Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Forgers • Gabriele Paleotti • Sociology • Venice’s Lido • Pierre Bourdieu • Jewish cemetery • Steve McQueen • Objects • Art market • Osthoff • Claes Oldenburg • Howard Becker • Gesture • Arsenale • Ulisse Aldrovandi • Visual arts • Art worlds • Gatekeeper • Mediations • Venice • ‘The Store’ • Pragmatism • Douglas Gordon • Pirro Ligorio • Antiquarians • Art • Restoration • Nature • Giuseppe Mazzotti • Realm of art • Contemporary art • Art field • Armstrong and Mitchell Cran • Cultural policy • Academy • Guardi • Exhibition • Identity formation • Museum • Entrepreneur • Border crossing • Industrial heritage • Keeper • Gatekeepers • Opera • Production • Fashion • Fashion studies • Federico Pendasio • Early photography • Photography • Antonio Morassi • Consumer culture • History • Material culture • Cultural heritage of Venezia Giulia and Istria • Philosophical disenfranchisement • Intermediaries • Michelangelo Muraro • Grotesque • Archival photographs • Arthur Danto • Damien Hirst • Venetian villas • Venetian Veduta • History of dress • Individual • Ouverture • Philosophy of art • Curator • Caucasus

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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