim • Interpretation • Eugene Lanceray • Type-token distinction • Pre-Columbian collections • Pre-Columbian art • VKHUTEMAS • Venturi • History of collections • Livre d’artiste • Influence • 15th century • Post-soviet society • Soviet architectural décor • Expressionism • Academicism • Dmitry Zhilinsky • Canon • Postcolonial studies • Berlin Dada • Film studies • Islamic architectural ornament • Art ontology • New Objectivity • Modernism

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.